Home » Jazz Articles » Album Review » Wolfram Trio: Wolfram
Wolfram Trio: Wolfram
This short debut10 unnamed tracks that clock in at less than forty minuteswas produced by fellow Norwegian sax hero Frode Gjerstad, who also mixed and master this recording. Under his guidance, the trio has formed its own sound and dynamicsfast, muscular, explosive and highly playful. The trio plays as one tight unit from the first seconds of each track, pushing ahead in uncompromising and intense manner, letting the chaotic volume and volition take form and reach its climax, only to then be abandoned by the next track.
There's no clear leader in this trio. On some of the tracks it sound as if all three are forcing their own busy and opinionated ideas through a hectic improvisation, or searching for a common sound. On other tracks it may be any one of them that sets the rhythmic framework or the noisy, leading sound. This trio often surprises with almost silent and highly delicate improvisations, where each sonic utterance carries a much greater import, as can be heard on the fifth eight and the tenth improvisations.
There are many Norwegian outfits that operate on the free, left-of-center side of jazz. Wolfram Trio is another excellent addition to this fieldeager, powerful and ready to leave its mark.
Track Listing
1; 2; 3; 4; 5; 6; 7; 8; 9; 10.
Personnel
Wolfram Trio
band / ensemble / orchestraHalvor Meling: saxophone; Fredrik Luhr Dietrichson; acoustic bass; Jan Martin Gismervik: drums.
Album information
Title: Wolfram | Year Released: 2012 | Record Label: Va Fongool
About Wolfram Trio
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.





