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Global Noize: SLY Reimagined
by Dan Bilawsky
Keyboardist/Programmer/Conceptualist/Producer Jason Miles has a knack for birthing patchwork tribute albums that don't come off as such. The man behind Miles Davis' Tutu (Warner Bros., 1986) programming has also been the force behind well received album-length nods to Davis, Brazilian bigwig Ivan Lins, pop-jazz crossover saxophonist Grover Washington Jr., and Motown megastar Marvin Gaye. Now, he ...
Jonathan Finlayson & Sicilian Defense: Moment & The Message
by Glenn Astarita
Trumpeter Jonathan Finlayson communicates a vibrantly rhythmic platform on Moment & The Message. His resume includes work with alto saxophone luminaries Steve Coleman and Steve Lehman; the album opener “Circus" is stylistically framed on pioneering woodwind legend Henry Threadgill's geometrically patterned compositions. But Finlayson rests on his own laurels with this debut solo effort. The set ...
Young-Ae Jung: The Man I Love
by C. Michael Bailey
Korean, Berklee-educated singer Young-Ae Jung has a very specific vision for the jazz she wishes to make. The original pieces are of the same “grown-up" variety, as singer Louis Van-Aarsen populated her fine recording Destiny (Self Produced, 2012). Jung's imagery has completely matured. The standards with which the singer peppers the originals on her début recording ...
Anthony Braxton: Sax Quintet (New York) 1998
by John Sharpe
Saxophone agglomerations are not without precedent in reedman/composer Anthony Braxton's copious playbook. Indeed, his “Composition 37" for four saxophones on New York, Fall 1974 (Arista, 1975) could be said to have launched the genre, bringing together as it did three of the founder members of the pioneering World Saxophone Quartet two years before their eventual formation. ...
Kayle Brecher: Spirals And Lines
by Hrayr Attarian
Kaylé Brecher's 2012 Spirals and Lines is a brass-rich, dramatic exploration of the vocalist, arranger and composer's various influences, with an understated yet solid political and social leitmotif.A delightfully original trio interprets singer/songwriter Bob Dylan's “Paths of Victory" as a New Orleans-style marche. Propelled by drummer Erik Johnson's precise and rumbling beats, Brecher delivers ...
Überjam Deux
by John Kelman
It's been a decade since Up All Night (Verve, 2003), John Scofield's second and, at the time it seemed, final album with his Überjam band, a group of younger players who, following his earlier forays into the territory—1998's first meeting with Medeski, Martin & Wood, A Go Go (Verve), and the larger-casted Bump (2000)—placed the guitarist ...
Joe Locke: Lay Down My Heart: Blues & Ballads Vol.1
by Dr. Judith Schlesinger
The successful combination of two chordal instruments--like vibes and piano--requires giant ears and mutual respect in order to avoid melodic pile-ups and harmonic collisions. On this CD, vibraphonist and composer Joe Locke and pianist Ryan Cohan provide a textbook example of how this is done. They are happily aided and abetted by bassist and co-producer David ...
Jann Klose Releases New Album, Mosaic On iTunes, June 25
Singer Songwriter Praised and Pranked from TIME'S Joel Stein, WFUV's Vin Scelsa and Boston Music Critic Jim Sullivan On the eve of the release of Jann Klose's album, MOSAIC on iTunes and Amazon (June 25), people are coming out of the woodwork with truly unique support for this multi-cultural singer-songwriter and his music. In his June ...
Miguel Zenon: Celebrating the Music of La Isla
by Steve Bryant
For the last decade, saxophonist Miguel Zenón has distinguished himself as one of the most innovative and creative musicians in the modern jazz idiom. The Puerto Rican-born altoist accomplished this feat by reaching back to the musical and cultural traditions of his island. On groundbreaking recordings such as Jibaro (Marsalis Music, 2005) and Esta Plena (Marsalis ...
AVC: Busk
by Karl Ackermann
The UK label Babel has been nurturing unique talent for the better part of twenty years, judiciously releasing only about a half-dozen albums in a given year. Many of their artists play on the fringes of jazz and some go way beyond the pale. AVC are hardly outliers but neither is the quintet a predictable, formulaic ...
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