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Supersense

Label: Northern Spy
Released: 2020
Track listing: Underbelly; Supersense; Canopy; Glass; Metal Mouth; Bunker; Matter is Water; Sleeping in the Sky: The Gentlest Insect.

ARTICLE: ALBUM REVIEW

Taylor Ho Bynum 9-tette: The Ambiguity Manifesto

Read "The Ambiguity Manifesto" reviewed by Giuseppe Segala

All'interno della generazione di musicisti che si sono formati con Anthony Braxton negli anni Novanta, studiando presso di lui alla Wesleyan University e collaborando ai suoi lavori di quel periodo, Taylor Ho Bynum spicca insieme a Mary Halvorson per versatilità dinamica e dovizia progettuale. Bynum, nel periodo in cui ha diretto la Tri-Centric Foundation, dal 2010-2018, ...

ARTICLE: ALBUM REVIEW

Taylor Ho Bynum: The Ambiguity Manifesto

Read "The Ambiguity Manifesto" reviewed by Mark Corroto

Cornetist, composer, organizer and curator Taylor Ho Bynum marshals his recording The Ambiguity Manifesto into the categories of before and after, as in AM/PM, BC/AD, and maybe more appropriately before AACM (Association for the Advancement of Creative Musicians) and after AACM. With the entire breadth of recorded jazz history available, Bynum chose the concepts of the ...

ARTICLE: ALBUM REVIEW

Taylor Ho Bynum 9-tette: The Ambiguity Manifesto

Read "The Ambiguity Manifesto" reviewed by Karl Ackermann

Taylor Ho Bynum's The Ambiguity Manifesto, with its oxymoronic title, is the third album in what the cornetist-composer calls an “accidental trilogy." Following his Firehouse 12 Records releases Navigation (Possible Abstracts XII & XIII) (2013) and Enter the Plus Tet (2016), Bynum recognized a form--however unconventional--both in the composition and performing of these large ensemble works. ...

Stephanie Richards: Creative Music

Read "Stephanie Richards: Creative Music" reviewed by Kevin Press

Calgary's Stephanie Richards has been rubbing shoulders with some of the world's finest jazz players since putting down roots in jny: New York City. The trumpeter has a passion for testing boundaries and an intuitive approach to her work. Her latest, Take the Neon Lights, is a tribute to her new home. All About ...

ARTICLE: RADIO

Saxophonist Jessica Jones is on a Continuum

Read "Saxophonist Jessica Jones is on a Continuum" reviewed by Lorens Chuno

Jessica Jones Quartet's latest album, Continuum, is the product of an earnest and organic execution of musical creativity. Continuum features Jessica Jones on tenor saxophone, tony Jones on tenor saxophone, Stomu Takeishi on bass, Kenny Wollesen on drums, Devante Dunbar on alto saxophone, Ed Reed on vocals, Ambrose Akinmusire on trumpet, and Mamadou Sidibe on Kamali ...

ARTICLE: YEAR IN REVIEW

Troy Dostert's Best Releases of 2018

Read "Troy Dostert's Best Releases of 2018" reviewed by Troy Dostert

2018 was a terrific year for imaginative, well-executed recordings that cover the spectrum of instrumental configurations in creative jazz and freely improvised music. From Susana Santos Silva's mesmerizing solo trumpet to Ingrid Laubrock's formidable orchestra (and everything in between), the following choices are a cross-section of some of the best the year had to offer. Something ...

ARTICLE: UNDER THE RADAR

Culture Clubs: Part IV: When Jazz Met Europe

Read "Culture Clubs: Part IV: When Jazz Met Europe" reviewed by Karl Ackermann

The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...

ARTICLE: MULTIPLE REVIEWS

L'eclettismo di Satoko Fujii

Read "L'eclettismo di Satoko Fujii" reviewed by Neri Pollastri

Mentre è uscito Solo, primo dei ben dodici album che Satoko Fujii ha annunciato per il 2018, anno in cui compirà sessant'anni, ci occupiamo qui di tre dei numerosi ed eccellenti lavori da lei pubblicati nel 2017, che ne illustrano particolarmente la poliedricità: nel primo infatti Satoko non è al pianoforte, bensì alla fisarmonica; nel secondo ...


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