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Results for "Self Produced"
Beat Kaestli: Beat Kaestli: Live in Europe
by C. Michael Bailey
In my humble estimation, there are two ballad singers (living) without peer: Rebecca Parris and Beat Kaestli. The latter has had a string of recent recordings that are as innovative as they are entertaining, including: Happy, Sad And Satisfied (B&B Productions, 2005), Invitation (Chesky Records, 2010), and Collage (B&B Productions, 2014). Kaestli sneaks ...
Jon Irabagon: Behind The Sky
by Budd Kopman
Simply put, Behind The Sky is a flat-out superlative recording by saxophonist Jon Irabagon. Straddling inside" and outside," it can be appreciated by those more comfortable with the straight-ahead (with some stretching, of course), as well as those who enjoy music which challenges the ear and mind. The rhythm section," consisting of pianist Luis ...
Ochion Jewell Quartet: Volk
by Alberto Bazzurro
Volk, in tedesco popolo, come tutti sappiamo. Il fatto è che i popoli rappresentati in questo album sono diversi (e nessuno ha a che fare con la Germania): Appalachi per il leader del quartetto, il sassofonista Ochion Jewell, marocchino per il pianista Amino Belyamani, iraniano per il bassista Sam Minaie, pakistano per il batterista Qasim Naqvi, ...
Carol Welsman: Alone Together
by Edward Blanco
Canadian jazz pianist and vocalist Carol Welsman unveils her eleventh album as leader with the audacious Alone Together where she's never alone and altogether very spicy and splendid on vocals as well as on the keys. The album contains a superb selection of time-honored standards like Sammy Cahn's Day By Day," Rodgers & Hammerstein's oft-recorded It ...
School Of Music Graduate Ensemble: Like No One Else
by Hrayr Attarian
The University of the Arts in Philadelphia (UARTS) has one of the premier jazz education programs in the USA. This excellence is apparent in the exceptional careers of some of their alumni, such as bassist Stanley Clarke and trombonist Robin Eubanks. It is also documented well in the many recordings that the university's various ensembles release. ...
Ivan Valentini: Rust and Blue
by Vincenzo Roggero
L'iniziale Nichilismo" è brano breve, secco, tagliente nelle sonorità, nervoso nello sviluppo, senza punti di riferimento. Il successivo The Fake Five" ha un andamento lento, avviluppa l'ascoltatore tra le spire di una melodia incantatoria che nasconde sotto la superficie segnali di pericolo imminente, di sogno pronto a trasformarsi in incubo. Sono queste le ...
Steve Olson: The Ruthless Shapes of Paradise
by Alberto Bazzurro
Dopo un album di duetti con partner diversi (Conversations, 2014), Steve Olson approda a questa che è la sua opera seconda optando invece per un organico fisso per tutto il disco, un trio entro le cui maglie la sua musica pudica, rattenuta, si muove seguendo la prassi della composizione istantanea, alias improvvisazione totale. ...
Richard Sorce: A Place I've Never Been
by Edward Blanco
New York-based pianist/Composer and educator Richard Sorce has had a life-long affinity for the Brazilian genre and the music that emanated from the periods of the 50s through the 70s which led the artist to form the Latin Jazz group, The Richard Sorce Project in 2012. Sorce and the group now present their ten-track Brazilian- styled ...
Thelonius: Where Do We Go From Here?
by Bruce Lindsay
Where Do We Go From Here? asks Bristol-based Thelonius on a seven track live mini album featuring the hip-hop tunes (from A Tribe Called Quest, J Dilla, Gang Starr and others) that formed the core of the band's early influences. Where indeed. The title might suggest a band that's lacking direction--the music suggests a band that's ...
Nick Hempton: Catch and Release
by Edward Blanco
Veteran New York saxophonist Nick Hempton lets loose with the stellar Catch and Release, a special project that has been a year-long journey and an experiment of sorts, in recording and releasing music. The album contains eight original Hempton compositions except that each tune was recorded and released separately for purchase on-line on the internet for, ...

