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Chick Corea, Herbie Hancock, Keith Jarrett, McCoy Tyner: Chick Corea, Herbie Hancock, Keith Jarrett, McCoy Tyner
by Lawrence Peryer
Atlantic Records issued this collection 1976, featuring two tracks each from four of the most important pianists in the post-bop era. Excepting one piece, each pianist is represented here in trio format. The Keith Jarrett and Chick Corea offerings are from their own 1966 sessions as leaders. Jarrett contributes two original compositions and ...
Keystone Korner: Portrait of a Jazz Club
by Sascha Feinstein
This article appears in the preface of Keystone Korner: Portrait of a Jazz Club by Kathy Sloane (Indiana Univ. Press, 2011). The Keystone Legacy I enjoy imagining jazz clubs as I listen to live recordings, and if those sessions took place at venues I've known, I find it downright difficult not to ...
Take Five With Josh Nelson
by AAJ Staff
Meet Josh Nelson: Josh Nelson, born and raised in Southern California, maintains an active and creative schedule as a jazz pianist, composer, teacher, and recording artist. At 33 years old, he has already performed with some of the most respected names in jazz, including Natalie Cole, Anthony Wilson, Robert Hurst, Jeff Hamilton, Ralph Moore, ...
Linley Hamilton: Taylor Made
by Dan Bilawsky
It's rare that an artist names an album after one of his sidemen, but Belfast-based trumpeter Linley Hamilton clearly values the contributions that pianist Johnny Taylor made to this recording. Both men share a vision, regarding the manner in which they should address traditions while also putting their own stamp on these well-known numbers, and their ...
The Young Lizards: Our Modern Lifestyle
by Jack Bowers
The organ trio, once a focal point of soul-drenched jazz in the heyday of such elder statesmen as Jimmy Smith, Richard “Groove" Holmes, Brother Jack McDuff, Jimmy McGriff, Charles Earland, Don Patterson and others, hasn't been nearly as prominent in recent years as the ranks of virtuosic organists (Joey DeFrancesco notwithstanding) have thinned. Nevertheless, the organ ...
Ralph Peterson's Unity Project: Outer Reaches
by John Kelman
To build the kind of staying power that keeps fans coming back for more, you've got to have consistency. In a jazz world where artists are expected to be self-reliant when it comes to promotion, dropping out for more than half a decade can have some serious implications. Emerging loudly as part of 1980s young lion ...
Take Five with Kim Pensyl
by AAJ Staff
Meet Kim Pensyl: Kim Pensyl is a prolific jazz recording artist, composer and arranger who has twice been named one of Billboard's Top-20 Contemporary Jazz Artists of the Year. A pianist and trumpeter, he has had four Top-10 albums on Billboard's Contemporary Jazz chart. He has recorded with jazz legends such as Toots Thielemans, ...
Take Five With David Gibson
by AAJ Staff
Meet David Gibson: Trombonist David Gibson has enjoyed a varied musical career which is deeply rooted in the genres of jazz and funk. While reared in Oklahoma, Gibson's musical journey steered him to New York City. Jazz luminary Curtis Fuller said about Gibson, “Out of all the young players I hear in the music ...
Anthony Branker: Jazz Dialogics
by Victor L. Schermer
Anthony Branker is a musician for all seasons. He began his career as a trumpeter, including a stint with the Spirit of Life Ensemble, which honored its African-American and Afro-Caribbean roots during a multi-year tenure as the Monday night band at the legendary Sweet Basil club in New York City. Over time, Branker developed an increasing ...
Jen Shyu and Theo Bleckmann: Breaking the Song Barrier
by Daniel Lehner
Before Robert Moog came out with the first synthesizer, before Adolphe Sax invented his famous reed instrument, before the trumpets sounded at Jericho, even before the world's ancient tribes tightened their animal skins to make drums, humanity's first instrument was the voice. Not that this is of particular consequence to Theo Bleckmann. “To me, that argument ...
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