Home » Search Center » Results: Peter Brotzmann
Results for "Peter Brotzmann"
SAKA: Cementen
by Eyal Hareuveni
The second album from Norwegian power trio SAKA, after last year's Posh! (FMR Records), serves as another reminder of the fertile Norwegian music scene that keeps breeding such excellent bands. This trio has already managed to create its own independent, mature voice while still well-versed in past and current powerful trios legacies that marry free jazz ...
Peter Brötzmann & Jason Adasiewicz: Delaware, Ohio, September 9, 2012
by Mark Corroto
Peter Brötzmann and Jason AdasiewiczJemison AuditoriumOhio Wesleyan UniversityDelaware, OhioSeptember 9, 2012Halfway through their 13-concert North American mini-tour, German saxophonist legend Peter Brötzmann and vibraphonist Jason Adasiewicz walked into a crowded Jemison Auditorium on the Ohio Wesleyan campus. Would the pair adjust and restyle their approach to 'free jazz' for ...
Guelph Jazz Festival: Guelph, Canada, September 5-9, 2012
by Ted Harms
Guelph Jazz FestivalGuelph, OntarioSeptember 5-9, 2012The Guelph Jazz Festival is in its 19th year. Under the direction of Ajay Heble, the festival has few equals in Canada, attracting the upper echelon of improvising musicians.It is a rare festival that can resist the allure of “tent-pole" shows--the mass-appeal artists that have vague, ...
The Grand Canyon
by Mark Corroto
Flying over the Grand Canyon on your way to Las Vegas is one way to see that huge gash in the earth, and standing on the banks of the Colorado River is another. From one perspective depth cannot be appreciated, from the other the enormity of it all. Such is the case with modern improvised music. ...
Machine Gun
In May, 1968, the German saxophonist Peter Brötzmann brought together seven emerging European experimental musicians for what is now considered to be one of the most critical recording sessions in the history of improvised music. The “Machine Gun Sessions” featured several improvisers whose soon-to-be-celebrated careers were just beginning: the British saxophonist Evan Parker, the Dutch reedsman ...
Freeform in the U.K.
by Sammy Stein
Freeform and improvised jazz is having a hard time at the moment. Venues have to make tough choices between pleasing what is a smaller cohort of customers and bringing new, maybe transient, but paying clients who are attracted by big names, standards and music they know. Customers have less cash in these difficult economic times, so ...
Louis Sclavis: Maps of the Mind
by Ian Patterson
"My music? I know what it is, and I don't know what it is. It's a paradox." Now entering his fifth decade as a recording artist, multi-reedist/composer Louis Sclavis may not have a clear handle on the music he makes, but he has absorbed the lessons of all the music he has turned his hand to, ...
Pori Jazz Festival: Pori, Finland, July 19-21, 2012
by Anthony Shaw
Pori Jazz Festival uLTRA mUSIC nIGHTSPori, FinlandJuly 19-21, 2012 On a scale of 1-10, summertime activity in the capital of this northerly European nation barely registers a “1," whilst in the normally sleepy western coastal town of Pori it is topping out for the penultimate week of July. It's the ...
Wolfram Trio: Wolfram
by Eyal Hareuveni
Wolfram Trio is a new Norwegian outfit that adds its own version to the existing European mix of acoustic free jazz and free improvisation. The trio claims its roots in the pioneering work of saxophonists Peter Brötzmann and Evan Parker, as well as bassist Barry Guy--saxophonist Albert Ayler, even--but does not demonstrate any overt reverence to ...
Free Form Evolution
by Sammy Stein
Since free form tentatively emerged during the 1940s and '50s it has evolved with both the times and changing audiences. Now, free form elements cross genre boundaries and many musicians use elements from free form in their works. Because it is music which draws on the spiritual feelings of the players, social dramas and the atmosphere ...
