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Azar Lawrence Has Paid His Dues...Two times
by Chuck Koton
Tenor and soprano saxophonist Azar Lawrence has been one of the most dynamic and spiritually-charged reed players of the post-John Coltrane generation. Lawrence forged his sound in the fires of the Elvin Jones and McCoy Tyner bands in the 1970s and, for nearly five decades, he has performed and recorded with the best musicians in the ...
Bertrand Denzler / Antonin Gerbal: Sbatax
by Mark Corroto
With six and one-half minutes remaining in this single thirty-eight minute live tenor saxophone/drums recording, an audience member at a club in Berlin begins howling. Listeners to this recording will probably be saying to themselves, “where have you been? I've been shouting encouragement since I pressed play!" It's that kind of record. The two ...
TEST with Roy Campbell: Live at The Hinton House
by Mike Jurkovic
More exquisite madness from Brooklyn's barn burning free jazz label 577 Records, home to the free and the brave. This time it's a hard core NY borough blowout recorded live in April 1999 that cantankerously and vividly chronicles the only known performance of the late, free/avant, Harlem/NoBro legend, trumpeterRoy Campbell. Unrestrained, Campbell raises the ...
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
James Brandon Lewis / Chad Taylor: Live In Willisau
by Mark Corroto
Saxophonist James Brandon Lewis and drummer Chad Taylor's 2017 studio session Radiant Imprints (Musicube/Off, 2018) was hailed by many critics and fans alike as one of the best recordings of 2018. It was indeed a true revelation, yet that recording wasn't the genesis of a major talent. Lewis' inaugural release Divine Travels (Okeh, 2014) accomplished that ...
Ted Poor: You Already Know
by Chris May
Breaking news 3/23/20: Impulse! is getting its mojo back. Showing definite signs of, anyway... Since its glory days in the 1960s and 1970s, Impulse! has been little more than a logo wheeled out by its parent company, Universal Music, to lend credibility to unrelated one-off projects. Until very recently, the only newly recorded ...
Due serate al Brussels Jazz Festival 2020
by Mario Calvitti
The Best of Belgian Jazz 19|20 Flagey Bruxelles 15-16.1.2020 Giunto alla sua sesta edizione, il festival jazz di Bruxelles è diventato in breve tempo un importante punto di riferimento per l'attivissima scena musicale belga, grazie a un programma che dà molto spazio ai giovani musicisti locali, pur senza rinunciare a ...
About Rashied Ali
Results for pages tagged "Rashied Ali"...
Rashied Ali
Born:
Rashied Ali is a progenitor and leading exponent of multidirectional rhythms/polytonal percussion. A student of Philly Joe Jones and an admirer of Art Blakey, Ali developed the style known as "free jazz" drumming, which liberates the percussionist from the role of human metronome. The drummer interfaces both rhythmically and melodically with the music, utilizing meter and sound in a unique fashion. This allows the percussionist to participate in the music in a harmonic sense, coloring both the rhythm and tonality with his personal perception. By adding his voice to the ensemble, the percussionist becomes an equal in the melodics of collective musical creation rather than a "pot banger" who keeps the others all playing at the same speed. Considered radical in the 1960s and scorned by the mediocre, multidirectional rhythms, polytonal drumming is now the landmark of the jazz percussionist. A Philadelphia native, Rashied Ali began his percussion career in the U.S
Bill Dixon e Cecil Taylor: iniziò a Verona
by Angelo Leonardi
La pubblicazione di quest'inedita incisione in studio documenta un momento storico: il magistrale e fugace confronto artistico tra Bill Dixon e Cecil Taylor dell'estate 1992. I due protagonisti del free dettero il 25 giugno di quell'anno un concerto a Verona Jazz, nei giorni seguenti s'esibirono a Vienne (Francia) e subito dopo entrarono in studio ...
John Coltrane: The Final Act (1961-1967)
by Russell Perry
John Coltrane is undoubtedly one of the most influential players in the history of jazz, yet his important work fits within a brief twelve-year period (1955--1967). Previously in this series we have covered his work in the 1950s with Miles Davis for Prestige and Columbia, his blowing sessions on Prestige, his solo work with Blue Note ...
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