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Jazz Musician of the Day: Paul Gonsalves
All About Jazz is celebrating Paul Gonsalves' birthday today! Although his reputation is often hung upon the mighty gallery-rousing performance he gave at the 1956 Newport Jazz Festival with Duke Ellington, tenor saxophonist Paul Gonsalves was at heart an introspective balladeer. His true legacy is his recorded collection of love songs. Paul Gonsalves was born on ...
Charleston Jazz Orchestra at the Charleston Music Hall
by Martin McFie
Charleston Jazz Orchestra Charleston Music Hall Ellington at Newport 1956 Charleston, SC February 15, 2020 Duke Ellington's performance at the Newport Jazz festival in 1956 was the most important of his long career. After thirty years at the top of his profession, over a thousand tunes composed together with Billy ...
About Paul Gonsalves
Results for pages tagged "Paul Gonsalves"...
Paul Gonsalves
Born:
Although his reputation is often hung upon the mighty gallery-rousing performance he gave at the 1956 Newport Jazz Festival with Duke Ellington, tenor saxophonist Paul Gonsalves was at heart an introspective balladeer. His true legacy is his recorded collection of love songs. Paul Gonsalves was born on 12 July 1920, in Boston, Massachusetts, which is where he had his first professional engagement. He played tenor saxophone with the Sabby Lewis band for several years, a stretch split by military service during World War Two. In 1946, he left the Lewis band to join Count Basie for almost three years, was briefly with Dizzy Gillespie in 1949, and then joined Duke Ellington in 1950
Saxophone Summit: Street Talk
by Chris May
Since coming together in 1999 to celebrate the late-period work of John Coltrane, the aptly named Saxophone Summit has lost only one original member. Michael Brecker passed in 2007 and was replaced by Ravi Coltrane, who has in turn been replaced by Greg Osby. The other principals, Joe Lovano and Dave Liebman, are unchanged, as is ...
July Jazz Birthdays
by Marc Cohn
Celebrate and give thanks for these jazz voiceshonored in this month of their births. Playlist Junior Cook Illusion of Grandeur" from Somethin's Cookin' (Muse) 00:00 Cal Tjader Mood For Milt" from Latin Concert (Fantasy) 09:25 Cal Tjader Cubano Chant" from Latin Concert (Fantasy) 13:49 Don Patterson S'Bout Time" from The Exciting New Organ ...
Jazz Musician of the Day: Paul Gonsalves
All About Jazz is celebrating Paul Gonsalves' birthday today! Although his reputation is often hung upon the mighty gallery-rousing performance he gave at the 1956 Newport Jazz Festival with Duke Ellington, tenor saxophonist Paul Gonsalves was at heart an introspective balladeer. His true legacy is his recorded collection of love songs. Paul Gonsalves was born on ...
Jan Harbeck Quartet: The Sound The Rhythm
by Jakob Baekgaard
Jan Harbeck is a Danish tenor saxophonist whose debut with his quartet, In the Still of the Night (Stunt, 2008), received a Danish Grammy. At that time, Kresten Osgood was playing the drums. On the quartet's second album, Copenhagen Nocturne (Stunt, 2011), he was replaced by Anders Holm, but otherwise the line-up with bassist Eske Nørrelykke ...
Javon Jackson: For You
by Patrick Burnette
Tenor saxophonist Javon Jackson has roots stretching back to the hard-bop forebearers, having served stints with Art Blakey, Freddie Hubbard, Cedar Walton, and other luminaries of the lineage. For You is his twentieth release as a leader, and it finds him paying homage to Hubbard ("My Man Hubbard"), McCoy Tyner ("88 Strong"), Pharoah Sanders ("Mr. Sanders"--though ...
Naima/Live in Berlin
by Duncan Heining
Saxophonist Alan Skidmore has worked in many, many different settings during a career that stretches back to the early sixties with Alexis Korner--one of the three 'Fathers of British Blues" (paternity disputed!). That career has included recordings with John Mayall and Eric Clapton, Georgie Fame, Sonny Boy Williamson, Stan Tracey, Mike Westbrook, Mike Gibbs, the Walker ...
Rich Halley 3: The Literature
by Jim Trageser
Tenor saxophonist Rich Halley decided, according to the liner notes, to make his twenty-first recording an all-covers collection. The title of the recording, he writes, comes from his thought that if literature" connotes a body of work in classical music, then why not in jazz as well--and so he's collected a dozen of the songs that ...



