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Diallo House / Stacy Dillard / Ismail Lawal: Night at the Eclipse
by Warren Allen
Every time a group of sax, bass and drums step to the stage on their own, it amounts to a high-wire balancing act for three. Luckily, these guys have the skills to cross safely to that other end of the tightrope, and keep doing it better and better. They've been establishing themselves in New York for ...
Ornette Coleman: Music is a Verb
by Warren Allen
"Some people think of music as being on some higher level," Ornette Coleman says by phone from his apartment in New York City. “But basically it's the human being that receives the pleasure from sound. Not from the argument over what it is." There are a lot of questions about Ornette Coleman and ...
Mika Pohjola: Northern Sunrise
by Warren Allen
With Northern Sunrise, pianist Mika Pohjola steps into the space between old and new worlds. Close attention reveals a diverse range of influences here, from the worlds of Baroque and the avant-garde, to old school bop and '70s rock-fusion. There's a little solo piano, some trio arrangements, and wonderful quintet explorations. But what makes this perhaps ...
Chris Pasin: Detour Ahead
by Warren Allen
Trumpeter Chris Pasin tried to move on from jazz, but now he's back. He's a graduate of New England Conservatory's prestigious jazz program and played with many of the greats, before leaving jazz for several years. To celebrate his return, and perhaps give a glimpse of more good things to come he's brought out a never ...
Jerome Sabbagh: One Two Three
by Warren Allen
French tenor man Jerome Sabbagh has been exploring the sax trio format around New York City clubs for more than five years. One Two Three takes a selection of standards--some well-known, others less so--and gives them a good old-fashioned workout in the studio. The results are quality; like good red wine, it only gets better the ...
Peter Slocombe: Lullaby For Elizabeth
by Warren Allen
At age 24, Peter Slocombe sounds like a veteran. His debut, Lullaby For Elizabeth, shows a warm, lilting tenor sax sound, hinting at Joe Lovano and Michael Brecker, but mixed with a unique restraint rarely found in today's young jazz players. His music mixes folk and funk alike in the greater jazz tradition, keeping it all ...
Second Sight: Flying With The Comet
by Warren Allen
Some jazz fans have come to look down on the '80s as a lost decade. A band like Second Sight shows just how wrong they can be, with the reissued Flying with the Comet (1986) thrumming with intensity. The brainchild of pianist and composer John Esposito, the band refuses to choose between tradition and innovation. All ...
The Charles Lloyd Quartet Live at the Highline Ballroom, NYC
by Warren Allen
Charles Lloyd Quartet Highline Ballroom New York, New York July 3, 2009 Charles Lloyd hasn't lost a step. He has an instantly recognizable and deeply personal sound on every instrument in his formidable arsenal. His technique gets an audience feeling it. But perhaps his most underrated gift is the ability ...
Gato Barbieri: In Search of the Mystery
by Warren Allen
This is not dinner music, nor is it Last Tango in Paris, though there are actually hints of tango flitting around the mix. This is Gato Barbieri with a little extra scream in his step, moving out in the free vein of the '60s avant-garde--loud, brash, unpolished and unapologetic. Showing the influence of his work with ...
Laurence Hobgood: When The Heart Dances
by Warren Allen
The old adage of “less is more" shows up more than it should, but every now and then proves itself remarkably apt in the world of music. When The Heart Dances features pianist Laurence Hobgood scaling back the typical rhythm trio to just himself and bass maestro Charlie Haden. And while it's hardly the first time ...
