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Album

Latecomers

Label: Ictus Records
Released: 2020

Album

Estuaries

Label: Den Records
Released: 2013

4

Article: Album Review

New Atlantis Octet: Unto The Sun

Read "Unto The Sun" reviewed by Mark Corroto


Sonic Youth guitarist Thurston Moore and ex-Black Flag frontman Henry Rollins have brought free jazz players to the attention of new and younger audiences. Moore has recorded with and promoted the music of Paul Flaherty, William Hooker, John Zorn, Chris Corsano, and Mats Gustafsson and Rollins (back in the 90s) with Matthew Shipp, Roscoe Mitchell, and ...

5

Article: Multiple Reviews

Four Artists Of The Jazz Clarinet Renaissance

Read "Four Artists Of The Jazz Clarinet Renaissance" reviewed by Dan Bilawsky


Since the jazz clarinet never really died, renaissance--or rebirth--may not be the term that best describes what's happening to the instrument in the twenty-first century jazz universe; it is, however, a pretty good one word synopsis. The licorice stick was there at or near the start, tooting along next to the trumpet and ...

2

Article: Album Review

Pandelis Karayorgis Trio: Cocoon

Read "Cocoon" reviewed by Mark Corroto


With so many projects in the works, where is one to begin in a survey of pianist Pandelis Karayorgis? The Boston-based educator (born in Athens, Greece) is a member of The Whammies (featuring Han Bennink), a sextet formed with Driff Records partner Jorrit Dijkstra to cover the music of Steve Lacy. He also maintains a Chicago ...

2

Article: Album Review

Barry Altschul: The 3dom

Read "The 3dom" reviewed by Mark Corroto


Seems of late, Mr Simon, Mr Garfunkel and the nation have been singing “Coo, coo, ca- choo, Mrs. Robinson" not for Joe DiMaggio or the deceased Ann Bancroft, but for drummer Barry Altschul. Somehow, in the 1980s and '90s we misplaced him. Actually, he moved to Europe, recording for smaller labels before he quietly returned to ...

6

Article: Album Review

Jason Kao Hwang: Burning Bridge

Read "Burning Bridge" reviewed by Glenn Astarita


Featuring the members of his quartet EDGE, violinist Jason Kao Hwang slashes through preconceived perimeters and bridges a cultural gap via his thoroughly modern vision on this concentrated effort, sparking innovation from a 360-degree stance. The complex premise for these intersecting works emanates from the passing of his mother, his Chinese heritage and life's experiences, all ...

5

Article: Album Review

Mikolaj Trzaska / Olie Brice / Mark Sanders: Riverloam Trio

Read "Riverloam Trio" reviewed by John Sharpe


Mikolaj Trzaska (pronounced “Miko-why Chass-kuh") is not a name which drops off even the most assiduous jazz fan's lips. But on the evidence of this recording, it will become increasingly familiar outside his native Poland. Already the reedman has featured alongside American multi-instrumentalist Joe McPhee on the excellent Magic (Not Two, 2009), with reedman Ken Vandermark's ...

4

Article: Album Review

Platform 1: Takes Off

Read "Takes Off" reviewed by Glenn Astarita


The debut recording by Platform 1 comprises a multinational cast of progressive jazz musicians who easily knock it out of the park with blazing free-bop motifs, introspective sojourns, shuffling jazz-boogie vamps and celebratory interactions. Add the often feverish solo spots and tumultuous climaxes into the mix to round out a divergent program, culminating in a highly ...

11

Article: On and Off the Grid

What Is Jazz Now?

Read "What Is Jazz Now?" reviewed by Dom Minasi


Back in February, All About Jazz Managing Editor John Kelman asked me to develop a column based on points I made in the comment section of the article BAM or JAZZ: Why It Matters. I still feel the same way, but trumpeter Nicholas Payton's statement that jazz died in 1959 made me think, and I've been ...


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