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Musician

Carla Bley

Born:

Carla Bley was born in Oakland, California in 1936. Her father Emil Borg, a piano teacher and church organist, began giving her music lessons when she was three years old and she was soon playing at church functions. But her musical education ended at the age of eight. Her formal education stopped entirely when she dropped out of high school after completing the tenth grade.

During her adolescence Carla was drawn to jazz and moved to New York City to be closer to the musicians she admired. She resumed her musical education by working as a cigarette girl at the notorious Birdland jazz club, where she was able to hear the greatest jazz musicians of the day. She met pianist Paul Bley and eventually relocated to Los Angeles, where Paul and his quartet had a steady gig at the Hillcrest Club. She began to write music. When saxophonist Ornette Coleman came on the scene in the mid-fifties, Paul Bley immediately hired him and Carla was exposed nightly to ‘free’ playing, a powerful influence that was to affect her writing for many years.

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News: Performance / Tour

New England Conservatory Jazz Orchestra Pays Tribute To A Jazz Great In 'Dreamkeeper: Music Of Carla Bley' On Thursday, October 16

New England Conservatory Jazz Orchestra Pays Tribute To A Jazz Great In 'Dreamkeeper: Music Of Carla Bley' On Thursday, October 16

The NEC Jazz Orchestra, under the direction of Ken Schaphorst, presents Dreamkeeper: Music of Carla Bley on Thursday, October 16. The concert features music composed and arranged by Bley, including “Awful Coffee,” “Greasy Gravy,” “On the Stage in Stages,” and “Jesus Maria.” The 7:30 p.m. concert takes place in Jordan Hall, 290 Huntington Avenue, Boston. Admission ...

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Article: Radio & Podcasts

Last recordings of jazz greats in the 21st century

Read "Last recordings of jazz greats in the 21st century" reviewed by Larry Slater


Creative artists rarely retire. Jazz musicians often continue to perform and record as they age. In this hour you'll hear the final musical statements of jazz musicians in the 21st century.The pianist Hank Jones, whose career spanned over 70 years, recorded his last session at 91. Charlie Haden and Carla Bley knew they were ...

Article: Album Review

Paul Bley Trio: Floater & Syndrome The Upright Piano Sessions Revisited

Read "Floater & Syndrome The Upright Piano Sessions Revisited" reviewed by Giuseppe Segala


Il catalogo Revisited Series dell'etichetta ezz-thetics si va facendo sempre più nutrito, attingendo a storiche registrazioni prese da cataloghi internazionali e focalizzandosi spesso su caposaldi a cavallo tra gli anni Cinquanta e Sessanta. Si potrà dire che il cultore navigato già conosce bene tali opere e magari le possiede in multipla versione, nei supporti più graditi. ...

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Article: Inside The Interview

Arturo O’Farrill: The Arts Belong to the People

Read "Arturo O’Farrill: The Arts Belong to the People" reviewed by Steven Roby


The first thing you notice about Arturo O'Farrill is how completely he turns purpose into sound. Whether he's speaking about water, memory, or the way a room breathes during a concert, the GRAMMY-winning pianist and composer treats music as a living system--one that welcomes humor, fury, and community in equal measure. That sensibility powers his new ...

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Article: Album Review

Olga Amelchenko: Howling Silence

Read "Howling Silence" reviewed by Andrew Hunter


Olga Amelchenko, the Russian born, Paris based saxophonist and composer, is joined here on her fourth recording as leader by a strong ensemble with members old and new. Jesus Vega has been playing drums with Amelchenko for a long while. Canadian guitarist Matthew Stevens, who did such great work with Walter Smith iii, is a new ...

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Article: Play This!

Remembering Sheila Jordan: Sheila's Blues

Read "Remembering Sheila Jordan: Sheila's Blues" reviewed by Ian Patterson


NEA Jazz Master Sheila Jordan, who passed away on August 11, 2025, at the age of 96, will be remembered as one of the great improvising jazz vocalists--imitated by many, bettered by none. Born in Detroit in 1928, Jordan's life-long love affair with jazz began in the 1940s when she heard Charlie Parker. “After ...

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Article: Interview

Jamie Baum: These Are Her Times

Read "Jamie Baum: These Are Her Times" reviewed by Dean Nardi


Jamie Baum is a world-class composer as well as flutist, who smoothly balances woodwinds with horns, guitar, bass, piano and drums so that they are equals. Her compositions can remind you of a Gil Evans arrangement with several decades of development added to create a thoroughly modern milieu. She mixes high-energy with ballads and Western foundations ...

Article: Album Review

Nils Agnas: Nils Agnas Koper Sig Ur En Kris

Read "Nils Agnas Koper Sig Ur En Kris" reviewed by Vincenzo Roggero


Nils Agnas, non ancora trentenne batterista svedese, è il più giovane rappresentante di una famiglia di musicisti che da due generazioni testimonia la vitalità del jazz scandinavo. Entrato in una profonda crisi personale un paio di anni orsono, Nils ha pensato di intraprendere un percorso di rinascita investendo la quasi totalità dei suoi averi nella registrazione ...

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Article: Radio & Podcasts

RIP Sheila Jordan, New Music from Carlos Jimenez, Eric Alexander & Vincent Herring, and more, Birthday Music from Cyrille Aimee, Stuff Smith, Ali Shaheed Muhammad, and More

Read "RIP Sheila Jordan, New Music from Carlos Jimenez, Eric Alexander & Vincent Herring, and more, Birthday Music from Cyrille Aimee, Stuff Smith, Ali Shaheed Muhammad, and More" reviewed by David W. Daniels


The program will feature classic jazz, current jazz that is in the tradition of classic jazz, jazz fusion, and music by local artists covering all forms of jazz.  We do this in three hour long segments: 1: Classic jazz; 2: Recent jazz that is in the tradition; and 3: Jazz musicians who had birthdays during the ...


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