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Wallace Roney: If Only for One Night
by John Kelman
Wallace Roney's six-year association with HighNote--beginning with Prototype (2004), followed by Mystikal (2005), and culminating with Jazz (2007)--has allowed the trumpeter to amass a body of work far more indicative of where he's always wanted to be than his largely mainstream run with Muse in the early 1990s. If Only for One Night--culled from a four-night ...
Mike Reed: The Drum Thing
by Gordon Marshall
There is not a name yet for what Mike Reed does on drums. Elvin Jones created polyrhythmics; Rashied Ali, multi-directionalism. Reed is delivering something related but distinct. It has as much to do with tonal complexity as with keeping the beat, but the complexity goes beyond that, into a recombination of the many drumming styles of ...
Brandon Wright: Boiling Point
by C. Michael Bailey
The first thing conspicuous about Brandon Wright's recording Boiling Point is his rhythm section, composed of pianist David Kikoski, bassist Hans Glawischnig and drummer Matt Wilson. A second curiosity is exactly who this precocious young saxophonist is to have such a rhythm section. Wright, the 2009 ASCAP Foundation Young Jazz Composer award recipient originally from Woodcliff ...
The State of Organ Jazz 2010 (Pt. 1): Wayne Escoffery, Dan Pratt and Matthew Kaminski
by C. Michael Bailey
Organ-based jazz inhabits a unique place as a sub-genre. The combination of the sacred churchy organ with the decadence of blues and bebop made for a heady brew after the introduction of the format by Wild Bill Davis and Bill Doggett in the 1950s. Qualitatively, the names that loom largest in organ jazz are Jimmy Smith, ...
Cindy Blackman: Another Lifetime
by Terrell Kent Holmes
Drummer Cindy Blackman has played with acts from Lenny Kravitz to Joe Henderson but it was Tony Williams, one of the greatest drummers of all time, who was her main influence. Blackman's dynamic Another Lifetime pays tribute to her mentor and friend and is centered primarily on Williams' role as a founding father of jazz-rock fusion. ...
Cindy Blackman: Another Lifetime
by Jeff Winbush
When Cindy Blackman took an insult from another musician directed toward her and the late, great drum virtuoso Tony Williams, she got even. She decided that the best revenge would not be to snipe back, but instead to put together a band featuring guitarists Mike Stern and Vernon Reid, tenor saxophonist Joe Lovano, and other like-minded ...
Frank Rosaly: Milkwork
by Mark Corroto
The very in-demand Chicago drummer Frank Rosaly takes time out from his duties in over twenty bands--ranging from experimental sound, jazz, rock, and improvised music--to make a solo recording of drumming and electronics. Milkwork is a nine-song LP (also available as a digital download), pressed on white vinyl in a limited edition of 500. ...
Cindy Blackman: Another Lifetime
by Jerry D'Souza
In paying tribute to her friend and mentor Tony Williams through songs and other material associated with him, drummer Cindy Blackman proves that she is not a slavish imitator. Blackman has always been a tasteful drummer. Never obtrusive, she strikes the right combination of dynamics, harmony, and accent. At home both in jazz and rock, this ...
Allison Miller: Boom Tic Boom
by Mark Corroto
Just say yes to records led by drummers. Why? Because drummers may rarely be the leaders or composers, but they're always the soul of any good recording. Where's Coltrane without Jones, or Jarrett without DeJohnette? Nowhere. That's why, when a session is commanded by a percussionist, as is Boom Tic Boom by drummer Allison Miller, there ...
Take Five With Vinson Valega
by AAJ Staff
Meet Vinson Valega: Vinson grew up in a musical family near Washington, D.C., studying classical piano from age seven until switching to the drums when he was 12. He played drums for three years in the All-County Jazz Ensemble during high school and subsequently held the drum chair in the University of Pennsylvania Big ...
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