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Mikolaj Trzaska / Paul Dunmall: London, England, October 15, 2012
by John Sharpe
Mikolaj Trzaska / Paul DunmallCafe OtoLondonOctober 15, 2012Three for the price of one? How could you resist. London boasts a sizeable Polish population, and it seemed like a large part of them had braved the cool Monday evening to visit Cafe Oto for a visit by Gdansk-born reedman Mikolaj Trzaska. But ...
Mats Gustafsson: Share The Moment
by John Sharpe
Reedman Mats Gustafsson resides at the center of a hurricane of activity: relentlessly touring, curating festivals and begetting record labels. He boasts one of most distinctive sounds in free jazz, combining the extremes of scalp prickling howls with adventurous exploration of minimalist tone and timbre. Although he's come a long way since his early days in ...
Sommer / Yannatou / Floridis / Voulgaris / Kastanis: Songs for Kommeno
by John Eyles
Songs for Kommeno was recorded between March 2011 and April 2012, as a homage to the village of Kommeno on the west coast of Greece. In 1943, soldiers of the German Wehrmacht massacred 317 of Kommeno's civilian inhabitants and torched the village. A 156-page book accompanies the CD, containing first-person accounts detailing the experiences of a ...
SAKA: Cementen
by Eyal Hareuveni
The second album from Norwegian power trio SAKA, after last year's Posh! (FMR Records), serves as another reminder of the fertile Norwegian music scene that keeps breeding such excellent bands. This trio has already managed to create its own independent, mature voice while still well-versed in past and current powerful trios legacies that marry free jazz ...
Peter Brötzmann & Jason Adasiewicz: Delaware, Ohio, September 9, 2012
by Mark Corroto
Peter Brötzmann and Jason AdasiewiczJemison AuditoriumOhio Wesleyan UniversityDelaware, OhioSeptember 9, 2012Halfway through their 13-concert North American mini-tour, German saxophonist legend Peter Brötzmann and vibraphonist Jason Adasiewicz walked into a crowded Jemison Auditorium on the Ohio Wesleyan campus. Would the pair adjust and restyle their approach to 'free jazz' for ...
Guelph Jazz Festival: Guelph, Canada, September 5-9, 2012
by Ted Harms
Guelph Jazz FestivalGuelph, OntarioSeptember 5-9, 2012The Guelph Jazz Festival is in its 19th year. Under the direction of Ajay Heble, the festival has few equals in Canada, attracting the upper echelon of improvising musicians.It is a rare festival that can resist the allure of “tent-pole" shows--the mass-appeal artists that have vague, ...
The Grand Canyon
by Mark Corroto
Flying over the Grand Canyon on your way to Las Vegas is one way to see that huge gash in the earth, and standing on the banks of the Colorado River is another. From one perspective depth cannot be appreciated, from the other the enormity of it all. Such is the case with modern improvised music. ...
Machine Gun
In May, 1968, the German saxophonist Peter Brötzmann brought together seven emerging European experimental musicians for what is now considered to be one of the most critical recording sessions in the history of improvised music. The “Machine Gun Sessions” featured several improvisers whose soon-to-be-celebrated careers were just beginning: the British saxophonist Evan Parker, the Dutch reedsman ...
Freeform in the U.K.
by Sammy Stein
Freeform and improvised jazz is having a hard time at the moment. Venues have to make tough choices between pleasing what is a smaller cohort of customers and bringing new, maybe transient, but paying clients who are attracted by big names, standards and music they know. Customers have less cash in these difficult economic times, so ...
Louis Sclavis: Maps of the Mind
by Ian Patterson
"My music? I know what it is, and I don't know what it is. It's a paradox." Now entering his fifth decade as a recording artist, multi-reedist/composer Louis Sclavis may not have a clear handle on the music he makes, but he has absorbed the lessons of all the music he has turned his hand to, ...
