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Mark Kavuma: The Banger Factory
by Chris May
An associate of the Tomorrow's Warriors and Kinetika Bloco community projects through whose ranks have passed practically all the leading musicians in London's woke-jazz world, trumpeter Mark Kavuma stands a little apart from many of his peers. While the new London scene is characterized by hefty infusions of modern Caribbean and African music and London club ...
International Anthem: The Beat of the Past, Present and Future
by Jakob Baekgaard
Dis is da drum. Everything starts with a beat. A heartbeat. A rhythm. A language. Communication between people. Patterns in percussion. Tribal language. Rhythms reaching out. Since the beginning, rhythms have been an integral part of jazz. Swing is rhythm and rhythm is swing. The pace has changed. The patterns have changed. Acoustic ...
Emanative & Phil Ranelin: Vibes From The Tribe
by Chris May
The Tribe referred to here was a musicians' cooperative in Detroit, Michigan, active from 1972-1977. It was co-founded by trombonist Phil Ranelin and saxophonist Wendell Harrison and was equal parts band, record label and community project. Trumpeter Marcus Belgrave was among the members. The organization had close affinities with Chicago's Association for the Advancement of Creative ...
Gerry Gibbs Thrasher People: Our People
by Jack Bowers
Our People, the twelfth album as leader by multi-instrumentalist Gerry Gibbs, is difficult to describe and even harder to pigeonhole. Is it jazz? Not really. Is it world music? Sometimes. And sometimes even other-worldly. Stream of consciousness? Perhaps, but always with a specific plan in mind. Tone poems? Only in the sense that there are times ...
Horace Tapscott with the Pan Afrikan Peoples Arkestra: Live at I.C.U.U.
by Karl Ackermann
Twenty years after his death, pianist-composer Horace Tapscott is receiving the accolades that largely passed him by at the peak of his career. Firmly ensconced in the Los Angeles jazz scene, his recording career as a leader began in 1969 when his quintet released The Giant Is Awakened (Flying Dutchman). Aiee! The Phantom (Arabesque, 1996) was ...
Eric Alexander: Leap of Faith
by Jack Bowers
Renowned tenor saxophonist Eric Alexander's Leap of Faith stems in part from the decision (hesitantly made) to perform in a trio setting without piano—hardly an uncommon arrangement these days but one that Alexander, a shining light on the New York music scene for more than two decades, has rarely explored, either in live gigs or on ...
Paul Dunmall's Sunship Quartet: John Coltrane 50th Memorial Concert At Cafe Oto
by John Sharpe
If John Coltrane had lived he would have been 90 in July 2019. It's fair to say that there has been no saxophonist anywhere near as influential since his passing in 1967. To mark the 50th anniversary of his death, percussionist Mark Wastell organized a concert headlined by two affirmed devotees of the great reedman, namely ...
Jeff Chambers' Chosen Alternative: The Therapies of Tijuana
by Arthur R George
Jeff Chambers, long a go-to San Francisco Bay Area bassist, looked at death closely and decided it was not yet his time. In 2017 his medical chart revealed Stage IV prostate cancer, commonly and fearfully an endgame diagnosis. Prostate cancer affects African-American men with almost twice the frequency as other races, and is almost twice as ...
Binker Golding Quartet and Denys Baptiste Quartet at the London Saxophone Festival
by Chris May
Binker Golding Quartet / Denys Baptiste Quartet London Saxophone FestivalThe Jazz Cafe London May 23, 2019 The launch event for the 2019 London Saxophone Festival, which runs until June 16, featured two of the most edge-of-your-seat, high impact, kick-out-the-jams tenor saxophone-led bands in the recorded history of British jazz. ...
Mike Cooper: Oh Really!? / Do I Know You? / Trout Steel / Places I know / The Machine Gun Co. With Mike Cooper
by Jakob Baekgaard
“Riverboat captain, they called my name / Time to sing my song / I didn't know that the song was wrong / Don't sing that way again." These lyrics from the song “Trout Steel" are penned by guitarist, singer and songwriter, Mike Cooper, and they point directly to the iconoclastic nature of his ...
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