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Results for "Rudi Mahall"
I nuovi percorsi del Polish Jazz
by Angelo Leonardi
Una nuova generazione si fa avanti con determinazione sulla scena del Jazz polacco e molti trovano accoglienza nel catalogo della For-Tune. L'etichetta si propone ambiziosamente di “salvare dall'oblio i fenomeni musicali di natura eterna." Non si rivolge esclusivamente al jazz o agli artisti polacchi e il suo catalogo ospita anche lavori di William Parker, Mary Halvorson, ...
Squakk: Willisau & Berlin
by John Sharpe
Four Germans combine for a set that recalls some of the classic Anthony Braxton quartet sides with George Lewis or Ray Anderson from the 1970s. Common ground abounds in their free-bop structures and the delightful interplay as between reeds and trombone as they slip in and out of both tunes and time. There are also other ...
European Jazz Conference 2015: Hungarian Showcases
by Henning Bolte
Budapest Music Center European Jazz Conference Hungarian Showcases Budapest, Hungary September, 24-27, 2015 The European Jazz Conference is a step forward for pan-European cooperation and collaboration. What was formerly the General Assembly of the Europe Jazz Network (EJN), became the European Jazz Conference from 2014. It is now also opened to ...
Kasper Tom 5: Ost Bingo Skruer
by Eyal Hareuveni
Danish drummer Kasper Tom Christiansen is one of the most interesting composers in the vibrant Danish jazz scene. As many other like-minded composers in this scene, he does not bind himself to the jazz legacy. His distinct musical personality references elements of contemporary music, and free improvisation. His compositions often bend catchy melodies into complex structures, ...
Sven Ake Johansson: Jazzbox
by Mark Corroto
Funny how listening to the five-CD Jazzbox by free jazz drummer Sven-Åke Johansson may remind you of the British punk rock band The Clash's first hit single “Train In Vain" (1980). Like Joe Strummer and Mick Jones, Johansson's career has been one that has worked to challenge the language of American music. In The Clash's case, ...
FUSK: Super Kasper
by Eyal Hareuveni
How does a band introduce freedom to its music? Does the band play free jazz or, to paraphrase saxophonist Joe Lovano, does it play its jazz free? Danish Drummer and leader of the Danish-German quartet FUSK, Kasper Tom Christiansen's, answer to this question is simple: “Who cares?" FUSK defines its own freedom, between contrapuntal springboard melodies, ...
Gerd Dudek: Day and Night
by John Eyles
When saxophonist Evan Parker started his Psi label back in late 2001, the label's second release--following his own solo album, Lines Burnt in Light (2001)--was the excellent 'Smatter (2002), by Gerd Dudek, the German saxophonist's first release under his own name. In January 2012, when Parker curated a week-long series of concerts at The Vortex in ...
Aki Takase / Rudi Mahall and the Alexander von Schlippenbach Trio: London, UK, January 26, 2012
by John Sharpe
Aki Takase / Rudi Mahall and the Alexander von Schlippenbach TrioThe VortexLondonJanuary 26, 2012 The last week in January at north London's Vortex was given over to a mini-festival curated by saxophonist Evan Parker, genteelly entitled “Might I Suggest." Sponsored by the Goethe Institute, it showcased several German-based musicians rarely seen ...
Jason Stein Quartet: The Story This Time
by Nic Jones
The two horns, bass and drums quartet is becoming a commonplace grouping even though it hasn't quite reached the saturation point of the piano-bass-drums trio. A consequence of this instrumentation is the obvious decline in novelty value and, indeed, the ability to catch the ear, but this is a leader and group only too aware of ...
Aki Takase/ Han Bennink: Two For Two
by Mark Corroto
The pairing of these two international jazz musicians--Japanese pianist Aki Takase and Dutch drummer Han Bennink--for an hour's worth of duets yields a worthy tribute to both Thelonious Monk and free jazz. The pair's Two For Two might have been better inscribed as Instant Monk.Although Takase and Bennink only cover two Monk compositions, reed ...
