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247

Article: Album Review

Satoko Fujii Orchestra Nagoya: Sanrei

Read "Sanrei" reviewed by Mark Corroto


Satoko Fujii's Sanrei might smell like teen spirit, but it isn't a rock power trio disc; it's an orchestra sent here from nirvana by way of Nagoya, Japan.  Pianist Fujii eschews the keyboards for a conductor's baton, leaving the chords to guitarist Yasuhiro Usui to shred with abandon. Probably best known for ...

216

Article: Album Review

Satoko Fujii Orchestra Nagoya: Sanrei

Read "Sanrei" reviewed by Dan McClenaghan


Satoko Fujii has a rock and roll soul and heart, judging from the opening cut on Sanrei, by her Orchestra Nagoya. The tune thumps and slashes to life on a bass/drums/guitar intro that sounds like Deep Purple searching for the groove on “Kentucky Woman," an early burst (1968) in the heavy metal mode. The ...

445

Article: Album Review

Satoko Fujii Orchestra New York: Summer Suite

Read "Summer Suite" reviewed by Troy Collins


In addition to numerous small combos, industrious Japanese pianist Satoko Fujii leads four different Orchestras (Kobe, Nagoya, New York, and Tokyo). In honor of her fiftieth birthday, Fujii has released a total of seven albums in 2008. The latest installment includes Chun (Libra), an intimate duet with her husband, trumpeter Natsuki Tamura, and two big band ...

1

Article: Album Review

Satoko Fujii: Trace a River

Read "Trace a River" reviewed by AAJ Italy Staff


Di progetto in progetto, di pubblicazione in pubblicazione, la statura artistica di Satoko Fujii negli ultimi anni è cresciuta a dismisura. E nel meraviglioso universo di situazioni che la vedono coinvolta, dal duo col marito trombettista Natsuki Tamura alle scritture per big band, dal quartetto Gato Libre al sodalizio con la violinista Carla Kihlstedt, il piano ...

469

Article: Album Review

Satoko Fujii Orchestra New York: Summer Suite

Read "Summer Suite" reviewed by Budd Kopman


Continuing the stream of recordings in her 50th birthday year, pianist Satoko Fujii presents Summer Suite from the New York big band, as well as Sanrei (BKM, 2008) from the Nagoya band. These two are in a series of thirteen big band releases dating back to Jo (Buzz, 1999)--besides the forty-odd other recordings she has lead ...

436

Article: Album Review

Natsuki Tamura / Satoko Fujii: Chun

Read "Chun" reviewed by Budd Kopman


With seemingly endless energy and a bottomless well of inspiration, pianist Satoko Fujii continues to celebrate her fiftieth birthday year with three new recordings, all three simultaneously released on Libra. Chun, a duo recording with trumpeter Natsuki Tamura, her husband and musical partner and two big band releases, one West and the other East--Summer Suite (New ...

180

News: Interview

Pianist Satoko Fujii Interviewed at AAJ

Pianist Satoko Fujii Interviewed at AAJ

For pianist Satoko Fujii, 50 is the new 20. That refers to her age, although you could almost believe it refers to the number of albums she's released in 2008 alone. Fujii appears on four records this year: a trio session called Trace A River (Libra, 2008); a quartet session with her band ma-do called Heat ...

137

News: Radio

The Jazz Session #47: Satoko Fujii

The Jazz Session #47: Satoko Fujii

Jason Crane interviews pianist and composer Satoko Fujii. Fujii has released four new recordings in 2008, her 50th birthday year. These records find her with her New York trio; on accordion in the avant-folk-jazz group of her husband, trumpeter Natsuki Tamura; in a quartet with some of Japan’s most talented improvising musicians; and in a second ...

993

Article: Interview

Satoko Fujii: Four And More

Read "Satoko Fujii: Four And More" reviewed by Jason Crane


For pianist Satoko Fujii, 50 is the new 20. That refers to her age, although you could almost believe it refers to the number of albums she's released in 2008 alone. Fujii appears on four records this year: a trio session called Trace A River (Libra, 2008); a quartet session with her band ma-do ...

207

Article: Album Review

Satoko Fujii Quartet: Bacchus

Read "Bacchus" reviewed by Budd Kopman


The jazz of today is the most vibrant ever. It has shaken off the straitjacket of “jazz as style," replacing it with the concept of “jazz as an attitude or aesthetic." Paradoxically, the music produced by the players embracing this concept is called avant-garde; primarily because it cannot be immediately pigeonholed and is inherently challenging. In ...


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