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126

Article: Album Review

Larry Brown Jr.: There Can Only Be One

Read "There Can Only Be One" reviewed by Hrayr Attarian


Guitarist, composer and educator Larry Brown Jr's debut, There Can Only Be One, has both feet firmly planted in a rich musical past but remains a modern record in its delivery and execution. There are vague hints of Wes Montgomery and Kenny Burrell in his playing but his style is all his own, and these faint ...

86

News: Recording

Wes Montgomery: Echoes of Indiana Avenue

Wes Montgomery: Echoes of Indiana Avenue

FIRST FULL ALBUM OF PREVIOUSLY UNHEARD MONTGOMERY MUSC IN OVER 25 YEARS With a lot of sleuthing and a team of experts on the case, long lost tapes of Wes Montgomery have been discovered and restored. Resonance Records will release Echoes of Indiana Avenue—the first full album of previously unheard Montgomery music in over 25 years—on ...

83

Article: Album Review

Randy Johnston: People Music

Read "People Music" reviewed by Nicholas F. Mondello


Perhaps more than any other musical instrument, the guitarists of today come drenched in the music of highly diverse musical genres. The instrument has been a fulcrum of expression, from folk, country and blues to jazz and rock--with a smidgen of classical thrown into the mix as well. Thinking about it, the task of developing as ...

176

Article: Album Review

Pat Martino: Undeniable

Read "Undeniable" reviewed by Glenn Astarita


Guitar virtuoso Pat Martino's long awaited album, recorded live at Blues Alley in Washington, D.C., serves as a homecoming of sorts, since he began his career within the classic jazz-organ combo format. As a leader, Undeniable is Martino's first album since the 2006 Blue Note Records Wes Montgomery tribute, Remember. Martino's quartet parlays a ...

141

Article: Extended Analysis

Pat Martino Quartet: Undeniable

Read "Pat Martino Quartet: Undeniable" reviewed by Chris May


Pat Martino QuartetUndeniableHighNote2011 Hot buttered soul-jazz, Batman, guitarist Pat Martino's Undeniable is the business! Recorded live at Washington's Blues Alley in June 2009, with tenor saxophonist Eric Alexander, organist Tony Monaco and drummer Jeff “Tain" Watts, it harks back to Martino's early to mid 1960s roots in ...

75

Article: Live Review

Pat Martino: Philadelphia, PA, November 25, 2011

Read "Pat Martino: Philadelphia, PA, November 25, 2011" reviewed by Victor L. Schermer


Pat Martino TrioChris' Jazz CaféPhiladelphia, PANovember 25, 2011Sir Edmund Hillary, when asked why he scaled Mt. Everest, replied, “Because it is there." A similar explanation could be given for why guitarist Pat Martino fans go to hear him repeatedly: because he is there--in the Here and Now!, as the title of ...

236

Article: Multiple Reviews

Roine Stolt and Neal Morse: Degrees of Separation

Read "Roine Stolt and Neal Morse: Degrees of Separation" reviewed by John Kelman


2011 has been a banner year for progressive rock, the genre that emerged in the late 1960s, peaked in the mid 1970s, and was threatened with extinction (certainly from a commercial perspective) with the advent of punk and new wave. Of course, prog never went away, and the music of seminal bands such as King Crimson, ...

158

Article: Take Five With...

Take Five With Diego Perugini

Read "Take Five With Diego Perugini" reviewed by AAJ Staff


Meet Diego Perugini: Diego was born in Sarteano, Siena, Italy. A sideman to many important Italian artists, now he has decided to make his own music and... here we are.Instrument(s): Guitar.Teachers and/or influences? I teach in 3 schools in tuscany. The most important artists that changed ...

140

Article: Live Review

Martin Taylor/Andreas Varady: Belfast, Ireland, November 4, 2011

Read "Martin Taylor/Andreas Varady: Belfast, Ireland, November 4, 2011" reviewed by Ian Patterson


Martin Taylor/Andreas VaradyBlack BoxBelfast, IrelandNovember 4, 2011 It was a mouth-watering prospect and no mistake; Martin Taylor, the guitarist's guitarist, paired with 14-year-old, six-string sensation Andreas Varady, the youngest ever headliner at London's Ronnie Scott's. Taylor--of whom Jeff Beck said: “he out-shreds us all"--came to prominence when he began an 11-year ...

160

Article: Album Review

Nick Ruffini: Pressin' On

Read "Pressin' On" reviewed by Dan McClenaghan


The Hammond B-3 organ blew into jazz in a big way in the 1950s and 1960s. Employed mostly in small group settings--trios and quartets--the soulful, urban, deep groove music became hugely popular at that time, thanks to organists Jimmy Smith and Jimmy McGriff, as well as guitarists Wes Montgomery and Grant Green, among many others. The ...


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