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Duke Ellington's Concert of Sacred Music
by Chuck Lenatti
In 1964, Dean D.J. Bartlett and the Reverend John S. Yaryan invited Duke Ellington and his orchestra to present a concert to consecrate the renovated Grace Cathedral on Nob Hill in San Francisco during a year-long festival of Grace. At first, Duke demurred. In his autobiography, Music Is My Mistress (Da Capo, 1976), Ellington ...
Livio Almeida: Brasília Sessions
by Richard J Salvucci
This is a good recording by a very good instrumentalist. Livio Almeida is a Brazilian saxophonist living in New York, but whether or not Almeida sounds particularly “Brazilian" is for others to say. Frankly, his tenor playing is straight ahead and while there are Latin rhythms galore, Almeida's “Brasilia Afro Samba" really recalls the guitar riff ...
Noah Preminger: Ballads
by Jack Kenny
Noah Preminger is a philosophical, thought-through artist who can gauge the impact of his playing and his thinking on his intended audience. It is interesting to compare Preminger's Ballads to John Coltrane's Ballads (Impulse!, 1963), an illuminating set of familiar tunes that was reputedly instigated after his quartet's first tour of Europe, with Eric Dolphy in ...
Copenhagen 1958
Label: Storyville Records
Released: 2024
Track listing: Take the A Train (Theme); Newport Up; My Funny Valentine; Perdido; Sophisticated Lady; Sonnet to Hank Cinq; What Else Can You Do With a Drum; Rockin' in Rhythm; Prelude to a Kiss; Things Ain't What They Used to Be; El Gato; Hi Fi Fo Fum; Diminuendo and Crescendo in Blue; I Can't Get Started; Body and Soul; A Little Blues; Sophisticated Lady; Mood Indigo.
Mario Mariotti, ricerca e improvvisazione tra contemporanea e jazz
by Neri Pollastri
Trombettista milanese di formazione accademica e dalle diversificate esperienze, appassionato esploratore dei multiformi scenari dell'improvvisazione, Mario Mariotti negli ultimi anni ha proposto lavori diversi tra loro, ma tutti molto interessanti. Abbiamo conversato con lui per conoscere meglio la sua personalità artistica. All About Jazz: Comincerei dal tuo interesse per Bill Dixon al quale ti ...
Duke Ellington: Copenhagen 1958
by Ken Dryden
Duke Ellington left a formidable discography at his death at the age of 75 in 1974, and it has expanded greatly with the number of concerts that have been uncovered and issued since then. This CD is drawn from two 1958 concerts at KB Hallen in Copenhagen, though they are not sourced from the original, long ...
Introducing Saxophonist Anirudh Chakravarthy
by Sanford Josephson
Tenor saxophonist Paul Gonsalves' 27-chorus solo on “Diminuendo and Crescendo in Blue" with the Duke Ellington Orchestra at the 1956 Newport Jazz Festival is etched in jazz history. It energized the Newport audience and rejuvenated Ellington's band. So, the prospect of recreating that moment at Jazz at Lincoln Center's 2024 Essentially Ellington competition had ...
Duke Ellington's Top Ten Albums
by AAJ Staff
Duke Ellington, the legendary jazz composer, pianist, and bandleader, released numerous albums throughout his illustrious career. It's challenging to narrow down his extensive discography to just ten, but here are some essential Duke Ellington albums that showcase his incredible talent and contribution to jazz: Ellington at Newport Columbia Records 1956 ...
Jazz Musician of the Day: Paul Gonsalves
All About Jazz is celebrating Paul Gonsalves' birthday today! Although his reputation is often hung upon the mighty gallery-rousing performance he gave at the 1956 Newport Jazz Festival with Duke Ellington, tenor saxophonist Paul Gonsalves was at heart an introspective balladeer. His true legacy is his recorded collection of love songs. Paul Gonsalves was born on ...
Leonard E. Jones: Taking Control Of Destiny
by Barbara Ina Frenz
Bassist and photographer Leonard E. Jones laid the foundation of his musical and artistic ideas as an original member of the Association for the Advancement of Creative Musicians. The AACM ranks as the most well-known and influential organization of the 1960s under African American leadership that created American experimental music through challenging “racialized limitations on venues ...
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