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We Want Miles: A Series of Reinventions
by Greg Masters
We Want Miles: Miles Davis vs. Jazz Montreal Museum of Fine Arts Montreal Through August 29, 2010Treasures await fans of Miles Davis up in Montreal, Canada: Photos, letters, film clips, paintings, instruments, wardrobe and enough information on wall placards to bring visitors on the full journey through the ...
Jazz Legend Herbie Hancock Interviewed at AAJ...And More!
In a career now entering its sixth decade, pianist Herbie Hancock has covered more ground than most. He was a key member of trumpet icon Miles Davis' heralded quintet of the 1960s, with saxophonist Wayne Shorter, bassist Ron Carter and drummer Tony Williams. He was a key part of the nascent fusion community in the late ...
Manu Katche: Play As You Are
by Ian Patterson
Manu Katché is one of the most original drummers anywhere, defying categorization and straddling musical genres with ease and flair. A French national of Ivorian background, he has turned his hand to pop, rock, fusion and jazz, and his exposure to all these elements, plus his classical training, is indelibly stamped in a playing style all ...
Eddie Gomez: The Playing is Free
by Donald Elfman
Eddie Gomez is known throughout the world as a consummate bassist, sterling educator and a musician active in a wide variety of musical settings. He has been on the music scene for more than 40 years and has worked with everyone from Bobby Darin to Giuseppi Logan. Gomez moved from Puerto Rico as a child and ...
Remembering Hank Jones
Hank Jones Biography Henry “Hank" Jones (born July 31, 1918; died May 16, 2010) was an American jazz pianist, bandleader, and composer. Critics and musicians have described Jones as eloquent, lyrical, and impeccable. In 1989, The National Endowment for the Arts honored Hank Jones with its highest honor in jazz, the NEA Jazz Masters Award. He ...
Allison Miller: Breaking Ground
by Franz A. Matzner
It takes a rare individual to excel in multiple artistic genres, particularly when success unfolds in the public spotlight and presents very different contexts. Certainly technical ability is important, but it also takes a peculiar blend of flexibility, curiosity, and determination. Perhaps that is what makes drummer, composer, bandleader, and outspoken feminist Allison Miller such a ...
Wallace Roney: If Only for One Night
by John Kelman
Wallace Roney's six-year association with HighNote--beginning with Prototype (2004), followed by Mystikal (2005), and culminating with Jazz (2007)--has allowed the trumpeter to amass a body of work far more indicative of where he's always wanted to be than his largely mainstream run with Muse in the early 1990s. If Only for One Night--culled from a four-night ...
Mike Reed: The Drum Thing
by Gordon Marshall
There is not a name yet for what Mike Reed does on drums. Elvin Jones created polyrhythmics; Rashied Ali, multi-directionalism. Reed is delivering something related but distinct. It has as much to do with tonal complexity as with keeping the beat, but the complexity goes beyond that, into a recombination of the many drumming styles of ...
Brandon Wright: Boiling Point
by C. Michael Bailey
The first thing conspicuous about Brandon Wright's recording Boiling Point is his rhythm section, composed of pianist David Kikoski, bassist Hans Glawischnig and drummer Matt Wilson. A second curiosity is exactly who this precocious young saxophonist is to have such a rhythm section. Wright, the 2009 ASCAP Foundation Young Jazz Composer award recipient originally from Woodcliff ...
The State of Organ Jazz 2010 (Pt. 1): Wayne Escoffery, Dan Pratt and Matthew Kaminski
by C. Michael Bailey
Organ-based jazz inhabits a unique place as a sub-genre. The combination of the sacred churchy organ with the decadence of blues and bebop made for a heady brew after the introduction of the format by Wild Bill Davis and Bill Doggett in the 1950s. Qualitatively, the names that loom largest in organ jazz are Jimmy Smith, ...
