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Go: Organic Orchestra & Brooklyn Raga Massive: Ragmala: A Garland of Ragas
by Angelo Leonardi
Questo magistrale doppio album di Adam Rudolph nasce dalla collaborazione tra la sua Go: Organic Orchestra e il collettivo Brooklyn Raga Massive. Venti appassionanti brani che realizzano il monumento finale (ma certo non conclusivo) della quarantennale attività del percussionista dedita all'incontro tra musiche afro-americane, africane e asiatiche. Anche se Rudolph è considerato uno dei maestri della ...
Sara Schoenbeck/Wayne Horvitz: Cell Walk
by Dan Bilawsky
The relationship between Sara Schoenbeck, one of the only bassoon practitioners to truly and successfully fold the instrument's sound into the realm of chamber jazz, and pianist Wayne Horvitz, a touchstone in creative music, has been documented in the past. The work of Horvitz's Gravitas Quartet, formed in 2004 and featuring Schoenbeck alongside trumpeter Ron Miles ...
Bassonist Sara Schoenbeck And Pianist Wayne Horvitz Will Release 'Cell Walk' On May 22
New Album is Frequent Collaborators' Debut as a Duo Sara Schoenbeck and Wayne Horvitzhave been musical partners for 20 years, notably in Horvitz’s chamber jazz group The Gravitas Quartet (formed 2004) and his Some Days are Forever Afternoon project (2015, both on Songlines). They formed this duo in 2018 to play a program of their own ...
2020 Winter JazzFest: New Projects and Out-of-Towners - Part II
by Ludovico Granvassu
Second part of Mondo Jazz's special edition dedicated to the 2020 Winter JazzFest. In this segment there's a special emphasis to musicians from the French and Italian scene, and yet-to-be released material courtesy of Wayne Horvitz, Jure Pukl and Angela Morris For the first part of this show click here. PlaylistBen Allison ...
Results for pages tagged "Sara Schoenbeck"...
Sara Schoenbeck
Sara Schoenbeck is a bassoonist who dedicates herself to expanding the sound and role of the bassoon in the worlds of classical, contemporary notated and improvised music. The Wire magazine places her in the "tiny club of bassoon pioneers" at work in contemporary music today and the New York Times has called her performances "galvanizing" and "riveting, mixing textural experiments with a big, confident sound.”
Originally from California, Sara spent her time on the west coast freelancing in various orchestral bassoon sections such as Santa Barbara Symphony, California Symphony, Redlands, Mancini Orchestra, the Dakah Hip Hop Orchestra and touring as a member of creative music ensembles Gravitas Quartet with Wayne Horvitz, Ron Miles and Peggy Lee, Anthony Braxton’s 12+1(tet) and Vinny Golia’s Large Ensemble. Sara also recorded for various sound and film projects including the Matrix 2 and 3, Dahmer and Spanglish.
2020 Winter JazzFest Marathons: A Survival Guide
by Ludovico Granvassu
Believe it or not, it is that time of the year again! The holidaze are barely over and a new edition of Winter JazzFest is upon us. Knowing a jazz marathon is the perfect antidote to the holiday shopping and social marathons, producer Brice Rosenbloom and his cohorts have put together a program of gargantuan proportions. ...
Michael Leonhart: Suite Extracts Vol. 1
by Angelo Leonardi
Credo proprio di non esagerare ma è dall'uscita di There Comes a Time di Gil Evans che non ascoltavo un album orchestrale così eclettico nella sintesi di materiali diversi. Il nuovo disco di Michael Leonhart segue il debutto di The Painted Lady Suite (Sunnyside 2018), il maestoso affresco musicale che evocava l'impressionismo del primo Evans, con ...
Tomeka Reid, Kyoko Kitamura, Taylor Ho Bynum, Joe Morris: Geometry of Caves
by Troy Dostert
A free-jazz veteran meets up with three musicians quickly establishing their own impressive legacies on the bewitching Geometry of Caves, a wholly improvised affair that offers plenty of intrigue and vigorous four-way dialogue during seven imaginative pieces. Guitarist Joe Morris's long recording career has seen him working with giants like William Parker, Anthony Braxton ...
Harris Eisenstadt: Recent Developments
by Neri Pollastri
Formazione piuttosto singolare questa messa assieme dal batterista Harris Eisenstadt, senza sassofoni, chitarre e pianoforti, ma invece con fagotto, flauto, tuba e violoncello. Strumenti di estrazione classica, che in realtà nel jazz non sono mai mancati, specie alle origini (banjo e tuba) o in ambiti d'avanguardia (flauto e fagotto), ma che tutti assieme è raro incontrare. ...
Matt Mitchell, un pianoforte declinato al futuro
by Luca Canini
Se da un lato c'è Tim Berne che ti affida le chiavi del suo quartetto, e dall'altro Steve Coleman che al momento di mettere qualcuno davanti a una tastiera non esita a comporre il tuo numero, vuol dire che qualcosa di buono al pianoforte lo sai fare. Certo, poi serve anche altro per uscire definitivamente allo ...
