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Shorty Rogers
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One of the leading figures of West Coast jazz, Shorty Rogers' decision to stop performing and switch to full-time studio work in 1962 marked the end of its golden era. Rogers played with a number of big bands in the late 1940s, and began to attract attention as an arranger while working with Woody Herman. Stan Kenton then hired him away from Herman and Rogers' compositions and arrangements for Kenton made him as much of a star as any of Kenton's soloists. Rogers left Kenton and pulled together a small group that included Art Pepper, Shelley Manne, Jimmy Giuffre, and Hampton Hawes to record Modern Sounds for Capitol
Mark Masters: Our Metier
by Angelo Leonardi
Splendido arrangiatore di scuola mainstream, Mark Masters guida formazioni orchestrali fin dai primi anni ottanta e gran parte della sua produzione discografica l'ha incisa per l'etichetta Capri di Thomas Burns. I suoi dischi recenti--compreso l'ultimo Blue Skylight -erano concept album dedicati a grandi nomi del jazz, come Clifford Brown, Duke Ellington, Lee Konitz o ...
Jim Cutler Jazz Orchestra: The Wolf Awakens
by Jack Bowers
The Wolf Awakens, Seattle-based saxophonist Jim Cutler's third album as leader of his Jazz Orchestra, consists entirely of original compositions including four of his own, half a dozen by trumpeter Daniel Barry and one ("Haze Gray") by Matso Limtiaco. Before appraising them, a word about the ensemble, and that word is exemplary. These are without a ...
The Alto After Bird - Pepper, Woods, McLean, Adderley (1957 - 1960)
by Russell Perry
When Charlie Parker died at 34 in 1955, it was as if an ancient tree fell in the forest with the resulting sunlight promoting the growth of numerous alto saxophone progeny. Art Pepper appeared in Stan Kenton's Orchestra in 1950 and by 1953 was recording as a leader while still collaborating with West Coast colleagues like ...
Rick Lawn: The Evolution of Big Band Sounds in America
by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
Stan Kenton and West Coast Jazz (1950 - 1958)
by Russell Perry
In the last hour, we heard evidence of Woody Herman's capacity for talent development in the form of further work by reed players Stan Getz, Serge Chaloff, Al Cohn, Zoot Sims and Jimmy Giuffre. In this hour we turn the spotlight on alumni of the Stan Kenton Orchestra which produced several significant players in the West ...
Shorty Rogers: Nutcracker
What do Shorty Rogers, Larry Clinton, Les Brown, Hal Mooney, Duke Ellington, Herbie Fields, the Nutty Squirrels and Gene Krupa have in common? All recorded a jazz interpretation of Tchaikovsky's Nutcracker. Of the bunch, Rogers's The Swingin' Nutcracker is probably the hippest and most fun to hear. It still jumps like caramel popcorn on a hot ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 3-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 Concert 8: The Herdsmen -Bobby Shew meets Larry McKenna Trumpeter Bobby Shew is a well- known ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 2-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 Concert 4: Keen and Peachy: Music of the Woody Herman Second Herd -Directed by Michael Berkowitz ...
Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4
by Simon Pilbrow
Los Angeles Jazz Institute Festival “Woodchoppers' Ball" Four Points by Sheraton at LAX Los Angeles, CA May 23-27, 2018 Part 1 | Part 2 | Part 3 | Part 4 The Los Angeles Jazz Institute (LAJI), under Ken Poston, has continued for some thirty years to ...
