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Newport Jazz Festival 2019
by Doug Hall
Newport Jazz Festival Fort Adams State Park Newport, RI August 2-4, 2019 The 65th Anniversary Newport Jazz Festival continued an established tradition of delivering an exceptional level of high quality musicianship. Over the three fully packed days (and one special evening at the International Tennis Hall of Fame) from August 2nd ...
Vivian Sessoms: Life II
by Angelo Leonardi
Sliding doors. È consistente il numero di cantanti afroamericane che spaziano con disinvoltura tra i vari ambiti e stili della black music, giungendo fino al pop. I risultati sono anche elevati, come dimostra questo disco, ma resta il sospetto di un impegno programmato per adeguarsi alla volatilità del mercato. In molto pubblico attuale, ...
Bob Sheppard: The Fine Line
by Roger Farbey
Ironically, probably the only reason that Bob Sheppard isn't a household name (other than in jazz households) is because he's such an in-demand sideman. Splitting his time between Los Angeles, and New York he also teaches jazz at The University of Southern California Thornton School of Music. But he's worked, amongst many others, with such jazz ...
Rick Lawn: The Evolution of Big Band Sounds in America
by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
Theo Croker: It's Just Black Music
by Keith Henry Brown
In a field teeming with talented young lions, the bright sound of trumpeter Theo Croker still sticks out. Grandson of the legendary jazz trumpeter Doc Cheatham, the native Floridian graduated from the Oberlin Conservatory of Music and is part of a new movement of emerging jazz artists who expertly incorporate hip hop, electronic and R&B elements ...
Lettuce: Elevate
by Doug Collette
In what is perhaps an act of self-fulfilling purpose, Lettuce lives up to the title of this album, despite the fact it is not the same band that recorded Rage (Velour Recordings, 2008) or Fly (Velour Recordings, 2012). The current lineup is missing the two main instrumentalists from that pinnacle of progression: guitarist Eric Krasno and ...
Atlanta Jazz Festival 2019
by Mark Sullivan
Atlanta Jazz Festival Atlanta, GA May 25-26, 2019 Last year the festival operated under the threat of rain all weekend. This year's 42nd edition saw record-tying high temperatures: 93 and 94 degrees Fahrenheit (ten degrees above the historical averages). No doubt it is a coincidence that the programming was cooler than last ...
Larry Fuller: Overjoyed
by Dan Bilawsky
Pianist Larry Fuller isn't exactly coy about the substance of this record. Exuberance is an obvious through-line as he works his way across a dozen charmers that frequently live up to the promise of the title in different ways. Leading an ace trio with Hassan Shakur on bass and Lewis Nash on drums, Fuller ...
Sam Tshabalala: Returning Home
by Seton Hawkins
The late 1970s saw a surge of extraordinary musical creativity in South Africa. Driven in part by a changing political climate reflecting the youth-led Soweto uprising of 1976, a younger generation of South African artists harnessed the arts to give voice to a new chapter in the anti-apartheid struggle. Indeed, rising ensembles like Movement ...
Ernest Turner: My Americana
by Dan McClenaghan
Pianist Ernest Turner could have gone after the Great American Songbook--Cole Porter, George Gershwin, Lerner and Loewe--a repertoire he has learned well. Instead, on My Americana, he turns toward the sounds that reflect how he grew up, music taken from the African-American experience, with tunes from Thelonious Monk, Kenny Kirkland, Stevie Wonder and Fats Waller, along ...



