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Thollem / Parker / Cline: The Gowanus Sessions
by Glenn Astarita
Glaring expressionism coupled with rip-roaring layers of acoustic-electric sound-sculpting maneuvers yield the bountiful fruit on this manifold studio date. When guitarist Nels Cline isn't tearing it up with the popular alt-rock band Wilco, he's knee-deep in progressive-jazz, free-form experimental and jazz-rock formats. He's catapulted to the upper echelon of modern guitarists, paralleling the colossal faculties of ...
Jazz Soul Seven: Impressions Of Curtis Mayfield
by Dan Bilawsky
Curtis Mayfield's music has always possessed a certain cachet in soul, funk, R&B, pop and rock circles, but it never fully took hold in jazz until now. Pianist Herbie Hancock had some fun with Mayfield's Future Shock" on the decades-old album of the same name (Columbia 1983), while other jazz musicians may have occasionally taken a ...
Henry P. Warner / Earl Freeman / Philip Spigner: Freestyle Band
by John Sharpe
The Lithuania-based No Business label might seem an unlikely champion for the loft jazz of late '70s/early '80s New York City, but its track record speaks for itself. Rescued from obscurity, Freestyle Band follows on from 2010's acclaimed Muntu Recordings Box, Commitment: The Complete Recordings 1980-1983 and 2011's splendid Black Man's Blues / New York Collage. ...
Take Five With James Brandon Lewis
by AAJ Staff
Meet James Brandon Lewis: Saxophonist/composer James Brandon Lewis was exposed to jazz, gospel, and R&B and at an early age began his journey into the realm of music. He attended Buffalo Academy for the Visual and Performing Arts located in Buffalo NY. Upon graduating, James would continue his musical pursuit At Howard University, where ...
The Free-bassing Ingebrigt Håker Flaten
by Mark Corroto
Devotees of jazz bassists also tend to enjoy cycling's domestiques, baseball's infielders, and football's (both European and American) defensive players. The timekeeper's fans appreciate craftsmanship over the flamboyance and flash of the leader. So a musician such as Norway's Ingebrigt Håker Flaten often finds his role has been overshadowed by his bandmates. In the free jazz/quasi-rock ...
Chicago Trio: Velvet Songs to Baba Fred Anderson
by John Sharpe
Drawn from two nights at Chicago's legendary Velvet Lounge, this double-disc set by three of the Windy City's finest provides fitting tribute to that establishment's late proprietor. Tenor saxophonist Fred Anderson was held in high esteem for his support for young musicians, non-judgmental direction, and provision of a space to experiment and perform. That the music ...
William Parker Orchestra with Kidd Jordan
by AAJ Italy Staff
Aperitivo in concerto Teatro Manzoni - Milano - 05.02.2012 Edward Kidd" Jordan è un gentile e pacato signore di quasi settantasette anni, nato a Crowley in Louisiana e trasferitosi successivamente a New Orleans. Di professione musicista, sassofoni e clarinetti sono i suoi strumenti, Kidd Jordan fa parte di quella schiera di jazzisti che non hanno mai ...
Jazz Musician of the Day: William Parker
All About Jazz is celebrating William Parker's birthday today! As Steve Greenlee of the Boston Globe stated in July 2002, “William Parker has emerged as the most important leader of the current avant-garde scene in jazz.” He is working in many of the more important groups in this genre, some of the most prestigious being his ...
John Sharpe's Best Releases of 2011
by John Sharpe
Here are ten new releases and three reissues which stood out from those heard this year: Wadada Leo Smith's OrganicHeart's ReflectionsCuneiform String ensembles and fusion don't usually go together, but in AACM trumpeter Wadada Leo Smith's universe anything is possible. His Organic ensemble made its first ...
Matthew Shipp Counts His Blessings for 2011
Matthew Shipp's ten highlights of the year 1.The reception of my cd Art of the Improviser. 2. Gigging with my trio with Michael Bisio and Whit Dickey,not only great players, but incredible people to share road life with. 3. Recording my upcoming 2012 CD Elastic Aspects with my trio of Bisio and Dickey. 4. Continuing to ...


