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Emmet Cohen Trio: Dirty in Detroit

by Mike Jurkovic
It's very comforting to know that, in a year of intense turmoil on every possible level, firebrand pianist Emmet Cohen bookended an otherwise dire 2018 with his hotly-received Masters Legacy Series Volume 2, featuring Ron Carter, and ended the year with this palpably joyful romp Dirty In Detroit. Ready to party and blow off ...
Ron Carter: Still Searching for the Right Notes

by Rob Garratt
"People from newspapers and magazines always ask me two things," Ron Carter tells a reverent crowd from a stage in suburban Hong Kong. What was it like playing with Miles Davis? And why am I still doing this?" He answers the latter enquiry by pointing left and right simultaneously at his two diligent sidemen, pianist Donald ...
The Last Night At The Old Place

by Duncan Heining
By any standards the release of The Last Night At The Old Place will prove to be one of archive releases of the year, second only, perhaps, to the 'Lost' Coltrane album. All power, therefore, to Mike Gavin who has inherited the Cadillac catalogue from the late John Jack with his first release of archive material. ...
Massimo Colombo: Powell To The People

by Jim Worsley
Powell To The People could certainly be heard as a tribute to jazz pianist Bud Powell. It could just as easily be heard as an introduction to the legend's iconic music. It fulfills both categories with the emotion and virtuosity Powell exuded in his playing. Powell pioneered a new era of post swing bebop ...
Jazz Musician of the Day: Red Garland

All About Jazz is celebrating Red Garland's birthday today! Largely self-taught, Red Garland established a reputation as a solid post-bop mainstream player in the 50s, playing with many of the most famous jazz musicians of the time. He achieved international fame in the late 50s as part of the Miles Davis quintet. He went on to ...
George Kahn: Straight Ahead

by Dan McClenaghan
Los Angeles-based pianist George Kahn likes to think of the standard piano trio format as a gateway drug into jazz. He may be right. Think of the classic trios, those of Red Garland, Nat King Cole, Bud Powell. Their sounds are addictive--and distinctively different--but they share the pared-down purity of purpose and relative simplicity of dynamic ...
Six on Cellar Live

by C. Michael Bailey
Cory Weeds' record label Cellar Live has become a welcome home to straight-ahead mainstream jazz in the same way that Arbors Records has been the beacon for traditional jazz and swing. Think Norman Granz's Pablo label tele-transported deep into the 21st Century. Six recent releases illuminate Cellar Live's importance to jazz as a whole and to ...
Formats – Solo Through Nonet

by C. Michael Bailey
One plus Two, equals three, and so on. What arbitrary combo size constitutes a big band? None of these. Solo: Jamie Saft Solo a Genova RareNoise Records 2018 That musical provocateur Jamie Saft, he is a prankster. After making all kinds of noise with the likes of Metallic Taste ...
Sonny Rollins: Way Out West

by Mike Jurkovic
In crisp, fly-on-the-wall audiophile quality, Craft Recordings celebrates the 60th anniversary of Sonny Rollins Way Out West with a deluxe packaged 2LP set, featuring four previously unreleased (a sharper toned There Is No Greater Love" and Take 1 of the title track are fine listens) as well as three alternate takes, new historically rich and contemporaneous ...
Seven Women 2018 - Part I

by C. Michael Bailey
If 2017 taught me anything, it was that my Five Women" column would need to expand. So, this year, we will enlarge the format to Seven Women" and be the better for it. Anat Cohen Tentet Happy Song Anzic Records 2017 Anat Cohen's excellent Happy Song was released last ...