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Angelica Sanchez & Marilyn Crispell: How To turn the Moon
by Dan McClenaghan
Fans of piano jazz might have a preference for the trio format—piano/bass/drums. Or they might like their piano straight, no chaser, with solo piano sets. There is no shortage of trio and solo recordings floating around for our listening enjoyment. But two pianos? Rare, though not unheard of. Brad Mehldau and Kevin Hays offered up the ...
Nick Dunston: Atlantic Extraction: Live at Threes
by John Sharpe
Bassist Nick Dunston, an alumni of the groups of Vijay Iyer, Dave Douglas and Tyshawn Sorey, was responsible for one of the debuts of 2019, with Atlantic Extraction (Out Of Your Head Records). Taking that title as its name, the same quintet inaugurates OOYH Records digital only Untamed series which aims to release high-quality performances with ...
Highlights of the Final Decade of the First 100 Years of Recorded Jazz (2011 - 2018)
by Russell Perry
This is the last of a series of five programs featuring jazz since 1990, presented as a single selection for each year to reflect trends, career highlights and new artists, at least as the narrative appears from the temporally-challenged context of the last 25 years. The idea to attempt such an abbreviated one-track--per-year survey comes from ...
Deerhoof and Wadada Leo Smith: To Be Surrounded By Beautiful, Curious, Breathing, Laughing Flesh Is Enough
by Troy Dostert
When it comes to combining the anarchic spirit of punk rock with whip-smart musicianship and a penchant for unbelievably catchy grooves, few bands come close to Deerhoof. Since the 1990s, the group has been cherished by indie rock cognoscenti, and they've also earned the respect of a large swath of the non-rock community as well, working ...
Playing For Keeps: Improvisation In The Aftermath
by Ian Patterson
Playing For Keeps: Improvisation In The Aftermath Edited by Daniel Fischlin & Eric Porter 352 Pages ISBN: 978-1-4780-0814-9 Duke University Press 2020 Musical improvisation is often described as a conversation. A universal language. Musicians trading back and forth seem to be having a blast, which, on occasion, for ...
Jerry Granelli, Lisa Ullén, Rudresh Mahanthappa & Yells At Eels
by Maurice Hogue
Drummer extraordinaire Jerry Granelli says he doesn't look back too much, he'd prefer to move forward with his music, but with Jamie Saft and Brad Jones in tow, he decided the time was right to rediscover some of the tunes he played backing Vince Guaraldi and Mose Allison years back. A sample of his new album ...
Vijay Iyer & Mike Ladd: InWhatStrumentals
by Karl Ackermann
In 2003 Vijay Iyer and Mike Ladd released In What Language?, a hybrid jazz/hip hop response to post-9/11 American paranoia. Inspired by many related injustices, the inflection point was the extended detention, handcuffing and humiliation of a prominent Iranian filmmaker passing through JFK International Airport. Seventeen years later America was mired in multiple unprecedented crises, giving ...
Rudresh Mahanthappa: Hero Trio
by Dan McClenaghan
In the chordless trio tradition of tenor saxophonist Sonny Rollins on A Night At The Village Vanguard (Blue Note, 1957) and alto saxophonist Lee Konitz with his Motion (Verve, 1961), alto saxophonist Rudresh Mahanthappa offers up his Hero Trio, a saxophone, bass and drums outing nodding to his influential musical heros. Mahanthappa began his ...
Beginning June 13, Streaming Live At The Village Vanguard
Streaming Live at the Village Vanguard Saturday nights and Sunday afternoons beginning June 13 On February 22, 2020 the Village Vanguard, the world’s oldest continuously operated jazz club, marked its 85th year in the basement at 178 7th Avenue South in New York City. On March 16th the club closed its doors indefinitely. On Saturday, June ...
Cory Smythe: Accelerate Every Voice
by Karl Ackermann
Pianist/electronics artist/composer Cory Smythe's Pyroclastic Records debut Circulate Susanna (2018) was a tongue-in-cheek attribution to the inspiration of a fictional event. He returns to the Kris Davis run label with the intriguing, socially-conscious and genre-less Accelerate Every Voice. Inspired by an assortment of sources: Andrew Hill's Lift Every Voice (Blue Note, 1970), the work of Harlem ...
