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Results for "Paul Lytton"
Nate Wooley / Christian Weber / Paul Lytton: Six Feet Under
by John Sharpe
Having established a template with their eponymous 2007 Broken Research debut and Creak Above 33, (psi, 2010), avant trumpeter Nate Wooley and English drummer Paul Lytton have been looking to stretch the confines of their duo with the addition of impromptu guests. Accomplices on their 2008 American tour included guitarist Fred Frith, pianist Marilyn Crispell, bassist ...
Evan Parker Electroacoustic Ensemble: Hasselt
by John Eyles
Evan Parker Electroacoustic EnsembleHasseltPsi2012Although Evan Parker Electro-Acoustic Ensemble had recorded five albums for ECM since 1997, in 2009 saxophonist Parker's Psi label released SET under his own name; the album was effectively by the Electro-Acoustic Ensemble, sharing its personnel, instrumentation and working methods. At the time, it seemed ...
Ljubljana Jazz Festival: Ljubljana, Slovenia, June 20–29, 2012
by Henning Bolte
Ljubljana Jazz FestivalLjubljana, SloveniaJune 20-29, 2012Ljubljana, with its 53rd edition, truly hosts the oldest jazz festival in Europe. Norway's Molde, also a candidate, started one year later, in 1960. The capital of the now-independent Republic of Slovenia, neighbored by Austria, Hungary, Croatia and Italy, Ljubljana is situated one hour from Trieste, two hours ...
Evan Parker / Wes Neal / Joe Sorbara: At Somewhere There
by Mark Corroto
Why, you might ask, does Evan Parker perform free jazz in trio, a format more identified with rhythm-based jazz? The answer is quite evident on At Somewhere There, a 40-minute improvisational interaction with two new partners.This trio's rhythm is supplanted by energy, animation, and a certain verve; but then, Parker has been at this ...
Evan Parker Electro-Acoustic Ensemble, Huddersfield, UK, November 18, 2011
by Duncan Heining
Evan Parker Electro-Acoustic EnsembleBates MillHuddersfield, UKNovember 18, 2011 From tiny sextets do mighty 18-piece chamber ensembles grow. 21 years ago, improvising saxophonist Evan Parker first put together his original Electro-Acoustic Ensemble. Five ECM CD's later--not to mention Set on Parker's own psi label--the Evan-expanding EPEAE premiered Tesserae, its next release, ...
Maya Recordings Festival: Winterthur, Switzerland, September 23-25, 2011
by Declan O'Driscoll
Maya Recordings Festival Winterthur, Switzerland September 23-25, 2011 The Maya Recordings label is unusual, if not unique, in that it releases CDs of baroque music (Bach, Biber, Telemann) alongside contemporary composition (Barry Guy) and some of the most exciting free jazz imaginable (Mats Gustafsson, Evan Parker and others). To celebrate 20 years ...
Adam Linson: Figures and Grounds
by John Eyles
The personnel of double-bassist Adam Linson's System Quartet is so good that it sets the juices flowing even before a note of music has been heard. Figures and Grounds was recorded in January 2008, when Linson still lived in Berlin, and he took full advantage of his adopted city's resources, recruiting trumpeter Axel Dörner, bass clarinetist ...
Kongsberg Jazz Festival, July 6-9, 2011
by Josef Woodard
Kongsberg Jazz FestivalKongsberg, NorwayJuly 6-9, 2011 By now, it's a self-evident truth that Norway has become something of a hot spot on the global jazz map... again. This is hardly a late-breaking news sensation, given the long arc of jazz lore and fanaticism and support systems in place in this Scandinavian corner, ...
Barry Guy: Striving For Absolute Spontaneity
by Maxim Micheliov
Barry Guy seems to be one of the most convincing figures in a long line of contemporary innovators whose discoveries possess everlasting value. Being a diverse improviser, a bassist of exceptional technique, an accomplished composer and a big band leader, this artist amazes by the scope of his interests and his variety of his accomplishments.
Mostly Other People Do the Killing: The Coimbra Concert
by Mark Corroto
The stand-up comic begins, “I went to a day of rage riot the other day, and a Moppa Elliott concert broke out." He might continue with, “Take my jazz canon, please." That is just what the bassist's quartet, Mostly Other People Do The Killing, does--seize the jazz standard and demolish it. The Coimbra Concert is the ...
