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Zakir Hussain: Making Music, Part 1-2
by Ian Patterson
"Everybody wants to play with Zakir. He's amazing..." The words were spoken by Herbie Hancock, one of many musicians who paid tribute to the great Indian tabla player and composer Zakir Hussain on the occasion of his Lifetime Achievement Award from the San Francisco Jazz Centre in 2017. In a short film made for ...
Homage and Acknowledgment: A Conversation with Wallace Roney
by Stanley Péan
From the 1995-2003 archive: This article first appeared at All About Jazz in September 2001. The following conversation took place in Wallace Roney's room at Wyndham Hotel in downtown Montreal on Sunday, July 8th 2001, the day after he performed Miles and Miles: A Musical Journey, his tribute commemorating both the seventy-fifth anniversary of ...
Nathaniel Cross: Deep Vibrations
by Chris May
At the time of writing in summer 2021, there are a number of super-talented musicians on London's alternative jazz scene who deserve far more prominence than they have yet to achieve. Some of these players have been ill-served by their record labels. Others have only recorded as sidepersons. A few have chosen to confine their music-making ...
Nathaniel Cross: The Description Is Not The Described
by Chris May
Trombonist Nathaniel Cross is a key presence on London's alternative jazz scene, just like his brother, Theon Cross, who plays tuba in Shabaka Hutchings' Sons Of Kemet. Until now, however, Nathaniel has probably been better known among his fellow musicians than with the general public, for he has been most active behind the scenes as a ...
Marion Brown: Why Not? Porto Novo! Revisited
by Chris May
Alto saxophonist Marion Brown was part of the band on John Coltrane's Ascension (Impulse, 1965), though you would not guess it from Why Not (ESP, 1968). Like fellow Ascension alumnus, tenor saxophonist Pharoah Sanders' contemporaneous Tauhid (Impulse, 1967), Brown's album inhabited an intensely melodic section of the 1960s' New Thing. As were Sanders' own-name ...
Various Artists: Impulse Records: Music, Message & The Moment
by Chris May
Those of us for whom Impulse has been as important a part of our cultural lives as Blue Note, perhaps even a more important one, will not be satisfied until the label reissues its entire catalogue on remastered CDs and audiophile vinyl. In the meantime, it would be churlish to do anything other than applaud such ...
Gary Bartz NTU Troop: Live In Bremen
by Chris May
In the early 1970s there was fusion and there was NTU Troop. After paying his dues in bands led by Charles Mingus, Max Roach and Art Blakey, Bartz made a splash in 1969 with his sophomore album, Another Earth (Milestone), a genius blend of spiritual jazz, space jazz and down and dirty blues. On it, Bartz ...
James Brandon Lewis: Jesup Wagon
by Mark Corroto
Most listeners have long since moved saxophonist James Brandon Lewis from the rising star category to one labeled virtuoso. But then, pianist Matthew Shipp signaled this status when he mentored Lewis early on and certainly bassist William Parker ordained his arrival by recording with the saxophonist on his major label debut, Divine Travels (Okeh, 2014). Parker ...
John Coltrane: Top Ten Live Albums
by Chris May
This article is a companion piece to John Coltrane: An Alternative Top Ten Albums, which listed ten albums widely regarded as essential items in John Coltrane's discography and discussed another ten of comparable importance. John Coltrane: Top Ten Live Albums narrows the focus to club and concert recordings. Coltrane's live performances had a ...
Rodney Whitaker: Outrospection: The Music of Gregg Hill
by Paul Rauch
Bassist Rodney Whitaker grew out of the Detroit jazz tradition, paying dues along the way on the road with the likes of Terence Blanchard, Roy Hargrove, Wynton Marsalis and Kenny Garrett. His hard-driving style personifies modern post-bop jazz, with his dedication to tradition acting as a catalyst rather than a deterrent from innovation. On ...
