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Music Matters: SRX Vinyl
by Greg Simmons
Music Matters, the vinyl reissue house known for it's long string of high-quality all-analog pressings of classic Blue Note records, has released a dozen additional titles just a year or so after completing what was supposed to have been their final offerings. The new records include some that Music Matters had released in earlier series, as ...
Gretchen Parlato at The Jazz Standard
by Nick Catalano
The New Year was dramatically ushered in at the Jazz Standard on January 2nd when Gretchen Parlato and her band wowed an SRO audience with some of the most prescient music of the season. No vocalist of recent vintage has garnered more acclaim than the brilliant chanteuse, transplanted from L.A. to Gotham awhile back. Grammy nominations, ...
2018: The Year in Jazz
by Ken Franckling
The year 2018 was a busy one for the jazz world. The genre's version of the #MeToo movement resulted in a new Code of Conduct and other efforts to make the music workplace more equitable. International Jazz Day brought its biggest stage to St. Petersburg, Russia. The Thelonious Monk Institute of Jazz, which ran a high-profile ...
The 14 Jazz Orchestra: The Future Ain't What It Used to Be
by Jack Bowers
The Future Ain't What It Used to Be, the second album by South Florida's impressive The 14 Jazz Orchestra, is by and large like its precursor: swinging, straight-down-the-fairway big-band jazz underlined by leader Dan Bonsanti's admirable charts. As before, each of the songs was written by a blue-chip composer, from Chick Corea and Antonio Carlos Jobim ...
Emanon
Label: Blue Note Records
Released: 2018
Track listing: Disc I: Pegasus; Prometheus Unbound; Lotus; The Three Marias. Disc II: The Three Marias; Lost and Orbits Medley. Disc III: Lotus;
She Moves through the Fair; Adventures Aboard the Golden Mean; Prometheus Unbound.
Ron Carter: Still Searching for the Right Notes
by Rob Garratt
"People from newspapers and magazines always ask me two things," Ron Carter tells a reverent crowd from a stage in suburban Hong Kong. What was it like playing with Miles Davis? And why am I still doing this?" He answers the latter enquiry by pointing left and right simultaneously at his two diligent sidemen, pianist Donald ...
Mark Sullivan's Best Releases of 2018
by Mark Sullivan
2018 was another year with too many favorites to choose from. I'm struck by the number of extended ensembles" on my list: groups of eight or more, including a chamber orchestra plus jazz group. It was also an exceptionally good year for RareNoiseRecords, making it hard for me to stop at three albums. This list is ...
Allison Au Quartet: Wander Wonder
by Dan McClenaghan
Toronto-based, Juno Award-winning alto saxophonist Allison Au and her quartet present their follow-up to 2017's Forest Grove (Self Produced) with Wander Wonder. The set of all Au originals--with keyboardist Todd Pentney co-writing Force Majeur"--opens with a translucent dreamscape, The Valley," that sounds like something that Daniel Lanois might have cooked up. The quartet follows up this ...
Jerome Wilson's Best Releases Of 2018
by Jerome Wilson
It may be unwieldy to keep a large jazz ensemble together for economic reasons but this year was still full of outstanding big band recordings, whether done through commissions, arrangers working with established orchestras or even actual working ensembles. Several of the releases on my list are examples of that. Also this year had the usual ...
Mariel Austin: Runner in the Rain
by Troy Dostert
In case anyone is wondering whether big-band jazz continues to hold appeal for younger musicians, witness this debut five-track album from trombonist Mariel Austin. Despite (or perhaps because of) her youth, Austin possesses an ambitious and expansive vision. And on Runner in the Rain, she marshals a skilled ensemble, many of whom are friends from the ...


