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Composer Tributes: Strayhorn, Shorter, Monk and Sam Jones
by Jerome Wilson
There always seem to be albums coming out that pay tribute to accomplished jazz composers. Here are some newer ones, three on very familiar names and one on an often overlooked musician. John Di Martino Passion Flower: The Music of Billy Strayhorn Sunnyside Records 2020 Pianist John ...
Lee Konitz Tribute and New Releases
by Bob Osborne
On this edition a celebration of the music of jazz giant Lee Konitz together with some new releases: Denman Maroney brings an inventive and creative approach to the piano with his new album. Exploring different aspects of the keyboard with his “hyperpiano" he delivers a fresh and exciting sound. JUNO-nominated Canadian jazz ...
The TNEK Jazz Quintet: Plays the Music of Sam Jones
by Jack Bowers
The late Sam Jones is mainly remembered as an earnest craftsman whose perceptive bass lines undergirded the likes of Cannonball Adderley, Oscar Peterson, Cedar Walton, Barry Harris, Kenny Dorham, Bobby Timmons, Bill Evans and a host of other jazz masters. Jones, however, had another special albeit lesser-known talent, one that is addressed here, almost forty years ...
The New York - Paris Reunion Quintet: Live at the Bird's Eye Jazz Club, Basel
by David A. Orthmann
Many of us dearly miss those life-affirming nights in jazz clubs when a band can do no wrong, blowing as if there's no tomorrow, and temporarily washing away the workaday realities of existence. The New York-Paris Reunion Quintet's Live at the Bird's Eye Jazz Club, Basel takes some of the yearning and emptiness out of waiting ...
Brilliant Corners 2020
by Ian Patterson
Brilliant Corners 2020 Various Venues Belfast, N. Ireland February 27 to March 7, 2020 Maybe it's global warming, for just as the first bloom of spring in these strange times appears in February, so too, Brilliant Corners starts ever earlier. From its first, modest edition over three days ...
Freddie Hubbard: Open Sesame
by Chris May
Blue Note's two 180gm vinyl-reissue series--Blue Note 80 and Tone Poet--continue on their enigmatic going on erratic, but mostly magnificent paths. Tone Poet is billed as the audiophile option but, on a fairly limited sampling of both series, there seems to be little, if anything at all, separating the two in audio terms. The key difference ...
Tina Brooks Quintet: The Complete Recordings
by Chris May
Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own ...
Craft Recording's "Chet" is a Rare Win for Baker
by Patrick Burnette
"There's a little white cat out here who's going to eat you up." —Charlie Parker (to Miles Davis) Chet Baker and Miles Davis. Two trumpet players born three years apart. Both unusually handsome and slight of build. Both lacking, as trumpeters, the qualities most often associated with those brass alphas of the jazz ...
Results for pages tagged "Sam Jones"...
Sam Jones
Born:
Sam Jones was a solid jazz bassist with impeccable technique, who could also swing and groove with the best of them. Most associated with his tenures with Cannonball Adderley, and then Oscar Peterson, he also went on to front his own bands and left a reputable recorded legacy as a leader. Sam Jones was born in Florida on Nov. 12, 1924, starting his career playing in local bands. By 1953 he was playing with Tiny Bradshaw , then after moving to New York in 1955 he joined up with the groups of Kenny Dorham, Cannonball Adderley, Dizzy Gillespie, and Thelonious Monk. But it would be with the Cannonballs Adderley Quintet, from 1959 to 1966, where he would establish his reputation. Paired up with stellar drummer Louis Hayes, in what has proven to be a benchmark rhythm section for being “in the pocket.” There have been few better. He also did solo projects during the early sixties and released some fine sides for Riverside, where he was able to stretch out on some of his cello oriented pieces. Jones went on to replace Ray Brown in the Oscar Peterson Trio in from 1966 to 1970
Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II
by Karl Ackermann
Part 1 | Part 2 Jazz Societies, Part 1 briefly traced the preservation and interpretation of jazz from the oral history of its West African roots through academic and cultural institutions. The article included an overview of jazz societies and foundations that further the fostering of jazz education. The organizations vary in scope, size ...
