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Results for "Paul Motian"
Drums and Piano: Denny Zeitlin and Kasper Tom
by Jakob Baekgaard
The meeting between drums and piano is one of the more rare combinations in jazz, but it is possible to find fine examples of this particular genre. Just think of the encounter between Italian pianist Enrico Pieranunzi and drummer Paul Motian on Flux & Change (Soul Note, 1995) and Australian pianist Mike Nock's collaboration with drummer ...
only sky
by John Kelman
Despite a career that now goes back over three decades, the relative infrequency of releases from guitarist and sound sculptor David Torn renders any new one, at the very least, a cause for speculation...if not enthusiastic anticipation. Beyond the soundtracks that have become one piece of the puzzle that defines who Torn is--and acting as engineer ...
La persistente attualità di Tim Berne
by Libero Farnè
Negli ultimi tempi sembra che Tim Berne, sessant'anni compiuti il 16 ottobre 2014, stia vivendo una seconda giovinezza e una grande maturità creativa, che lo hanno portato anche a collaborare con vari gruppi di musicisti emergenti che si potrebbero idealmente considerare suoi allievi. Dopo essere giunto a incidere per la ECM ha raggiunto un riconoscimento ancora ...
I 10 CD nel CD player di... Francesco Chiapperini
by Vincenzo Roggero
01. Charlie Haden -Liberation Music Orchestra (Impulse! -1969). Il lirismo della Liberation Orchestra di Charlie Haden e di Carla Bley racconta in maniera moderna lo spirito della guerra civile spagnola attraverso composizioni che trasudano di sofferenza, ma anche di speranza. A cucire il filo del free jazz che unisce i diversi brani del disco spiccano ...
ECM Fest at SFJAZZ
by Harry S. Pariser
ECM Fest SFJAZZSan Francisco, CA March 26-29, 2015 In 1969, German record producer Manfred Eicher founded ECM, a label which would change music history. Since then his “Edition of Contemporary Music" imprint has more than lived up to its name, issuing well over a thousand albums by ...
Peter Davenport: Bolide
by Dave Wayne
Peter Davenport's Bolide is the sort of album that often flies completely under the radar. It's what record collectors call a private issue; completely self-produced, self-distributed and available on a very small scale; generally only through the artist. Nevertheless, Bolide is a worthwhile listening experience. While not a familiar name to me prior to hearing this ...
1959: The Most Creative Year in Jazz
by Nathan Holaway
1959 was arguably the most creative year in all of jazz history. Bird had already passed away, and this year would see the passings of Lester Young and Billie Holiday. Musically speaking, when we read jazz history texts or see the labels among the many diverse styles of jazz (i.e “Free Jazz," “Modal Jazz," “Third Stream," ...
Jakob Bro: Gefion
by Vincenzo Roggero
I primi centottanta secondi sono quasi impercettibili. Non è una questione di volume, ma di estetica, di dichiarazione di intenti. Jakob Bro si presenta così in Gefion sua prima fatica discografica per ECM, il silenzio, lo spazio, il suono, il Rainbow Studio di Oslo come compagni di viaggio al pari del batterista Jon Christensen e del ...
Avanti o indietro?
by Alberto Bazzurro
La più o meno contigua uscita di reperti d'epoca di Jarrett, Osborne e Soft Machine ci induce a una disamina a largo raggio su cos'era e verso dove si muoveva il jazz, pur inteso in senso lato, nell'epoca in cui tanti ragazzi provenienti dal rock più o meno progressivo vi confluivano a frotte. Cercando anche di ...
Bill Evans: Sublime Sideman
by Nathan Holaway
We already know what a tremendous voice Bill Evans has had in jazz history, and most of the major jazz pianists that he has influenced. Most jazz aficionados know most of the tunes Evans has composed and most of the tunes that were in his ever-changing repertoire. But, a subject that hardly gets enough attention concerning ...
