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5

Article: From the Inside Out

One Day in Brazil, 50 Years in Germany

Read "One Day in Brazil, 50 Years in Germany" reviewed by Chris M. Slawecki


Tony Adamo Was Out Jazz Zone Mad Ropeadope 2018 Some African cultures preserved their history not by the written but by the spoken word, kept by oral cultural historians known as griots. On Was Out Jazz Zone Mad, vocalist Tony Adamo aspires to serve in this same role, ...

8

Article: Album Review

Marion Brown/Dave Burrell: Live at the Black Musicians' Conference, 1981

Read "Live at the Black Musicians' Conference, 1981" reviewed by Mark Corroto


One of the benefits of our digital music world is the ability to drive deeply into the jazz narrative. By that I mean, preserving the story of important musicians, the ones whose story was omitted from the Ken Burns' CliffsNotes history of jazz. Without a few labels and several producers, musicians like Bobby Naughton, Clifford Thornton, ...

3

Article: Album Review

Billie Davies Trio: Perspectives II

Read "Perspectives II" reviewed by Jerome Wilson


The spiritual jazz tradition, as exemplified by John Coltrane, Alice Coltrane and Pharoah Sanders, has been having a resurgence over the past few years in places like Los Angeles and Great Britain. Now here is evidence that some musicians in New Orleans are going down that path as well. Billie Davies is a drummer from Belgium ...

2

Article: Album Review

The Gondwana Orchestra: Colors

Read "Colors" reviewed by Matt Hooke


Saxophonist and composer Pharoah Sanders is often imitated but, never matched. His spiritual free-floating style, marked by his distinctive tenor saxophone tone makes him instantly recognizable. On Colors, the Gondwana Orchestra does not attempt to mimic the master, as the album does not include a single saxophonist. Instead of saxophone, the focus is on pianist Taz ...

16

Article: Album Review

Maisha: There Is A Place

Read "There Is A Place" reviewed by Chris May


The London jazz scene, which is in 2018 more active and characterful than it has been since the jazz-dance movement of the 1980s, offers up another jewel with this debut physical-release by spiritual-jazz septet Maisha. The band, led by drummer Jake Long, surfaced in 2016 with the download-only live album Welcome To A New Welcome (Jazz ...

4

Article: Radio & Podcasts

A Musical Portrait Of Hamid Drake

Read "A Musical Portrait Of Hamid Drake" reviewed by Centro d'Arte Padova


Centro d'Arte's “50/50" series continues! In this new installment, we present a musical portrait of Hamid Drake, simply one of the most original percussionists on the planet, whose musical vision merges the energy of free jazz with the spirituality of eastern philosophies, embracing all the musics of the world. The mixtape features the ...

10

Article: Album Review

Sarathy Korwar & The UPAJ Collective: My East Is Your West

Read "My East Is Your West" reviewed by Chris May


Indo-jazz fusion has distinguished ancestry in Britain. The music took shape in the mid to late 1960s, when a string of extraordinary albums, each with one foot in Indian classical music and the other in post-bop jazz, were recorded by guitarist Amancio D'Silva and violinist John Mayer. Both featured empathetic jazz musicians (Joe Harriott, Don Rendell, ...

1

Article: Radio & Podcasts

Verheyen, Copland, van der Feen, McPherson Live at BIMHUIS Amsterdam

Read "Verheyen, Copland, van der Feen, McPherson Live at BIMHUIS Amsterdam" reviewed by BIMHUIS


Robin Verheyen can switch effortlessly between jazz, rock and Bach, but concentrates on acoustic improvisation with his New York quartet. The Flemish saxophonist performed recently at the BIMHUIS, accompanied by his band TaxiWars, which features dEUS frontman and cult indie legend Tom Barman. Verheyen lived in Brussels and Paris before moving to New York, ...

4

Article: Album Review

Charles Lloyd: Love-In

Read "Love-In" reviewed by Chris May


Five decades after the event, Charles Lloyd's Love-In, recorded live at San Francisco's Fillmore Auditorium in 1967, endures as much as an archaeological artefact as a musical document. From sleeve designer Stanislaw Zagorski's treatment of Rolling Stone photographer Jim Marshall's cover shot, through the album title and some of the track titles ("Tribal Dance," “Temple Bells"), ...

14

Article: Album Review

Tom Abbs & Frequency Response: Hawthorne

Read "Hawthorne" reviewed by Karl Ackermann


Bassist and multi-instrumentalist Tom Abbs began his Frequency Response series in 2003 with Conscription (CIMP Records). The group--then a quartet--included tenor saxophonist Brian Settles and drummer Chad Taylor. Alto saxophonist Jason Candler, violinists Jean Cook and Jenna Barvitski are later additions to Frequency Response. On their long-awaited fourth album Hawthorne, Abbs again stands in as a ...


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