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Experimentalists: Talking with Adam Berenson, Dana Jessen, and Abdul Moimême
by Karl Ackermann
The newly opened Théatre des Champs-Elysées was sold out on the night of May 29, 1913. The well-heeled Parisian audience had come to enjoy the much-anticipated premiere of Igor Stravinsky's “Rite of Spring" which featured the choreography of the acclaimed Russian ballet dancer Vaslav Nijinsky. Some accounts of what transpired that night appear to be exaggerated. ...
Chris Lomheim - Michael O'Brien - Jay Epstein: Triage
by Friedrich Kunzmann
Triage refers to the process of weeding-out, deciding about what gets eliminated, on the one hand, and what stays, on the other. In the context of this album, its title can be interpreted as the process these three musicians have gone through during the course of over twenty years of collaborating, captured on the eleven original ...
Take Five With Greg Burk
by AAJ Staff
About Greg Burk Following his acclaimed 2016 release Clean Spring on SteepleChase Records, American pianist and composer Greg Burk returns with solo piano As A River--his 12th and most lyrical album to date. The son of classical musicians, Burk spent his formative years on the Detroit jazz scene, followed by studies in ...
Paul Bley / Gary Peacock / Paul Motian: When Will The Blues Leave
by Karl Ackermann
Had Paul Bley, Gary Peacock and Paul Motian recorded together more consistently, they would have been considered among the best piano trios in modern jazz history. The three first recorded on the ECM collection Paul Bley with Gary Peacock (1970), a compilation from the 1960s where three of the eight tracks had Billy Elgart on drums. ...
A Focus on Paul Bley
by Bob Osborne
This week we focus on the work of master pianist Paul Bley, including examples of the ground-breaking music he created with Jimmy Giuffre and Steve Swallow. During the rest of the show we feature some fascinating recent releases and some other classic cuts. Playlist James Brandon Lewis “Sir Real Denard" from An Unruly ...
Howard Riley: Live In The USA
by John Sharpe
This archival issue should further bolster British pianist Howard Riley's place among the top rank. Riley first came to prominence with the advent of his pioneering trio with bassist Barry Guy and various drummers including Tony Oxley, which extended yet further the egalitarian template first established by Bill Evans and Paul Bley. However Live In the ...
Jay Anderson: Deepscape
by Karl Ackermann
Jay Anderson took up the acoustic bass as a pre-teen, earned a Bachelor's Degree in Performance from CSU and cut his teeth playing with the Woody Herman Orchestra, right out of school. His deep resume includes classical performance with the Australian Chamber Orchestra, alternative music with Frank Zappa and Tom Waits, and pop with David Bowie. ...
Lucian Ban, Alex Simu: Free Fall
by Alberto Bazzurro
Il mondo di Jimmy Giuffre, anzi più nello specifico quello del trio con Paul Bley e Steve Swallow (anche se qui non c'è traccia di contrabbasso) e di un suo storico album in particolare, omonimo di questo e inciso, tranne un brano, nell'autunno (fall, appunto) 1962, è il punto di riferimento di questo notevole album del ...
Milder - Ljungkvist - Landæus - Augustson - Rundqvist: The Music Of Anders Garstedt
by Angelo Leonardi
Non era il debole sole del Nord ad animare la musica di Anders Garstedt ma un coinvolgimento nel modern mainstream anni cinquanta, sia statunitense che europeo. Parliamo al passato perchè il trombettista svedese è scomparso a soli trentun anni nel 2000. Era nato a Karlstad la città prospicente il lago Vänern e dopo aver studiato il ...
Philipp Zoubek: Outside
by Alberto Bazzurro
Inciso a Colonia nel dicembre 2017, questo album vede il quarantenne pianista austriaco Philip Zoubek, collaboratore fra gli altri di Paul Lytton, Frank Gratkowski, Ernst Glerum ed Herb Robertson, misurarsi con la prediletta formula del trio, nello specifico affiancato dal bassista tedesco David Helm e dal batterista elvetico Dominik Mahnig. Come principali punti di ...
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