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Gil Scott-Heron: Paean To The Spirit Of One Of The Last Poets
by William H. Snyder
IntroductionWhat does it take to be a griot? According to the dictionary, griots are a 'member of a hereditary caste among the peoples of western Africa whose function is to keep an oral history of the tribe or village and to entertain with stories, poems, songs, dances, etc.' Gil Scott-Heron did not grow up in West ...
East-West Trumpet Summit at Meydenbauer Center Theatre
by Paul Rauch
East-West Trumpet Summit Meydenbauer Center Theatre Bellevue Blues & Jazz Festival Bellevue, WA October 9, 2021 Two trumpet quintets in jazz are rare, historically and presently. The alliances most commonly mentioned are the bop era tandem of Fats Navarro and Howard McGhee ...
Chick Corea: In The Present Tense
by Jim Worsley
This article was originally published at All About Jazz on November 12, 2020. RIP, Chick. What can you say about music icon Chick Corea that hasn't already been said? His past, his career has been honored, dissected, and revered. As it should be. A composer and pianist of unparalleled skills and accomplishments, Corea's place ...
The Ed Palermo Big Band Flaunts the Union Jack with The Great Un-American Songbook Vol. 3: Run for Your Life
While pundits and experts debate whether the United States of America has entered an age of decline as a world power, New York saxophonist, composer, arranger, bandleader and inveterate troublemaker Ed Palermo makes an incontrovertible case for un-American ascendance. With The Great Un-American Songbook Volume 3: Run for your Life, slated for release on guitarist/vocalist Bruce ...
Arturo O'Farrill: Four Questions
by Jerome Wilson
Surprisingly this set marks the first time Arturo O'Farrill has recorded a set of solely his own compositions. It was worth the wait because this music, played by his Afro Latin Jazz Orchestra, really demonstrates the cinematic sweep and variety of his writing. The set is constructed around two topical extended works. The first, ...
Alexa Tarantino: Passion For Playing And Teaching
by R.J. DeLuke
Alexa Tarantino was bitten by the jazz bug at a young age. She was fortunate to grow up in a community where jazz is an important part of the musical fabric—rare these days. She swiftly grabbed hold of the music and has developed into an in-demand alto saxophonist, earning a series of high-profile gigs that slowed ...
Jazz in the Time of Pandemic
by Karl Ackermann
The first week of April 2020: images crystalized the daily news reports; a dystopian Times Square; Piazza Navona in Rome, emptied of tourists, Barcelona's Basílica de la Sagrada Família standing like an abstract ruin, makeshift morgues in hospital parking lots. The jazz world is small but still a microcosm of society with interdependencies that run deep. ...
Samuel Torres: The Interfuse of Percussion and Orchestration
by Jim Worsley
Samuel Torres is a percussionist extraordinaire. Samuel Torres is an exceptional composer. Samuel Torres is an astute arranger. Samuel Torres has vast skills as an orchestrator. All of those statements are valid responses to the question, who is Samuel Torres? The Colombian born artist, who now makes his home in New York City, has, as they ...
Take Five with Maureen Choi
by AAJ Staff
Meet Maureen Choi Now residing in Spain, this Korean-American violinist is sparkling a revolution in the improvised music scene in Spain. Her band Maureen Choi Quartet is creating a sound that they describe as, “Spanish Chamber Jazz." After winning several international violin competitions starting at age five, Maureen has performed as a soloist across ...
About Tito Puente
Results for pages tagged "Tito Puente"...
Tito Puente
Born:
Ernest Anthony Puente, Jr., Tito Puente is internationally recognized for his enormous and significant contributions to Latin music as a bandleader, composer, arranger, percussionist, and mentor. Popularly known as the “El Rey del Timbal” and the “King of Mambo”, he recorded more than 100 albums, published more than 400 compositions, and won six Grammy awards. Although he played and recorded jazz and salsa, Puente is one of only a handful of musicians who deserve the title “legendary”, primarily for his mastery of the mambo. Puente has been credited with introducing the timbal and the vibraphone to Afro-Cuban music, Puente also played the trap drums, the conga drums, the claves, the piano, and occasionally, the saxophone and the clarinet. While Puente was perhaps best known for his all-time best- selling 1958 mambo album “Dance Mania”, his eclectic sound has continued to transcend cultural and generational boundaries
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