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Dakhla Brass: Murmur
by Chris May
It never really went away, but during the late 2010s there has been a measurable upsurge of interest in brassy, post-marching-band jazz in Britain. A high-carat jewel on the London scene over the last few years has been tuba player Theon Cross and his band Fyah. Cross also brings his dextrous bass line magic to several ...
Istanbul’s İKSV: An Intensity Beyond Cool
by Arthur R George
It would be easy to get breathless, even giddy, about the range and schedule of cultural events organized by İKSV, the Istanbul Foundation for Culture and Arts (in Turkish: İstanbul Kültür Sanat Vakfı). One individual could not possibly keep up with its jazz and classical music festivals and everything else that's offered by İKSV. It brings ...
Oslo Jazz Festival 2018
by John Sharpe
Oslo Jazz Festival Oslo, Norway August 15-17, 2018 Introduction The Norwegian capital Oslo bills itself as a festival city and, with around a thousand concerts each year, claims that it has the most concerts per inhabitant of any city in Europe. Included among those are the 70 plus events which made ...
Headliners and Rising Stars at the 2018 Montreal International Jazz Festival
by Dave Kaufman
Part 1 | Part 2 | Part 3 | Part 4This year marked one of the best and most well-balanced indoor (paid indoor events) and (free) outdoor lineups at the Festival International de Jazz de Montreal (FIJM). The strength of the lineup stretched across genres and also maintained a consistency over the course of ...
Jazzkaar 2018
by Martin Longley
Jazzkaar 2018 Tallinn, Estonia April 20-29, 2018 In the year of Estonia's celebrations, having attained a full century as a Republic, its Jazzkaar festival continues to be amongst the very best of the European range. Held annually in Tallinn, and primarily centred around the Telliskivi Creative City, the festival continued ...
Binker and Moses: Alive In The East?
by Chris May
Something wonderful is happening in London in summer 2018. A disruptive musical movement, led by an inter-connected community of young musicians, is taking jazz in vibrant new directions and finding enthusiastic new audiences. Hybridisation is the name of game, which reflects London's cultural diversity by absorbing locally created styles such as grime and broken beat within ...
Sons of Kemet: Your Queen Is A Reptile
by Karl Ackermann
There is nothing quite like the Sons of Kemet. In a genre that struggles with the perception that it too often becomes mired in sameness and safety, this is a group that embraces the African roots of jazz while skirting the very essence of the genre. Eye-opening deviations come from unexpected places and in the case ...
Brilliant Corners 2018
by Ian Patterson
Brilliant Corners 2018 Black Box Belfast, N. Ireland March 3-10, 2018 Compared to Dublin or cities in the UK, Belfast is usually overlooked when jazz groups tour. When the likes of Wayne Shorter, Charles Lloyd, Ahmad Jamal, Keith Jarrett or Brad Mehldau come to Ireland it's usually a one-stop visit ...
Sons of Kemet: Your Queen Is A Reptile
by AAJ Staff
Con il consueto ritardo (tempo tecnico di maturazione lo definirebbe qualcuno di più diplomatico) anche il mondo globalizzato del jazz si sta accorgendo del talento di Shabaka Hutchings. Chi bazzica infatti il jazz europeo più vivace non può non avere notato da tempo il sassofonista inglese, con i The Comet Is Coming, con Louis Moholo, con ...
Sons of Kemet: Your Queen Is A Reptile
by Chris May
It is appropriate that this, British-based Sons of Kemet's third album, should be released under the Impulse banner. During its heyday, Impulse was the home of John Coltrane, Alice Coltrane and Pharoah Sanders and as such was the chief platform for the cosmic/spiritual jazz movement of the 1960s and 1970s and that movement's demand for white-majority ...
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