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14

Article: Album Review

Anna Webber's Simple Trio with Matt Mitchell & John Hollenbeck: Binary

Read "Binary" reviewed by Karl Ackermann


Canadian native, now a Brooklyn resident, Anna Webber, has a broad, international music education having studied at McGill University in Montreal, Manhattan School of Music and the Jazz Institute of Berlin. In the latter two cases she has received Master's degrees to accompany the substantial number of grants and awards that speak to her compositional ability. ...

6

Article: Album Review

Stephan Crump: Stephan Crump's Rhombal

Read "Stephan Crump's Rhombal" reviewed by Mark Corroto


Often times, a jazz performance without a chordal instrument, a guitar or piano, is considered to be flying without a net. Exciting, but often without aim. It routinely relies on just one powerful figure to command the proceedings. That is, unless the ensemble is configured under egalitarian principles. Equal contribution and respect for the differing voices ...

5

Article: Album Review

Quinsin Nachoff: Flux

Read "Flux" reviewed by Mark Corroto


Listening to Flux by saxophonist Quinsin Nachoff, it's easy to see in your mind's eye the DNA double helix beautifully spinning in the dark space of the human cell. That's because Nachoff composes tight, complex chamber pieces, seemingly delicate in structure, but able to withstand the attack of the jazz infantry. Nachoff's training and ...

18

Article: Album Review

Sanjay Divecha and Secret: Sanjay Divecha and Secret

Read "Sanjay Divecha and Secret" reviewed by Dan McClenaghan


Ravi Shankar has passed, but sounds from India continue to filter into the American jazz consciousness via the children of immigrants: pianist Vijay Iyer, saxophonist Rudresh Mahanthappa, violinist Trina Basu and cellist Amali Premawardhana of Karavika; violinist Arun Ramamurthy. But India-born Sanjay Divecha, who spent fifteen years in the United States, and studied at ...

16

Article: Album Review

Prasanna: All Terrain Guitar

Read "All Terrain Guitar" reviewed by Glenn Astarita


As a solo artist, Prasanna (Raga Metal Conversations, Raga Bop Trio) doesn't record that often, but when he does, it's usually an impressive musical statement, incited by his ferocious licks and unique convergence of Indian Carnatic music with a Western muse. For example, check out his previous outing, which is an East-West tribute to Jimi Hendrix ...

1

Article: Album Review

Stranger Days: Stranger Days

Read "Stranger Days" reviewed by Budd Kopman


Trumpeter Adam O'Farrill is still very young, but that is not keeping him from making waves with his debut album Stranger Days and band of the same name, comprised of O'Farrill, tenor saxophonist Chad Lefkowitz- Brown, bassist Walter Stinson and his older brother, drummer Zack O'Farrill. Of course, it does not hurt to have ...

9

Article: Interview

Damión Reid: On Drum Artistry, The Robert Glasper Trio, and Beyond

Read "Damión Reid: On Drum Artistry, The Robert Glasper Trio, and Beyond" reviewed by K. Shackelford


International drummer Damión Reid has crafted a style that is inimitable without sacrificing the ardor of modern jazz and its traditional stylistic approaches to drumming. Listening to Reid is like a history lesson on the drum--he can play everything with artful dexterity from Be-Bop to Hip Hop. Adrian Kirchler, owner of AK drums, was ...

12

Article: Album Review

Greg Ward & 10 Tongues: Touch My Beloved's Thought

Read "Touch My Beloved's Thought" reviewed by Mark Corroto


To describe saxophonist Greg Ward's Touch My Beloved's Thought as his magnum opus is to impede his development as a composer. Let's just say for many a jazz artist, if this recording were included in their discography, it would be their signature piece. For Ward, it just represents the possibilities. The backstory to this ...

14

Article: What is Jazz?

Jazz: The Sacred and the Profane

Read "Jazz: The Sacred and the Profane" reviewed by Victor L. Schermer


“As above, so below" --Hermes Trismegistus A warning: this article is worth reading only if you believe, as I do, that jazz is not just a form of entertainment, but an art form that has deep significance for our lives and contributes to our search for meaning. I fully appreciate the value of “digging ...

Article: Interview

Intervista a Gaetano Partipilo

Read "Intervista a Gaetano Partipilo" reviewed by Angelo Leonardi


S'è formato nella fervida scena del jazz pugliese e nei corsi di Siena Jazz ma poco più che ventenne ha svolto le prime, significative, esperienze internazionali accanto a Dave Liebman, Greg Osby, Jason Moran, Nasheet Waits e altri protagonisti dell'innovazione, a New York sul finire degli anni Novanta. Oggi Gaetano Partipilo è uno dei ...


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