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Jazz Societies, Part I: The Skipp Pearson Jazz Legacy Foundation
by Karl Ackermann
Part 1 | Part 2 The oral history traditions of West African griots led the preservation and interpretation of music that would become the fundamentals of jazz. In previous Under the Radar columns we looked at institutions that further the cause of safeguarding the genre; university-level academic programs and jazz museums whose hands-on experiences, ...
Marcus Roberts And The Modern Jazz Generation At The Kimmel Center
by Victor L. Schermer
Marcus Roberts and the Modern Jazz Generation Kimmel Center for the Performing Arts Perelman Theater Philadelphia, PA October 11, 2019 Marcus Roberts is one of the great jazz pianists of his generation, coming up in the 1980s in Wynton Marsalis' band and since then more ...
At A Korean Jazz Picnic, No Need To Know The Music
by Arthur R George
That jazz appeals to younger audiences, is fun, and not so serious, is more than a mere notion, materializing in, of all places, South Korea. The Jarasum Jazz Festival created there by promoter In Jae Jin has become one of the largest in Asia by hosting a multi-day event which features camping, western and Korean performers, ...
Brittany Anjou: Visionary Soul
by Paul Rauch
I began a series of interviews with Seattle-based musicians in the summer of 2016, with half being dedicated to female instrumentalists. After my last interview with bassist Chuck Deardorf, I was given a new piano trio release on the Seattle based Origin Records label by New York based, Seattle born and bred musician Brittany Anjou. Named ...
Mating Dance of the Cosmic Pandas
by Patrick Burnette
It's all things twangin' and screaming this time, as the boys look at four albums by guitarists. Some settle for six strings, some demand four, but all are one shade of awesome or another... and some make pretty impressive O-faces. The boys then each pick their three favorite guitarists, and the results may surprise you. Once ...
What's the Concept?
by Patrick Burnette
Can jazz have “concept albums?" Probably not, but some records do work harder at sustaining a mood--or a sense of narrative--than others. The boys look at five test cases--one brand new, two from that prime year 1969, and two from the transition from the eighties to the nineties. Madge gets a look in during pop matters, ...
Duduka Da Fonseca & Helio Alves featuring Maucha Adnet: Samba Jazz & Tom Jobim
by Dan Bilawsky
Since 2007, drummer Duduka Da Fonseca, pianist Helio Alves and vocalist Maucha Adnet have been presenting the titular program at Dizzy's Club Coca Cola at New York's Jazz at Lincoln Center, and at other venues throughout the world. A concept set steeped in personalized history of varied sorts--Da Fonseca's, absorbing this hybridized style at the foot ...
Tula's Jazz Club: Soliloquy to a Seattle Jazz Institution
by Paul Rauch
It was the tail end of a long weekend. Temperatures had risen to 80 degrees under a sunny only-in-Seattle blue sky, the waterways and markets humming with a sea of humanity. It was not a night one would expect many to venture into the quiet, dark solitude of Tula's Jazz Club, where for nearly 26 years ...
Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 2
by Victor L. Schermer
Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith Jarrett, Chick Corea, and Kenny Barron have greater celebrity, but Beirach easily qualifies alongside them as ...
Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1
by Victor L. Schermer
Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith Jarrett, Chick Corea, and Kenny Barron have greater celebrity, but Beirach easily qualifies alongside them as ...
