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4

Article: Album Review

Vinicius Cantuaria: Psychedelic Rio

Read "Psychedelic Rio" reviewed by Katchie Cartwright


Formed in Rio in 1968 when he was 17 and Brazil was under military rule, O Terço (The Third/Rosary) was singer-songwriter and guitarist Vinicius Cantuária's first working band. He played drums with the trio, which was, as he put it, “under the influence" of Crosby Stills & Nash. One can hear other psychedelic-folk-rock influences as well. ...

13

Article: Multiple Reviews

Noah Haidu and Dave Bass: Mirror Images

Read "Noah Haidu and Dave Bass: Mirror Images" reviewed by Doug Collette


Noah Haidu and Dave Bass may be too much the traditionalists to become true innovators, but such observations hardly dismiss their efforts as exceptional stylists. Both men's recent releases certify them as musicians who can reliably remind us where the most fruitful sources of inspiration lie in terms of both material and musicianship. Bass' Trio Nuevo ...

Article: Album Review

Mike McGinnis + 9: Outing

Read "Outing" reviewed by Angelo Leonardi


Il nuovo album di Mike McGinnis si riallaccia a un'incisione del 2013 (Roadtrip, RKM) realizzata con un tentet d'identica strumentazione e un solo mutamento d'organico: Caroline Davis al sax contralto prende il posto di Matt Blostein. Dopo il successo del suo trio del 2017/18 con Steve Swallow e Paul Bley (ricordiamo i due ...

126

Song of the Day

Someone to Watch Over Me

Album:
By
Label: Sunnyside Records
Released: 2024
Duration: 7:56

1

Article: Album Review

Aubrey Johnson, Randy Ingram: Play Favorites

Read "Play Favorites" reviewed by Angelo Leonardi


Il debutto discografico del duo Aubrey Johnson/Randy Ingram nasce dopo una lunga frequentazione tra la cantante e il pianista, frequentazione iniziata quasi per caso nel 2015 in un recital di facoltà e proseguita con costanti esibizioni negli ultimi anni. Docente al Berklee College of Music, Aubrey Johnson ha rivelato le sue alte capacità ...

Article: Album Review

Frank Carlberg Large Ensemble: Elegy for Thelonious

Read "Elegy for Thelonious" reviewed by Alberto Bazzurro


Dopo aver circumnavigato la musica di Monk in diversi contesti, prevalentemente come pianista in piccoli organici, Frank Carlberg, finlandese di nascita ma newyorchese a tutti gli effetti, affronta in questo suo ultimo, ambizioso lavoro l'ineffabile Thelonious da una prospettiva diversa: dedicandogli una serie di composizioni proprie ispirate a lui e alla sua arte così fuori da ...

23

Article: Interview

Albert "Tootie" Heath: Class Personified

Read "Albert "Tootie" Heath: Class Personified" reviewed by R.J. DeLuke


This article was first published on All About Jazz on March 9, 2015. Albert “Tootie" Heath is among the drummers who lived--and thrived--during what many call the golden age of jazz, the '40s, '50, early '60s. He's enjoyed the fruits of a varied and historic career, but never stayed put. Just kept working. He ...

13

Article: Album Review

Jamie Baum Septet+: What Times Are These

Read "What Times Are These" reviewed by Katchie Cartwright


Reading Marge Piercy's poem “To Be of Use" (track two onWhat Times Are These), Jamie Baum could be speaking of herself, one of those “who jump into work head first without dallying in the shadows, who swim off with sure strokes," knowing that “the thing worth doing has a shape that satisfies, clean and evident." What ...

Article: Album Review

Logan Strosahl with the Charles Rosen Ensemble: Book II of Arthur: Sir Gawain and the Green Knight

Read "Book II of Arthur: Sir Gawain and the Green Knight" reviewed by Angelo Leonardi


Il secondo capitolo che il sassofonista e compositore Logan Strosahl dedica al ciclo arturiano della letteratura inglese s'ispira al poema “Sir Gawain e il Cavaliere Verde," opera del XIVº secolo riscoperta nel 1800 e divenuta popolare come massimo esempio del genere cavalleresco: protagonista è il giovane membro della tavola rotonda che affronta sfide per provare il ...

1

Article: Album Review

Yuhan Su: Liberated Gesture

Read "Liberated Gesture" reviewed by Angelo Leonardi


«Quest'album rappresenta la libertà che stavo cercando--dice Yuhan Su--una variante di me più raffinata e un messaggio sul periodo in cui ci troviamo». Giunta al quarto disco in un decennio d'attività professionale a New York, la vibrafonista taiwanese conferma d'essere una strumentista di prim'ordine e soprattutto una compositrice e leader innovativa, in equilibrio ...


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