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10

Article: Record Label Profile

Losen Records: New Norwegian Sounds

Read "Losen Records: New Norwegian Sounds" reviewed by Jakob Baekgaard


Mention the phrase “the Norwegian sound" and many listeners will get an image in their head. An image of a natural, deep echoing sound influenced by the mountains and hills of the Norwegian landscape. Such an image is, of course, a cliché, but to some critics it has stuck and distorted the rich fertility of the ...

9

Article: Album Review

Terje Rypdal: Melodic Warrior

Read "Melodic Warrior" reviewed by John Kelman


Some albums are worth the wait, even if that wait is a full decade. The lion's share of guitarist Terje Rypdal's Melodic Warrior is devoted to the nine-movement title suite, a 2003 recording with the Bruckner Orchester Linz and, most importantly, the Hilliard Ensemble, the vocal ensemble that leapt to greater fame with Officium (ECM, 1993), ...

4

Article: Album Review

Monkey Plot: Lov og lette vimpler

Read "Lov og lette vimpler" reviewed by Eyal Hareuveni


The title of this debut album from young Norwegian trio Monkey Plot, Løv og lette vimpler ("leaves and light streamers" in Norwegian) suggests a glimpse into its impressive range. The musical vocabulary of these musicians--acoustic guitarist Christian Skår Winther, double bassist Magnus Skavhaug Nergaard (both members of the noisy, in-your-face punk-jazz trio Ich Bin N!ntendo) and ...

11

Article: Album Review

Christian Wallumrod Ensemble: Outstairs

Read "Outstairs" reviewed by John Kelman


After a four-year break following the biennial run of four recordings beginning with 2003's Sofienberg Variations and ending with 2009's Fabula Suite Lugano (all on ECM), Christian Wallumrød returns with Outstairs. Building on the strength of what came before, the pianist/composer continues to assert a clear identity with this slightly altered ensemble, not only capitalizing on ...

7

Article: Album Review

The Geordie Approach: Inatween

Read "Inatween" reviewed by Ian Patterson


At the risk of pigeonholing The Geordie Approach's music, there's really nothing like a little Noise/skronk/experimental electro/free jazz/pounding post-rock to shake off the cobwebs. The trio's debut album, Why Eye (Bruce's Fingers, 2007) will have deterred the faint hearted with its intense free improvisations, and equally, sucked in more adventurous listeners into the all-enveloping spiral of ...

2

Article: Album Review

Randi Tytingvåg: Lights Out

Read "Lights Out" reviewed by Anthony Shaw


Reading that this EP was partly the product of illness and a miscarriage, this collection of four and a bit songs under such a foreboding title might have been expected to be darker, especially considering Norway's reputation for such expression. Randi Tytingvåg, however, has an innate lightness in her voice and writing. Strange, ...

2

Article: Album Review

Ruth Wilhelmine Meyer and Helge Lien: Memnon

Read "Memnon" reviewed by Anthony Shaw


Helge Lien is a contemporary Norwegian pianist principally known for work on his own and with his trio, for which he has been awarded Norway's 2008 DnBNor Musicians Award. Despite extensive exposure to the more mainstream music created with his trio, however, Lien has long been associated with more experimental projects, like the HERO duo, from ...

2

Article: Album Review

Lars Andreas Haug Band: Conrairo

Read "Conrairo" reviewed by Eyal Hareuveni


The new generation of Norwegian tuba players keep challenging this under-rated instrument. Two years ago it was the trio of Martin Taxt, Kristoffer Lo and Robin Hayward who investigated the timbre characteristics of the tuba on microtub (Sofa Music, 2011) and last year Lo explored the tuba as a sound source for dark and intense soundscapes ...

16

Article: Interview

Arve Henriksen: The Trumpet is My Pen

Read "Arve Henriksen: The Trumpet is My Pen" reviewed by Nenad Georgievski


Norwegian trumpeter Arve Henriksen is one of a handful of creative upstarts, like trumpeters Nils Petter Molvær or Erik Truffaz, who are embracing electronics and the improvisational side of jazz in their music. Henriksen's music is an otherworldly amalgamation of different and sometimes opposing elements, with imaginative soundscapes built on the tradition that trumpeter Miles Davis ...

8

Article: Album Review

Hedvig Mollestad Trio: All of Them Witches

Read "All of Them Witches" reviewed by John Kelman


It may well be sexist to suggest that there are few female heavy rock guitarists. Still, as society moves towards greater equity among the genders, there are thankfully a lot more talented and intrepid women transcending conventional expectations of their “place" in music--and few countries exemplifying this more than Norway. Sidsel Endresen may be a singer, ...


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