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Results for "Pharoah Sanders"
Tony Adamo: Was Out Jazz Zone Mad
by Chris M. Slawecki
Some African cultures preserved their history not by the written but by the spoken word, kept by oral cultural historians known as griots. On Was Out Jazz Zone Mad, vocalist Tony Adamo aspires to serve in this same role, as a verbal historian of both official and unofficial African-American jazz and blues culture. This type of ...
One Day in Brazil, 50 Years in Germany
by Chris M. Slawecki
Tony Adamo Was Out Jazz Zone Mad Ropeadope 2018 Some African cultures preserved their history not by the written but by the spoken word, kept by oral cultural historians known as griots. On Was Out Jazz Zone Mad, vocalist Tony Adamo aspires to serve in this same role, ...
Marion Brown/Dave Burrell: Live at the Black Musicians' Conference, 1981
by Mark Corroto
One of the benefits of our digital music world is the ability to drive deeply into the jazz narrative. By that I mean, preserving the story of important musicians, the ones whose story was omitted from the Ken Burns' CliffsNotes history of jazz. Without a few labels and several producers, musicians like Bobby Naughton, Clifford Thornton, ...
Billie Davies Trio: Perspectives II
by Jerome Wilson
The spiritual jazz tradition, as exemplified by John Coltrane, Alice Coltrane and Pharoah Sanders, has been having a resurgence over the past few years in places like Los Angeles and Great Britain. Now here is evidence that some musicians in New Orleans are going down that path as well. Billie Davies is a drummer from Belgium ...
The Gondwana Orchestra: Colors
by Matt Hooke
Saxophonist and composer Pharoah Sanders is often imitated but, never matched. His spiritual free-floating style, marked by his distinctive tenor saxophone tone makes him instantly recognizable. On Colors, the Gondwana Orchestra does not attempt to mimic the master, as the album does not include a single saxophonist. Instead of saxophone, the focus is on pianist Taz ...
Maisha: There Is A Place
by Chris May
The London jazz scene, which is in 2018 more active and characterful than it has been since the jazz-dance movement of the 1980s, offers up another jewel with this debut physical-release by spiritual-jazz septet Maisha. The band, led by drummer Jake Long, surfaced in 2016 with the download-only live album Welcome To A New Welcome (Jazz ...
A Musical Portrait Of Hamid Drake
by Centro d'Arte Padova
Centro d'Arte's “50/50" series continues! In this new installment, we present a musical portrait of Hamid Drake, simply one of the most original percussionists on the planet, whose musical vision merges the energy of free jazz with the spirituality of eastern philosophies, embracing all the musics of the world. The mixtape features the ...
Sarathy Korwar & The UPAJ Collective: My East Is Your West
by Chris May
Indo-jazz fusion has distinguished ancestry in Britain. The music took shape in the mid to late 1960s, when a string of extraordinary albums, each with one foot in Indian classical music and the other in post-bop jazz, were recorded by guitarist Amancio D'Silva and violinist John Mayer. Both featured empathetic jazz musicians (Joe Harriott, Don Rendell, ...
Verheyen, Copland, van der Feen, McPherson Live at BIMHUIS Amsterdam
by BIMHUIS
Robin Verheyen can switch effortlessly between jazz, rock and Bach, but concentrates on acoustic improvisation with his New York quartet. The Flemish saxophonist performed recently at the BIMHUIS, accompanied by his band TaxiWars, which features dEUS frontman and cult indie legend Tom Barman. Verheyen lived in Brussels and Paris before moving to New York, ...
Charles Lloyd: Love-In
by Chris May
Five decades after the event, Charles Lloyd's Love-In, recorded live at San Francisco's Fillmore Auditorium in 1967, endures as much as an archaeological artefact as a musical document. From sleeve designer Stanislaw Zagorski's treatment of Rolling Stone photographer Jim Marshall's cover shot, through the album title and some of the track titles ("Tribal Dance," “Temple Bells"), ...
