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Article: Radio & Podcasts

It Might Be You in the Dark - Celebrating Dave Grusin and Big Bill Broonzy

Read "It Might Be You in the Dark - Celebrating Dave Grusin and Big Bill Broonzy" reviewed by Mary Foster Conklin


The end of June broadcast included a new single from trombonist and vocalist Aubrey Logan with Hagelslag, plus new releases from the Vanessa Perica Orchestra, with birthday shoutouts to vocalists Madeline Eastman, Tierney Sutton and Gillian Margot, composer and pianist Dave Grusin, harpist Brandee Younger and bluesman Big Bill Broonzy. Playlist Rachel Z “Artemisia" ...

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Article: Radio & Podcasts

Song for My Father in Late June - Celebrating Fathers Day and Summer Solstice

Read "Song for My Father in Late June - Celebrating Fathers Day and Summer Solstice" reviewed by Mary Foster Conklin


The Fathers Day/Summer Solstice/Juneteenth broadcast included new releases from drummer Gayelynn McKinney, vocalists Linda Lavin and Sue Anne Gershenzon, Adrian Younge, Ali Shaheed Muhammad and Roy Ayers, with birthday shoutouts to Cy Coleman, Sammy Cahn, Jaimie Branch, Alicia Olatuja, Migiwa Miyajima, leader of the Miggy Augmented Orchestra, Lolly Allen and Jenny Scheinman. Thanks for listening and ...

16

Article: Interview

Warren Wolf: Reincarnated

Read "Warren Wolf: Reincarnated" reviewed by Aaron Paschal


Warren Wolf is a Baltimore-born vibraphonist and a member of the SFJAZZ Collective. Reincarnation (2020), his fourth album as leader on Mack Avenue Records, sees Wolf dive into an entirely different side of his musical personality. We got together via ZOOM to talk about his musical influences, how he's staying creative during the COVID pandemic and ...

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Article: Album Review

Chip Wickham: Blue To Red

Read "Blue To Red" reviewed by Bruce Lindsay


It's not always easy to feel uplifted and optimistic these days, when reasons to be downhearted seem to overwhelm the reasons to be cheerful. When an album's title refers to a planet's descent from life-giving blue to the deadness of red (Mars, in this context, but British flautist Chris Wickham fears that Earth may be heading ...

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Article: Album Review

Brooklyn Funk Essentials: Stay Good

Read "Stay Good" reviewed by Chris M. Slawecki


Back in the day, jazz bands like Roy Ayers' Ubiquity and soul bands like the Ohio Players played more than jazz and soul. Jazz and soul were their main ingredient, but only one ingredient among others stirred in from R&B, funk, pop, Latin and other music. You might have heard them on different radio stations, but ...

4

Article: Live Review

Dave Stryker Quartet At Middle C Jazz

Read "Dave Stryker Quartet At Middle C Jazz" reviewed by Mark Sullivan


Dave Stryker Quartet Middle C Jazz Charlotte, NC February 14, 2020 Guitarist Dave Stryker began by introducing his band mates: tenor saxophonist Stephen Riley, organist Jared Gold (a constant companion for several years) and drummer Jeremy Bean Clemons. Much of the music would come from the recent album Eight Track III ...

14

Article: From the Inside Out

Back in the Day, Around the World

Read "Back in the Day, Around the World" reviewed by Chris M. Slawecki


Brooklyn Funk Essentials Stay Good Dorado Records 2019 Back in the day, jazz bands like Roy Ayers' Ubiquity and soul bands like the Ohio Players played more than jazz and soul. Jazz and soul were their main ingredient, but only one ingredient among others stirred in ...


About Roy Ayers

Results for pages tagged "Roy Ayers"...

Musician

Roy Ayers

Born:

Roy Ayers was during the 1960s one of the most prominentand leading jazz vibraphone players in America. During the1970s and 80s he came to change his focus and becameone of the leading figures in R&B and jazz/funk. The 1990shas once again brought him into a new direction and he isnow regarded being one of the greatest innovators of theacid jazz movement. His music has often been described asbeing years ahead of it's time.

Ayers was born on September 10, 1940, in Los Angeles,California. Thanks to the influence of his mother, a pianoteacher, and his father, a trombone player, Ayers was amusical child. His introduction to the vibraphone came at theage of six, when his parents took him to a Lionel Hamptonconcert. After the show, Hampton handed Ayers a pair ofmallets, sealing the youngster's musical destiny with thatsimple gesture. It was not until he was 17 years old thatAyers finally got a chance to play the vibraphone, which heclaims had been his favorite instrument all along.

Article: Interview

Tommaso Cappellato: Spiritual Jazz, Club Culture, Harry Whitaker e molte cose ancora

Read "Tommaso Cappellato:  Spiritual Jazz, Club Culture, Harry Whitaker e molte cose ancora" reviewed by Angelo Leonardi


Batterista, produttore e compositore, Tommaso Cappellato è tra i pochi musicisti italiani in piena sintonia con le ultime tendenze del jazz, dove contenuti e spirito di questa musica si legano ad afrobeat, soul, hip-hop, house, elettronica e vari generi della Club Culture. Una scena musicale che ha il suo fulcro a Londra e pubblica le sue ...

11

Article: Album Review

Dave Stryker: Eight Track III

Read "Eight Track III" reviewed by C. Andrew Hovan


Attuned to the idea that you can never get too much of a good thing, guitarist Dave Stryker has forged sequels to some of his most dynamic projects. From his Steeplechase cannon there are the four volumes of Blue to the Bone and a pair of releases devoted to the electric side of Miles Davis. So ...


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