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Thurston Moore

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Article: Multiple Reviews

The Pandemic Sessions: Solos, Part 2

Read "The Pandemic Sessions: Solos, Part 2" reviewed by Mark Corroto


Part 1 | Part 2 The entire world was in lockdown during the COVID-19 crisis, and of course, that included musicians. Unable to tour and record with their various ensembles, many artists prepared solo projects (some recorded before the virus struck). Most of the music is very personal, as if the artists are asking ...

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Article: Radio

Five New Ones from 577 Records and More!

Read "Five New Ones from 577 Records and More!" reviewed by Bob Osborne


On this week's show we'll feature five brand new albums from 577 Records, and one each from Greenleaf, Tao Forms, International Anthem and ECM. We also dip in the archive for some classic tracks.Playlist Jakob Bro, Arve Henriksen, Jorge Rossy “Reconstructing A Dream" from Uma Elmo (ECM) 00:00 Michael Sarian & Matthew Putman “Caught ...

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Article: Album Review

Paul Flaherty / Mike Roberson / Randall Colbourne / James Chumley Hunt: Borrowed From Children

Read "Borrowed From Children" reviewed by John Sharpe


Four determinedly free players, who have existed outside of the big city bubbles for some 40 years, now unite for the first time on Borrowed From Children. Out of sight maybe, but not out of mind, as a voluminous discography on a multitude of independent labels attests. Perhaps most comprehensively documented is reedman Paul Flaherty, who ...

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Article: Album Review

Merzbow / Mats Gustafsson / Balázs Pándi: Cuts Open

Read "Cuts Open" reviewed by Mark Corroto


Calling Cuts Open by Merzbow (aka Masami Akita), Mats Gustafsson and Balázs Pándi their sotto voce record would be like saying you received a love tap from Mike Tyson. This is the trio's fifth release, following the inaugural Cuts (RareNoise Records, 2013), Live In Tabačka 13/04/12 (Tabačka Records, 2015) and two sessions with the addition of ...

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Article: Album Review

Frederick Galiay: Time Elleipsis

Read "Time Elleipsis" reviewed by Glenn Astarita


This largely electric French quintet discloses a vastly experimental and often fascinating series of works that intertwine into a multipart suite of indexed titles directed by bassist Frederick Galiay. As the press material states, the bassist “was a laureate for a Hors les murs residency program initiated by the French Institute," spanning Thailand, Laos, Cambodia, and ...

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Article: Interview

Matthew Shipp: Poetic Connection

Read "Matthew Shipp: Poetic Connection" reviewed by Seton Hawkins


It is difficult to describe the impact of pianist and composer Matthew Shipp without descending into hyperbole. A core figure in the now-legendary David S. Ware Quartet, a bandleader with a staggering recording output, a groundbreaking curator for the influential Blues Series of Thirsty Ear Records, Matthew Shipp has also more recently broken new ...

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Article: Year in Review

2019: Striking A Balance In Review, Part 1

Read "2019: Striking A Balance In Review, Part 1" reviewed by Henning Bolte


Part 1 | Part 2 Every year the 'Best-of' game is underway again. But, “best of what?" is the immediate question. It's almost impossible for fishes of prey to hunt in a huge herring swarm, or for birds of prey to hunt in those huge budgerigar swarms. 'The best' is a choice from the ...

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Article: Live Review

Punkt 2019

Read "Punkt 2019" reviewed by Henning Bolte


Sørlandet Art Museum, Kick Scene, Domkirken, Kilden Punkt Kristiansand, Norway September 5-7, 2019 Punkt, with its 15th anniversary, is a quite young member among this year's prominent jubilees. It is still in the thrilling and promising future that has taken its course from 2005 on. Punkt then brought studio-technology to the ...

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Article: Live Review

Live From Birmingham: The Chieftains, Rachel Harrington, Lucinda Williams, Alex Rex & Amythyst Kiah

Read "Live From Birmingham: The Chieftains, Rachel Harrington, Lucinda Williams, Alex Rex & Amythyst Kiah" reviewed by Martin Longley


The Chieftains Town Hall July 8, 2019 Paddy Moloney remains the absolute driving force of The Chieftains, and has been since their formation in 1962. His pipes and whistles were joined by flute, percussion, guitar, harp, keyboards and a pair of fiddles, two step dancers, plus a whole host of ...


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