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Article: Live Review

Open Papyrus Jazz Festival 2018

Read "Open Papyrus Jazz Festival 2018" reviewed by Alberto Bazzurro

by Alberto Bazzurro

Teatro Giacosa, Sala S. Marta, Caffè del Teatro Ivrea 22-24.03.2017 Dopo l'anteprima del 17 marzo con Enten Eller e danza al Museo Garda, ancora la danza abbinata alla musica ha aperto in Sala S. Marta (i cui endemici problemi di acustica non sembrano purtroppo risolvibili) la tre giorni finale ...

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Article: Album Review

Oddgeir Berg: Before Dawn

Read "Before Dawn" reviewed by Dan McClenaghan

by Dan McClenaghan

The evolution of the piano trio has taken us from Art Tatum to Erroll Garner to Oscar Peterson to Bud Powell to Bill Evans--with Thelonious Monk in there veering off from Ellington and the stride tradition on his own separate branch. The newest piano trio offshoot is that of groups who add electronic embellishments to their ...

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Article: Album Review

Steve Khan: Public Access / Headline / Crossings

Read "Public Access / Headline / Crossings" reviewed by John Kelman

by John Kelman

It's been a great couple of years for Steve Khan fans who are (relatively) new to the guitarist's work, especially his early releases, thanks to UK-based BGO Records. First, his '70s-era trio of fusion-centric LPs on Columbia Records, 1977's Tightrope, 1978's The Blue Man and 1979's Arrows, were remastered and reissued in a 2015 two-CD set, ...

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Article: Album Review

Alcyona Mick & Tori Freestone: Criss Cross

Read "Criss Cross" reviewed by Roger Farbey

by Roger Farbey

An associate of the Loop Collective, Alcyona Mick graduated in jazz piano from the Royal Academy of Music and Birmingham Conservatoire. She writes scores for silent films and is a member of the prestigious London Jazz Orchestra. Mick has recorded two albums with the jazz group Blink, including its eponymous debut album and its follow-up, Twice. ...

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Article: Album Review

Rudi Mahall / Alexander von Schlippenbach: So Far

Read "So Far" reviewed by Mark Corroto

by Mark Corroto

The raw materials with which pianist Alexander von Schlippenbach and clarinetist (chiefly bass clarinetist) Rudy Mahall work on the free improvisation recording So Far, are best described as untreated, as opposed to unrefined, the other definition of raw. Their music is reduced to its essential components of sound, pulse, and interplay. The two German ...

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Article: Album Review

Roberto Magris Sextet: Live in Miami @ the WDNA Jazz Gallery

Read "Live in Miami @ the WDNA Jazz Gallery" reviewed by Jerome Wilson

by Jerome Wilson

Roberto Magris is an Italian pianist who has an eclectic range of interests but is heavily in thrall to the masters of American bebop. On this particular live recording he leads a sextet that gives that language a pronounced Latin twist leading to a set of fiery performances. Magris uses two horn players, trumpeter ...

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Article: Catching Up With

Ben Allison: Between Groove and Melody

Read "Ben Allison: Between Groove and Melody" reviewed by Angelo Leonardi

by Angelo Leonardi

Bassist, bandleader, educator and composer, Ben Allison is one of the leading players of the world stage. During the past twenty years he has released twelve records and led various bands, performed on more than thirty albums, co-founded The Jazz Composers Collective, and served as its Artistic Director until its dissolution in 2005. In this conversation, ...

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Article: Live Review

Francesco Maccianti al Conservatorio Cherubini di Firenze

Read "Francesco Maccianti al Conservatorio Cherubini di Firenze" reviewed by Neri Pollastri

by Neri Pollastri

Francesco Maccianti Piano Solo Lyceum Club Internazionale Conservatorio Cherubini -Sala del Buonumore “Pietro Grossi" Firenze 26.2.2018 Il pianista fiorentino Francesco Maccianti era stato ospite in piano solo del Lyceum Club meno di quattro mesi fa, ma il suo concerto era stato così apprezzato che gli è stato chiesto di ...

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Article: Bailey's Bundles

Six on Cellar Live

Read "Six on Cellar Live" reviewed by C. Michael Bailey

by C. Michael Bailey

Cory Weeds' record label Cellar Live has become a welcome home to straight-ahead mainstream jazz in the same way that Arbors Records has been the beacon for traditional jazz and swing. Think Norman Granz's Pablo label tele-transported deep into the 21st Century. Six recent releases illuminate Cellar Live's importance to jazz as a whole and to ...

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Article: Interview

Julian Pressley: From The Duke To Ornette In His Own Way

Read "Julian Pressley: From The Duke To Ornette In His Own Way" reviewed by Victor L. Schermer

by Victor L. Schermer

Julian Pressley isn't exactly a household name, but it's a name every jazz aficionado should know. When he plays his alto saxophone, ears perk up because he's playing what they came to hear: music that embodies the legacy. Passionate, quick-witted, and full of new ideas, Pressley stands out in the crowd, a genuine original. Yet you ...


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