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725

Article: Extended Analysis

Charles Lloyd Quartet: Mirror

Read "Charles Lloyd Quartet: Mirror" reviewed by Warren Allen


Charles Lloyd QuartetMirrorECM Records2010 The perception of Charles Lloyd has changed since he first rose to popularity as a 1960s-saxman, sporting flower power colors and a momentous afro, and was somehow tied to mainstream jazz, the avant-garde and the popular psychedelic movement. A brief recess from recording, ...

857

Article: Album Review

Yelena Eckemoff: Cold Sun

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Pianist/composer Yelena Eckemoff works in that rarified area between modern classical chamber music and progressive jazz. Born and raised in Russia, Eckemoff attended the Moscow State Conservatory, where she studied concert piano and grew up in a strong classical foundation. She came to the United States before the collapse of the Soviet Union, and continues to ...

626

Article: Extended Analysis

John Coltrane Quintet with Eric Dolphy: Complete 1961 Copenhagen Concert

Read "John Coltrane Quintet with Eric Dolphy: Complete 1961 Copenhagen Concert" reviewed by Warren Allen


John Coltrane Quintet with Eric DolphyComplete 1961 Copenhagen ConcertGambit Records2009 Without a doubt, saxophonist John Coltrane's band after he left trumpeter Miles Davis in 1960 is one of the defining groups of jazz, and for the year or so during which multi- instrumentalist Eric Dolphy joined Coltrane ...

358

Article: Extended Analysis

Theo Bleckmann: I Dwell In Possibility

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Theo BleckmannI Dwell In PossibilityWinter & Winter2010 To record I Dwell in Possibility, vocalist Theo Bleckmann made a musical pilgrimage to the Beinwil Abbey in an isolated area of Switzerland. With the aid of producer Stefan Winter, he proceeded to lay down 15 tracks, only using his ...

508

Article: Live Review

Enrico Pieranunzi with Marc Johnson and Paul Motian at the Village Vanguard

Read "Enrico Pieranunzi with Marc Johnson and Paul Motian at the Village Vanguard" reviewed by Warren Allen


Enrico Pieranunzi TrioThe Village VanguardNew York, NYJuly 9, 2010 The first full week of July 2010 was a hot one for New York City, marked by record- setting temperatures, sweat-choked subways, and scorched sidewalks. But it also saw a rare appearance by Italian pianist Enrico Pieranunzi on this side of ...

400

Article: Album Review

James Moody: Moody 4B

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Each year since 1950, James Moody has played a concert at Carnegie Hall in New York. In 2010, the annual visit will be a little sweeter as Moody celebrates his 85th birthday, with a slice of cake on Seventh Avenue and a concert of greats. No doubt, the sprightly sax (and flute) master behind such classic ...

1,148

Article: Interview

Ben Goldberg: Clarinet Communion

Read "Ben Goldberg: Clarinet Communion" reviewed by Warren Allen


The diversity of clarinetist Ben Goldberg's musical interests may only be matched by the intensity of his study. He grew up on The Beatles and classic jazz, started playing Klezmer music at the University of California, Berkeley in the early '80s, and studied with renowned classical clarinet teacher Rosario Mazzeo. In 1984, he became the clarinetist ...

1,188

Article: Album Review

Tomasz Stanko: Dark Eyes

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Since he first caught listeners' ears in pianist and composer Krzysztof Komeda's Polish quintets of the 1960s, Tomasz Stanko has grown to be recognized as one of the most sophisticated and distinctive trumpet players in the world. His dark-hued sound and brassy screams hearken to the souls of Miles Davis and Chet Baker, while the context ...

309

Article: Album Review

Erroll Garner: Early In Paris

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Erroll Garner was one of the savants of jazz who helped define the sound and style of his instrument without ever learning to read music. His brilliance rested in a unique ear, from which he developed a personal and indisputably beautiful approach to the piano that spun beautiful, romantic statements and spontaneous adventures from his own ...

420

Article: Album Review

Anthony Coleman: Freakish

Read "Freakish" reviewed by Warren Allen


Great composers put heavy demands on the people who play their music. No matter how long ago they wrote the tunes that continue inspire after they are gone, their presence continues to hover over the music, almost haunting the pianos that would crank out their concertos and rags. It takes work to deal with these ghosts. ...


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