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Article: Album Review

Angelika Niescier / Alexander Hawkins: Soul In Plain Sight

Read "Soul In Plain Sight" reviewed by Mark Corroto


Some pairings were just meant to be. Exhibit one, Soul In Plain Sight by the duo of Angelika Niescier and Alexander Hawkins. Niescier, the Polish-born Germany-based saxophonist, met the British pianist Hawkins at the Berlin Jazzfest. Their mutual admiration led to a brief tour and this recording. The music succeeds here because of the musicians' balanced ...

6

Article: Album Review

Noah Preminger: Thunda

Read "Thunda" reviewed by Mike Jurkovic


There's a fascinating, affirmative equilibrium coursing throughout Thunda that words may fall short of. It's a music of purity and wonder spoken by survivors of the oddest year. It's a broad, fearless conversation between two big thinkers and all who choose to listen in, either by accident or design. Simply stated, you'll find yourself easily lost ...

6

Article: Album Review

Hafez Modirzadeh: Facets

Read "Facets" reviewed by Hrayr Attarian


Innovative composer and saxophonist Hafez Modirzadeh has always pushed the idiomatic envelope in his work. His eighth release as a leader, the stimulating Facets is, as hinted on the cover art, a musical kaleidoscope. Consisting of 18 short tracks the album explores various time signatures, modes and tonal colors that fuse many musical traditions.

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Article: Radio & Podcasts

Vijay Iyer, Turnpike Diaries and Other New Releases

Read "Vijay Iyer, Turnpike Diaries and Other New Releases" reviewed by Bob Osborne


2021 continues to be the year that delivers excellent new releases. The show includes selection of recent albums including the exceptional new one from Vijay Iyer. There is also a dip in the jazz archive for some music by Graham Collier with a band containing a who's-who of stars of the British Jazz Scene. Also featured ...

2

Article: Album Review

Fabia Mantwill: Em.Perience

Read "Em.Perience" reviewed by Angelo Leonardi


«Non mi interessa in quale stile o genere possa essere classificata questa musica—dice Fabia Mantwill—che sia jazz, classica, folk, canzone d'autore, soul. Penso che i confini stiano diventando sempre più sfocati». Il debutto discografico della giovane bandleader, sassofonista e cantante tedesca contiene elementi di tutti quei generi musicali e non ha alcun senso cercare etichette.

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Article: Album Review

Mario Pavone / Dialect Trio +1: Blue Vertical

Read "Blue Vertical" reviewed by Karl Ackermann


Bassist and composer Mario Pavone died on May 15, 2021, after a seventeen-year battle with cancer. The Connecticut native had many interests and earned a degree in engineering, a Doris Duke Foundation grant and, for a quarter-century, shared his wisdom and talent with kids at the Litchfield Performing Arts Jazz Camp, where he also served as ...

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Article: Under the Radar

A Different Drummer, Part 3: Pino Basile & Mizuki Wildenhahn

Read "A Different Drummer, Part 3: Pino Basile & Mizuki Wildenhahn" reviewed by Karl Ackermann


The Swish Knocker, And More Early on in his career, the late Milford Graves abandoned the snare drum, substituting the resonance of the toms for the snare parts. He believed music of the drum reverberated from within the drummer and the listener without the need for extraneous instrumentation. Tyshawn Sorey's approach to music speaks to contempt ...

17

Article: Album Review

Vijay Iyer: Uneasy

Read "Uneasy" reviewed by Scott Gudell


When Vijay Iyer signed to ECM Records in 2013, he joined a prestigious group of world-class musicians (including fellow pianist Keith Jarrett). With Uneasy, Iyer returns to familiar territory by leading a combo of bass, drums and piano. This album's trio can intuitively improvise and, with the revered pianist-composer at the helm, the music they present ...

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Article: Album Review

Vijay Iyer: Uneasy

Read "Uneasy" reviewed by Mike Jurkovic


If we are watching it all unfold in real time, why not listen in the same way? So, like most things these dire days, Vijay Iyer, Linda May Han Oh and Tyshawn Sorey start Uneasy on a slow burn that engulfs the listener into another realm beyond isolation, beyond our societies of one. As ...

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Article: Building a Jazz Library

Instrumental Duos

Read "Instrumental Duos" reviewed by Karl Ackermann


The early days of jazz were not always harmonious. Converted dance orchestras often sounded like unbalanced acoustic junkyards; a single violin, cornet, trombone, clarinet, tuba, drums, banjo, and piano, all fighting for attention. The piano was meant to be the glue holding the shrill and boisterous elements together. In 1921 a prodigy pianist named Zez Confrey ...


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