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Article: Album Review

Vitor Gonçalves: Vitor Gonçalves Quartet

Read "Vitor Gonçalves Quartet" reviewed by Angelo Leonardi


Al suo debutto discografico, dopo tre anni di permanenza a New York (l'album è di quest'anno ma l'incisione è del giugno 2015), il giovane musicista brasiliano si rivela pianista e, soprattutto autore, talentoso e singolarmente eclettico. Il percorso musicale è un susseguirsi di sorprese nell'architettura dei brani, nel dinamismo ritmico e nelle scelte metriche e armoniche ...

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Article: Album Review

Adam Nussbaum: The Lead Belly Project

Read "The Lead Belly Project" reviewed by Dan McClenaghan


The blues is simple music. What do they call it? Three chords and the truth? They say the same about country music and rock, but that's another article. But for much of American music, blues is the bedrock, be it rock, soul, funk, a good slice of country western, and, yes, jazz. Drummer Adam ...

Article: Album Review

Hush Point: Hush Point III

Read "Hush Point III" reviewed by Angelo Leonardi


Hush Point è un quartetto cooperativo operante a New York che ha pubblicato un primo disco, omonimo, nel 2013 e un secondo l'anno successivo (Blues and Reds Sunnyside). In questo terzo capitolo conferma l'identità stilistica di fondo, che colloca la tensione sperimentale in un quadro espressivo di derivazione West Coast. Da quel composito universo musicale e ...

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Article: Album Review

Vector Families: For Those About To Jazz / Rock We Salute You

Read "For Those About To Jazz / Rock We Salute You" reviewed by Glenn Astarita


Drummer Dave King (The Bad Plus, Dave King Trucking Company) has been a significant protagonist within the burgeoning Minneapolis / St. Paul progressive jazz scene amid various ensembles' --including Vector Families --stark experimentalism. Here, the drummer along with esteemed veteran bassist Anthony Cox steer the mutable groove-building episodes on an album that places jazz rock inside ...

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Article: Album Review

Harriet Tubman: Araminta

Read "Araminta" reviewed by Mark F. Turner


Named after the iconic American heroine: escaped slave, abolitionist and humanitarian Harriet Tubman (born Araminta Ross circa 1822); the extraordinary New York based trio of guitarist Brandon Ross, bassist Melvin Gibbs and drummer JT Lewis have performed together for over 20 years yet have only released three prior recordings: I am a Man (Knitting Factory, 1998), ...

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Article: Album Review

Rebecca Martin, Guillermo Klein: The Upstate Project

Read "The Upstate Project" reviewed by Angelo Leonardi


Il titolo dell'album prende il nome da quella parte dello stato di New York collocata a nord dell'area metropolitana, anticamente abitata delle nazioni della confederazione irochese. Un'area rurale ricca di boschi, come ricorda la bella copertina, che oggi ospita la cantante e chitarrista Rebecca Martin e il compositore, pianista e orchestratore Guillermo Klein. Quest'ultimo ...

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Article: Album Review

Guilhem Flouzat: A Thing Called Joe

Read "A Thing Called Joe" reviewed by Dan McClenaghan


Drummer Guilhem Flouzat, gearing up for his third recording as a leader, had meant to steer his music along the path he'd taken on his sophomore album, Portraits (Sunnyside Records, 2015)—a rotating cast of musicians laying down a batch of the leader's eloquent compositions. But a post card slipped through the mail slot suggesting a step ...

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Song of the Day

Serious Play

Album:
By
Label: Sunnyside Records
Released: 2017
Duration: 3:49

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Article: Album Review

Martial Solal & Dave Liebman: Masters In Bordeaux

Read "Masters In Bordeaux" reviewed by Dan McClenaghan


This should have happened a long time ago. Veteran jazz icons Martial Solal and Dave Liebman had never played together before the the Paris jazz club dates that served as a warm-up of sorts for this set, Masters In Bordeaux, recorded at the Jazz And Wine Festival in Bordeaux, France. Paris-based pianist Solal, ninety ...

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Article: Album Review

Denny Zeitlin & George Marsh: Expedition: Duo Electro-Acoustic Improvisations

Read "Expedition: Duo Electro-Acoustic Improvisations" reviewed by Dan McClenaghan


In spite of his achievement, early on, of having attained the status of top tier jazz pianist, Denny Zeitlin has always wanted to expand his artistry beyond the confines of the trio format where he made his name. Call it artistic restlessness. His first release came in 1964, the Columbia Records date, Cathexis, an acoustic trio ...


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