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Results for "Thelonious Monk"
Sonny Rollins, Volume Two – 1957
by Marc Davis
There are no bad records by Sonny Rollins, but some are better than others. This is one of the better ones. Sonny Rollins Volume Two is, as the name suggests, Rollins' second recording for Blue Note. It's uniformly excellent with a fantastic band, especially the great J.J. Johnson on trombone and two tracks with ...
Intervista a Rosario Di Rosa
by Neri Pollastri
Siciliano di Vittoria, Rosario Di Rosa è un pianista e compositore che negli ultimi anni ha proposto progetti sempre molto interessanti, originali e lontani dai cliché più abusati. Non fa eccezione il suo ultimo disco Pop Corn Reflections, uscito per la NAU Records, che stupisce anche conoscendo altri suoi lavori: si tratta infatti di un piano ...
Andrew McCormack: First Light
by Vincenzo Roggero
L'origine britannica e la residenza newyorchese costituiscono il fil rouge che attraversa First Light album nel quale il pianista Andrew McCormack fonde in maniera convincente l'aplomb, la compostezza, l'eleganza anglosassone con la vivacità, la memoria storica, lo sguardo curioso di chi guarda al futuro tipici della scena della grande mela, scena da cui provengono peraltro il ...
Zappa and Jazz: Did it Really Smell Funny, Frank?
by Geoffrey Wills
The following is an excerpt from “Chapter 2: Early Encounters with Jazz" of Zappa and Jazz: Did it Really Smell Funny, Frank? by Geoffrey Wills (Matador, 2015). When, at the age of fourteen, Zappa entered Mission Bay High School in San Diego in 1955, his first exposure to the elitist snobbery of a ...
Intervista a Stefano Battaglia
by Neri Pollastri
All About Jazz Italia: Il tuo Trio con Salvatore Maiore e Roberto Dani arriva al terzo capitolo, In the Morning, nel quale, pur conservando la propria identità, presenta due importanti novità: la principale è che la musica non è originale, bensì del compositore americano Alec Wilder. Perché questo passaggio dalla musica tua a quella di un ...
The Lost Trio: Monkwork
by Dave Wayne
In the academic world, it's not unusual for someone to devote their scholarly energies to the study of a single, galvanizing individual and their life's work. Take Abraham Lincoln, for instance: the number of college professors and independent historians who've devoted their lives to thinking, speaking, and writing about Honest Abe is simply astounding. A similar ...
Elliot Galvin Trio: Dreamland
by Roger Farbey
From the jokey toy piano start of “Ism" to the aborted boogie woogie of “Blues" where Galvin introduces a reflective change of mood, introducing a luxuriant chord-rich theme, it's patently obvious that this is no ordinary piano trio album. The pastoral “A Major" for example, one of the less frenetic tracks, nonetheless contains its own intriguing ...
Elliott Sharp: Sharp? Monk? Sharp! Monk!
by C. Michael Bailey
Polymath musician Elliott Sharp fears nothing creatively. He will as readily dismantle the blues into its atomic components as he will Western European classical music. Or jazz, for that matter. On Sharp? Monk? Sharp! Monk!, Sharp attempts the impossible, that is: a post-modern dissection of five Thelonious Monk pieces, played on guitar no less. Ex vivo ...
Simon Toldam: A New Perspective in Jazz
by Jakob Baekgaard
Danish pianist and composer Simon Toldam is a man who is used to getting involved in many different musical situations. Toldam thrives on diversity and he has played all kinds of music, from folk music to modern jazz and avant-garde. No matter what he is playing, he invests himself in the different musical contexts and brings ...
Barry Altschul's 3dom Factor: Tales of the Unforeseen
by Karl Ackermann
Barry Altschul made his mark on the musical world at a time of both turmoil and guarded acceptance. Charles Lloyd's quartet, with the unknown pianist Keith Jarrett, was bridging a gap with psychedelic rock at the Fillmore West; Miles Davis' Bitches Brew (Columbia, 1970) along with the work of groups like Weather Report, the Mahavishnu Orchestra ...
