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Gwilym Simcock, Mike Walker, Steve Swallow, Adam Nussbaum: The Impossible Gentlemen
by Chris May
The Impossible GentlemenThe Impossible GentlemenBasho Records2011 You may not have heard of The Impossible Gentlemen, for this is the group's first album, and you may not have heard of one of its two chief protagonists, as he has chosen to spend most of his career away from ...
Now's the Time: Miles Davis 1945-1989
by Jeff Dayton-Johnson
Franck Bergerot's Miles Davis: Introduction à l'écoute du jazz moderne (Seuil, 1996) suggests that you can hear a lot of Davis' musical world in his 45-second solo on Charlie Parker's “Now's the Time," beginning at 1:45. This is one among many dimensions of Davis' musicianship—nocturnal, blues-tinged, largely without the mute, alternating between a tenderness and a ...
Theo Travis: All I Know: An Anthology
by John Kelman
He's been on the scene for twenty years, but it's only been in the past few that Theo Travis has risen to prominence beyond the expanding group of musicians who call him up when they need a saxophonist/flautist with jazz chops but a rock sensibility--and an appreciation of the organic marriage of technology with acoustic instruments ...
Take Five With Winnie Dahlgren
by AAJ Staff
Meet Winnie Dahlgren: A native of Denmark Winnie Dahlgren started playing percussion at age fifteen, and received both her B.M. in music education and her M.M. in Performance from the Vestjysk Academy of Music in Esbjerg, Denmark. In the middle of her classical studies at the conservatory she took two years off to study jazz at ...
Very Much Alive
by John Kelman
[NOTE]: This review is being republished as a celebration of just one aspect of the life of drummer Paolo Vinaccia, who passed away after a lengthy battle with cancer on July 5, 2019. Best-known in Norway, where he emigrated from Italy in 1979, enjoying a busy career with artists including Arild Andersen, Terje Rypdal, Mike Mainieri, ...
Terje Rypdal: Crime Scene
by Ian Patterson
Such is the strength of the ECM aesthetic--visually as well as musically--that it's one of very few record labels in the history of jazz that is referred to describe a person's musical tastes. The northern European jazz sound which Manfred Eicher has made synonymous with his fabled label--cool, spacious, pastoral--colors the majority of ECM releases, so ...
JazzFest Berlin 2010 Programme Available & Tickets On Sale
JazzFest Berlin 2010—Goes Europe! This year's edition of the Berlin Jazz Festival (JazzFest Berlin 2010) will take place from November 3 to 7. Artistic director Nils Landgren and the Berliner Festspiele treat you to a resounding jazz experience with 23 events, more than 30 jazz ensembles and roughly 250 musicians. The recent festival focusses on the ...
Copenhagen Jazz Festival 2010
by Jakob Baekgaard
Copenhagen Jazz Festival Various Venues Copenhagen, Denmark July 2-11, 2010With the current crisis of the major record labels and the folding of venues all over the world, it could be argued that jazz, as an art form, has entered the age of survival where it is simply a basic matter of ...
Terje Rypdal: Crime Scene
by Karl Ackermann
Norwegian guitarist and ECM principal, Terje Rypdal has defied narrow and expedient labels throughout his long career. Originally a rocker, he joined Jan Garbarek's quartet (and ECM) in 1969. In the course of his career, he has composed a number of symphonies, two operas, a violin concerto and many modern works that, as often as not, ...
John Surman: From Boy Choirs to Big Horns
by John Kelman
It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...
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