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Laszlo Gardony: Close Connection
by Dan Bilawsky
The close connection between pianist Laszlo Gardony, bassist John Lockwood and drummer Yoron Israel is clear and present in the music they produce together. With more than two decades of shared experiences on the bandstand and a fair number of very fine albums to boot, this crew thinks, breathes and moves as one. For this, their ...
Noah Haidu: Standards
by Neil Duggan
In 1983, Keith Jarrett, Gary Peacock and Jack DeJohnette released the first of their album of standards, Standards Vol. 1 (ECM). The trio's harmonic ideas, insight and collective musicianship went on to become the benchmark for reworking these well- known American songs. Together they recorded 21 albums over three decades. Inspired by that trio's ...
Magos Herrera: Aire
by Angelo Leonardi
Se amate l'universo musicale latino nelle sue varie espressioni--più o meno jazzisticamente orientate--verrete coinvolti profondamente da questo disco intenso e sorprendente. Magos Herrera è una cantante e compositrice messicana poco nota in Italia ma considerata tra le massime vocalist contemporanee. Magos risiede a New York dal 2008 e in due decenni ha pubblicato dischi ...
Bill Mays Trio: Autumn Serenade
by Dan Bilawsky
In Autumn Serenade, Bill Mays gifts us a bountiful harvest of seasonally-bound beauties. This 40th leader date from the eminent pianist finds him fronting a trio with two longtime colleagues--bassist Dean Johnson and drummer Ron Vincent--and welcoming vocalist Judy Kirtley and producer/guitarist Matt Balitsaris for guest appearances on a single track. Together, all parties join up ...
Flutist/Composer Christian Artmann Ponders Questions Of Life And The World On 'The Middle Of Life,' Set For June 2 Release By Sunnyside Records
Christian Artmann contemplates his, and our, moment in time with the June 2 release by Sunnyside Records of the aptly titled The Middle of Life. An introspective but highly emotional affair—with a sensitive quartet featuring pianist Laszlo Gardony, bassist John Lockwood, and drummer Yoron Israel adding their ruminations—the flutist/composer’s fourth album ponders the state of the ...
Anat Fort Trio: The Berlin Sessions
by Dan McClenaghan
"They said nobody makes CDs anymore. So I made a DOUBLE CD with stuff I've never recorded. Ever." So says Israeli pianist Anat Fort. To borrow a term from the United States' 2016 presidential election, Fort “doubled down" on the “nobody makes CDs" thing. Bless her for that. That double CD is ...
Jennifer Wharton: Not a Novelty
by Dan Bilawsky
The eponymous debut from Jennifer Wharton's Bonegasm broke the mold. There are no two ways about it. And while some may look at a statement like that and cry hyperbole, history begs to differ. With rare exception, the bass trombone—a horn forever typecast as an anchor—has been marginalized. So the idea of an ensemble featuring that ...
Harry Skoler: Living in Sound - The Music of Charles Mingus
by Angelo Leonardi
Tra i vari tributi alle composizioni di Charles Mingus, pubblicati nell'anno del centenario della nascita, questo di Harry Skoler conferma la plasticità di quei temi, articolati e mutevoli, frutto della sua complessa personalità. L'autore e primo solista di questo progetto è un clarinettista--già allievo di Jimmy Giuffre al New England Conservatory e da ...
Meredith d'Ambrosio: Sometime Ago
by Angelo Leonardi
Dopo dieci anni di silenzio discografico è un gran piacere ascoltare un nuovo album della cantante di Boston, il diciassettesimo per la Sunnyside, con cui pubblica dalla metà degli anni ottanta, qualche anno dopo il suo debutto. Più che cantante Meredith preferisce definirsi “song stylist" e tale resta all'età di 81 anni, senza ...
Aubrey Johnson & Randy Ingram: Play Favorites
by Jerome Wilson
At its best, the pairing of piano and voice can create special chemistry, as in the cases of Ran Blake and Dominique Eade or Bill Evans and Tony Bennett. The combination of Randy Ingram's piano and Aubrey Johnson's voice is in the same class on this album. The two musicians exude a sense of familiarity and ...
