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Dan Phillips Trio - Divergent Flow

Label: Lizard Breath Records
Released: 2018
Track listing: 1. Divergent Flow 08:01 2. The Unravelling 05:45 3. Fixed Agenda 05:40 4. Extricated From 09:41 5. Dip 05:45 6. Spin Machine 04:30 7. Latitude 06:38

6

Article: Album Review

Matt Piet & His Disorganization: Rummage Out

Read "Rummage Out" reviewed by John Sharpe


Perhaps it was pianist Matt Piet's appearances with esteemed reedman Dave Rempis on the co-operative Hit The Ground Running (Aerophonic, 2016) which first started to garner him attention, but he is certainly beginning to gain a reputation in his own right, a trend which can only be furthered by the release of Rummage Out. Piet set ...

17

Article: Album Review

Ken Vandermark / Marker: Roadwork 1/Roadwork2/Homework1 (Box Set)

Read "Roadwork 1/Roadwork2/Homework1 (Box Set)" reviewed by Karl Ackermann


Reed player, composer and improviser Ken Vandermark has led, or been a part of, more than fifty different groups in his prolific twenty-year recording career. Along the way he has played with many of the top talents in experimental, free, and avant-garde jazz, including Joe McPhee, Joe Morris, Paul Lytton, Marcin Oles, Adam Lane, Ab Baars, ...

3

Article: Live Review

Suoni Per Il Popolo 2018

Read "Suoni Per Il Popolo 2018" reviewed by Mike Chamberlain


Suoni Per Il Popolo Montreal, Quebec June 1-19, 2018 The Casa del Popolo and Sala Rossa, the hub of the annual June celebration of avant music known as the Suoni Per Il Popolo, sit across from one another on Saint Laurent Boulevard just below the major intersection of Saint Joseph. ...

3

Article: Album Review

The Rempis / Daisy Duo & Guests: Dodecahedron

Read "Dodecahedron" reviewed by Mark Corroto


Saxophonist Dave Rempis and drummer Tim Daisy have been performing together in Chicago for decades. Their voices have been heard in Ken Vandermark's Audio One, Resonance Ensemble and The Vandermark Five, Triage (with Jason Ajemian), and their own projects, Rempis' Quartet, The Engines, Percussion Quartet (with Ingebrigt Håker Flaten and Frank Rosaly) and Daisy's Celebration Sextet ...

Article: Album Review

Kyle Bruckmann's Degradient: Dear Everyone

Read "Dear Everyone" reviewed by Giuseppe Segala


Diceva Luciano Berio nel 1974, a proposito della ricerca di “analogie specifiche" tra linguaggio verbale e musica, che “proprio questo tipo di ricerca è un altro modo di vivere una delle condizioni più reali e permanenti della musica, che è quella di rincorrere senza sosta un'utopia di linguaggio," per “scoprire nuove e provvisorie relazioni tra suono ...

2

Article: Album Review

Thurston Moore / Adam Gołębiewski: Disarm

Read "Disarm" reviewed by Mark Corroto


We must give credit to Thurston Moore because back in the day, at the height of his rock-n-roll superstardom, he turned post-punk fans on to improvisers like Sunny Murray, Paul Flaherty, Sun Ra, Mats Gustafsson, and Masami Akita. Nowadays, as he moves further and further away from rock, the opposite is happening. Improvisation fans listening to ...

4

Article: Album Review

Mars Williams / Tollef Østvang: Painted Pillars

Read "Painted Pillars" reviewed by Mark Corroto


If you only know saxophonist Mars Williams from his gigs with the post-punk band The Psychedelic Furs or the hip-hop/funk band Liquid Soul, you're missing out on a talented and dedicated free-jazz improviser. He scatters himself in many directions, from collaborations with Chicago's Ken Vandermark, Tim Daisy, Jim Baker and Michael Zerang, to work in Europe ...

8

Article: Multiple Reviews

Clean Feed 2018

Read "Clean Feed 2018" reviewed by Mark Corroto


Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...

6

Article: Album Review

Dave Rempis / Matt Piet / Tim Daisy: Throw Tomatoes

Read "Throw Tomatoes" reviewed by Mark Corroto


There is something about the trio recording Throw Tomatoes that brings to mind the distinction between yin and yang. Not that there is a clear difference between the two, as in yang yoga and yin yoga, where the same movement can be either (to a degree) and both. In music, a classically trained musician would be ...


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