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Article: Album Review

Slavic Soul Party: Plays Duke Ellington's Far East Suite

Read "Plays Duke Ellington's Far East Suite" reviewed by Angelo Leonardi


Nel jazz contemporaneo la reinterpretazione delle opere passate avviene in due modi diversi. Da un lato c'è chi privilegia la riproposizione fedele dell'originale, partendo da una prospettiva a grandi linee accademica (Wynton Marsalis) fino alla riproduzione letterale di ogni aspetto melodico, timbrico e ritmico (come ha fatto il gruppo Mostly Other People Do The Killing con ...

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Article: Under the Radar

Dai Liang, aka A Bu: Beijing Prodigy

Read "Dai Liang, aka A Bu: Beijing Prodigy" reviewed by Karl Ackermann


In 1950, in the wake of World War II and the early years of the Cold War, the Chinese Communist Party under Mao Zedong founded the Central Conservatory of Music as a consolidation of several musical institutions. Located in Beijing, the school resides on the former site of the seventeenth century residence of one Prince Yixuan. ...

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Article: Album Review

Nate Wooley: Argonautica

Read "Argonautica" reviewed by Troy Collins


Argonautica reveals a subtle new facet in Nate Wooley's eclectic discography. A celebrated leader of the new trumpet scene, Wooley has expanded the instrument's language by incorporating innovative extended techniques into his bold improvisations. Most of his work has fallen under the banner of lower-case improv, noise or advanced post-bop, but little of his prior output ...

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Article: Multiple Reviews

Jazz for President - Le suite di Delfeayo Marsalis e Ted Nash

Read "Jazz for President - Le suite di Delfeayo Marsalis e Ted Nash" reviewed by Angelo Leonardi


Gli anni sessanta sono lontani e con essi la controversia su jazz e politica. Com'è noto, la musica è un'arte asemantica e i musicisti non possono trasmettere significati (in questo caso politici) con il linguaggio delle note. Però gli artisti esprimono eventuali scelte ideologiche iscrivendo la loro musica in un quadro semantico più generale, fatto di ...

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Article: Profile

Roland Kirk: Here Comes The Whistleman

Read "Roland Kirk: Here Comes The Whistleman" reviewed by Duncan Heining


This December, it will be thirty-nine years since Rahsaan Roland Kirk split the scene for good. He was forty-one and about two-thirds of that short life span had been spent as a professional musician. He might not have been around long but he left behind a powerful legacy that may have no parallel in jazz or ...

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News: Recording

Acclaimed Jazz Guitarist Nick Russo Reimagines "Hot Jazz Jumpers" As "Banjo Nickaru & Western Scooches"

Acclaimed Jazz Guitarist Nick Russo Reimagines "Hot Jazz Jumpers" As "Banjo Nickaru & Western Scooches"

New Group Infuses Elements of Gullah-Geechee Culture With Folk Traditions, New Orleans Influences and Music of the 1920s 10-Track Very Next Thing Includes High-Spirited Renditions of Classics by Elizabeth Cotton, Harry Dixon, Fats Waller, Clarence Williams and James “Sugar Boy” Crawford. Instrumentation Includes Voice, Banjo, Resonator, Guitar, Bass, Drums, Harmonica, Trumpet, Trombone, Clarinet & Piano Special ...

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Article: Album Review

ELEW (Eric Lewis): And to the Republic

Read "And to the Republic" reviewed by Mark F. Turner


Appearances on television (America's Got Talent) and information conferences (TED Talks) have labeled pianist Eric Lewis (aka ELEW) as the next crossover artist who boldly shunned the establishment combining pop and rock music with improvisation. Yet underneath that flamboyant stage persona is the heart of bona fide jazz musician who won the Thelonious Monk International Piano ...

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Article: Album Review

Joey Alexander: Countdown

Read "Countdown" reviewed by Doug Collette


Like most such facile categorizing, 'child prodigy' usually ends up being a dead end rather than a means to explore the subject at hand. In the case of Joey Alexander, it's a disservice precisely because it's so restrictive: if he proves anything on his second album, it is that he will not be confined.

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Article: In the Studio

Three Days At The Barber Shop, Part 3

Read "Three Days At The Barber Shop, Part 3" reviewed by David A. Orthmann


Rehearsal | Part 1 | Part 2 | Part 3 When I walk into the live room, a little early, on Day 3, Gillespie has already swapped out the piano for a Hammond B-3 organ and Leslie speaker. Three boom mics are positioned in the area closest to the window to the control room. ...

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Article: Interview

Dominick Farinacci: Sharing Stories

Read "Dominick Farinacci: Sharing Stories" reviewed by R.J. DeLuke


Dominick Farinacci, a trumpeter from Cleveland, is a strong improviser with a wide, round tone. It's suited for his predilection for the melodic side of the music. But his vision of music extends beyond the act of playing and the art of performing--something he has done around the globe for years, carving out a successful career ...


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