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My Early Years With Bill Evans, Part 1
by Chuck Israels
Bassist and composer, Chuck Israels was raised in a musical family. Paul Robeson, Pete Seeger and The Weavers were visitors to his home and the appearance of Louis Armstrong's All Stars in a concert series produced by his parents in 1948 gave Chuck his first opportunity to meet and hear jazz musicians. Chuck studied the cello ...
Riverside Records: An Alternative Top Ten
by Chris May
From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...
Red Garland's Piano
by C. Michael Bailey
Pianist Red Garland follows up his debut recording A Garland of Red (Prestige, 1956) with what might be his finest statement leading a jazz trio, Red Garland's Piano. Garland continues his association with bassist Paul Chambers and drummer Art Taylor forming his most durable rhythm section, and one that would record with him on ten of ...
Piano
by C. Michael Bailey
Following his debut as a leader on, Wynton Kelly: New Faces -New Sounds (Blue Note, 1951), pianist Kelly surfaced again some seven years later, this time on Riverside Records, with the simply titled Piano. The length of time between leader recordings is a testament to the pianist's value in a supporting role for artists like Dinah ...
New Faces - New Sounds
by C. Michael Bailey
Jazz is littered with musicians like Elmo Hope: young, talented and, ultimately, doomed because of racism, poverty, and chemical dependency. Born in New York City, the son of immigrants from the Caribbean, Hope managed to release more than a baker's dozen of studio recordings in as many years, before dying of drug addiction-related health problems in ...
Take Five with Markus Rutz
by AAJ Staff
Meet Markus Rutz Markus Rutz plays trumpet with bluesy, soulful style and a tone that has been called gorgeous. He composes music from his home base in Chicago, Illinois where he also performs modern jazz. As described by Downbeat's J.D. Considine, with his “big, dark tone and a fluid ease to his phrasing," trumpet player, composer ...
A Garland of Red
by C. Michael Bailey
Like pianist Wynton Kelly and Kelly's debut recording New Faces -New Sounds (Blue Note, 1951), William McKinley Red Garland performed for years as a sideman before releasing his first recording as a leader, A Garland of Red. Originally from Dallas, Texas, Garland migrated to New York City after a stint with Hot Lips Page in 1946. ...
Hard Bop: An Alternative Top Ten
by Chris May
Hard bop was the jazz centre of the world from the mid 1950s to the mid 1960s, producing many hundreds of immortal albums. Trying to whittle these down to a definitive Top Ten is fun--but it is a subjective and ultimately impossible exercise. In an attempt to dodge those hurdles, the list which ...
Freddie Hubbard: Open Sesame
by Chris May
Blue Note's two 180gm vinyl-reissue series--Blue Note 80 and Tone Poet--continue on their enigmatic going on erratic, but mostly magnificent paths. Tone Poet is billed as the audiophile option but, on a fairly limited sampling of both series, there seems to be little, if anything at all, separating the two in audio terms. The key difference ...
Tina Brooks Quintet: The Complete Recordings
by Chris May
Mosaic Records' spring 2020 release The Complete Hank Mobley Blue Note Sessions 1963-70, the second of the label's box sets devoted to the copiously recorded (and rightly so) Hank Mobley, prompts thoughts of another of Blue Note's singular hard-bop tenor saxophone stylists. Unlike Mobley, Tina Brooks was woefully under-recorded, making just four albums under his own ...
