Thiefs: Thiefs

What might seem like a grammatical gaffe in the self-titled debut of Thiefs is not an oversight. What's more striking is the music from the forward-thinking trio of Guillermo E. Brown, bassist Keith Witty, and saxophonist Christophe Panzani; a group whose combined resumes include work with Carla Bley Big Band, French hip-hop outfit Hocus Pocus, Vijay Iyer and the late David S. Ware.

The project was created by the sponsorship of a French American Jazz Exchange grant, a joint program of FACE (French American Cultural Exchange) and the Mid Atlantic Arts Foundation. The fruit of the labor is palpable—a release that is appealing to a variety of persuasions but not easily categorized. The seminally-minded artists and producers create an electro-acoustic atmosphere of stimulating themes that encompasses everything from sweaty drum-n-bass grooves in the opening track to the exploration of avant-garde pop and jazz in "Olive Island."

This cauldron of processed and real sounds is seamlessly blended into wiry compositions of jazz, pop and electronica as the trio exploits the use of technological tools while displaying their instrumental chops. The vortex of "Hurricane Daze" swirls samples, loops, and varied noises into a gritty dance rhythm, whereas "Sans Titre (Huile Sur Toile)" is a rousing acoustic track with impressive work from French accordionist Vincent Peirani. The lines are at times blurred but the music always grooves.

The vocal selections, where Brown proves a talented and empathetic singer, make the set even more intriguing by artfully balancing music with unconventional lyrics and edginess in "The World Without Us" and the poignant "Daybaby" which Witty wrote on the day he and his wife confirmed that a baby was on the way. "TWWU (Postlude)" evokes a trippy 1970's Funkadelic and Björk-ish vibe reminiscent of Brown's eclectic pop band/alter-ego—Pegasus Warning.

The trio's statement that "THIEFS is a grammatically incoherent jazz bastardization" is true to form and results in an enjoyable debut that is both exploratory and modernistic.